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TWO:"Why, Captain," she replied, "you know, we don't sing the same words to our soldier-songs that you do--except in the hymns. Shall I sing 'Am I a soldier of the cross?'"

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THREE:It would have been easy, so the simple and obviously-minded person would think, for her to have turned on the electric light, and have saved her eyes. But there were subtler and more compelling reasons which stood in the way of doing that. The first was that the light would almost certainly awaken her mother, who, by beginning to talk again, as she always did when a nap had refreshed her, would put an end to Alice��s private reflections which flourished best in dusk and in silence. A second reason was that it was more than likely that Mr Silverdale would presently drop in for tea, and it was decidedly more interesting to be found sitting at work, with her profile outlined against the smouldering glow of sunset, than to be sitting under the less becoming glare of{99} an electric lamp. For the same reason she did not put on the spectacles which she would otherwise have worn.

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TWO:

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THREE:The prospect of Mr Silverdale��s presence at dinner that night had filled Alice with secret and gentle flutterings, and accounted for the fact that she wore her amethyst cross and practised several of Mendelssohn��s Songs Without Words before evening service, in case she was asked to play after dinner. She reaped her due reward for these prudent steps, since Mr Silverdale expressed his admiration for amethysts at dinner, and afterwards came and sat close by the piano, beating time with scarcely perceptible movements of a slim white hand, not in the manner of one assisting her with the rhythm, but as if he himself pulsated with it. He had produced an extraordinarily unfavourable impression on John by constantly{53} calling him by his Christian name, by talking about Tom Brown when he heard he was at Rugby, and by using such fragments of schoolboy slang as he happened to recollect from his boyish days. These in the rapidly changing vernacular of schoolboys were now chiefly out of date, but John saw quite clearly that the design was to be ��boys together,�� and despised him accordingly. On Mr Keeling he produced merely the impression of a very ladylike young man of slightly inane disposition, and as Hugh was away, spending the evening at the house of his fianc��e, Mr Silverdale was thrown on the hands of the ladies for mutual entertainment. With them he succeeded as signally as he had failed with John, saying that though preaching a sermon might be dry work for his hearers it was hungry work for the performer, eating salmon mayonnaise with great gusto, and remarking across the table to John, ��Jolly good grub, isn��t it, John?�� a remark that endeared him to Mrs Keeling, though it made John feel slightly sick, and caused him to leave in a pointed manner on his plate the portion of the ��good grub�� which he had not yet consumed. Like a wise tactician, therefore, Mr Silverdale abandoned the impregnable, and delivered his assaults where he was more likely to be successful. He had an eager and joyful manner, as of one who found the world an excellent joke.Turn away thine eyes, maiden passing fair. O maiden passing fair, turn away thine eyes!

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THREE:FIVE-STORIED PAGODA. FIVE-STORIED PAGODA."Wallabaloo," said the Clockwork man, faintly, "Wum��Wum��"

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THREE:Mrs Keeling tried to recollect something about quarrels she had been party to. There was the case of the two little tiffs she had had lately with her husband, once when he had distinctly sworn at her, once when he had asked her so roughly what she meant with regard to her little joke about Norah and the catalogue. One of those, so it suddenly seemed to her now, had led to a pearl-pendant, which seemed to illustrate Alice��s theory of quarrels leading to warmer attachments. She had not connected the two before. She wondered whether Mrs Fyson would say that that was very clever too.... She determined to think it over when she had leisure. At present she was too curious about Alice to attend to it. But she would think it over at Brighton.{223}The steamer was anchored nearly half a mile from shore. English, French, German, and other ships were in the harbor; tenders and steam-launches were moving about; row-boats were coming and going; and, altogether, the port of Yokohama presented a lively appearance. Shoreward the picture was interesting. At the water's edge there was a stone quay or embankment, with two inner harbors, where small boats might[Pg 80] enter and find shelter from occasional storms. This quay was the front of a street where carriages and pedestrians were moving back and forth. The farther side of the street was a row of buildings, and as nearly every one of these buildings had a yard in front filled with shade-trees, the effect was pretty.

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THREE:Once more she is downstairs, in the lane which the dancers are making for their last reel. Two of the gallants have gone out to see the horses, and something keeps them, but there is no need to wait. The fiddle rings a chord! the merry double line straightens down the hall from front door to rear, bang! says the fiddler's foot--"hands round!"--and hands round it is! In the first of the evening they had been obliged to tell the fiddler the names of the dancers, but now he knows them all and throws off his flattering personalities and his overworked rhymes with an impartial rotation and unflagging ardor. Once in a while some one privately gives him a new nickname for the next man "a-comin' down de lane," and as he yawps it out the whole dance gathers new mirth and speed."You see," Frank continued, "that you know by the compass exactly in what direction you are going; then, if you know how many miles you go in a day or an hour, you can calculate your place at sea.

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