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ONE:The front of the temple is covered with paintings. Decorations in the Persian style divide the panels, on which are depicted the principal scenes from the sacred books of the Brahmins. There are two perfect things to be seen here: two nude female figures standing, one white, the other brown, exquisitely refined in colouring, admirably drawn in a style reminding me of early Italian art; and then, just beyond these, tasteless imitations of chromos��goddesses with eyes too large and a simper like the advertisements of tooth-paste, and some horrible caricatures of English ladies in the fashion of ten years ago holding parasols like a nimbus. ONE:Near one pagoda, where the highly venerated footprints of Adishwara are preserved, a tree��a gran tree��was cut down to the root, and, as the legend tells, grew again in a single night as large as it now is; and it would grow again if it were again felled, to screen with its shade the holy spot touched by the god.Squeezed in and crushed between houses that tower above it, rises the pointed dome of Biseshwar Matti, covered with leaves of chased gold; smaller cones surround the principal dome, bristling with tiny pyramids of gold, carved into flowers round statues of Kali with her eight arms, of Ganesa, and of peacocks with spread tails. Under this splendid cupola, dazzlingly bright against the sky,[Pg 156] the temple itself is quite small, and strictly closed against the unbeliever. Some pious hands had hung chains of jasmine and roses above the entrance, and they gave a touch of beauty to the stonework, very old, and soiled with large stains of oil. A sense of intense piety hangs about this sanctuary, subdues every voice, and bends the head of every passer-by in reverence of the mystery, and they all bring flowers.

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