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IN after life Mme. Le Brun used to say that her girlhood had not been like that of other young girls. And indeed it was not. By the time she was fifteen she was already not only a celebrated portrait painter, but very much sought after in society. A portrait of her mother, which she painted when she was not yet fifteen, excited so much admiration that the Duchesse de Chartres, who had often looked at her with interest from the gardens of the Palais Royal, opposite which she lived, sent for her to paint her portrait, and was so delighted with the pretty, gentle girl whose talents were so extraordinary that she spoke of her to all her friends.

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The order was given for every one to wear powder, but as Mme. Le Brun did not like it in portraits, and was painting that of Prince Bariatinski, she begged him to come without it. One day he arrived in her studio pale and trembling.
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FORE:All laughed at the vision, but the next day she was so ill that her execution was put off, she continued to be so ill that she could not be moved and was forgotten till the 9th Thermidor came and she was saved. She died, as Cazotte had predicted, in her own bed at a great age.

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FORE:As they were talking one day on the subject to Father Carrichon, the Duchess asked him if he would promise to be with them at the foot of the scaffold. He did so, adding that he would wear a dark blue coat and a red carmagnole.There had been no disunion or quarrel between her and the Comte de Genlis; they had always been attached to one another, and no break occurred between them; she continued to be devotedly loved by Mme. de Puisieux, whose death she now had to lament.

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FORE:Mme. de Montagu started first with her husband, leaving her boy with her aunt and her girl with a friend. As they were still on the proscribed list they travelled under the names of M. et Mme. Mongros. They took up their quarters in Paris at a small house kept by an old servant of M. de Thsan, where they found their cousin, the Duchesse de Duras and the Doudeauville, living under their own names, in little rooms very clean, but so scantily furnished that if any visitors arrived they had to borrow chairs from each other.The real names of Mlle. de Maintenon were Anne Paule Dominique, which, sonorous as they sound, were those of a poor old man and woman of the labouring class whom the Duchess had chosen to be her daughters godfather and godmother.

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FORE:

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FORE:Some weeks after their marriage the Comte de Genlis had to rejoin his regiment, which was at Nancy, and as it was then not the custom for officers wives to accompany them, and he thought Flicit too young to be left by herself at a court such as that of Louis XV., he decided to take an apartment for her at Origny, in a convent where he had relations, as people often did in such cases.A fortnight after the marriage she no longer cared about her husband, and soon afterwards she caught the small-pox.

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FORE:The climate of Russia Lisette became gradually accustomed to. The absence of spring and autumn, the short, hot summer, not beginning until June and ending in August, were at first very strange to her. The first May she spent there the half-melted snow was on the ground and the windows still closed up, while enormous blocks of ice came crashing down the Neva with a noise like thunder.

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THREE:

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TWO:He gave Lisette lessons in oil-painting for which his wife used to come and fetch her. They were so poor that on one occasion when she wished to finish a head she was painting, and accepted their invitation to stay and dine, she found the dinner consisted only of soup and potatoes.In reading the memoirs and chronicles of that time one scarcely realises the existence of the many families and households, especially among the noblesse de province [8] or country gentlemen, and the middle classes, amongst whom the principles of order and religion were observed; and of an increasing circle of literary and philosophic persons who inveighed against the crimes, vices, and abuses of the age.
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THREE:In this, she answered; and throwing off her hood and cloak, he saw a woman still young and pretty, her hair powdered and covered with a simple little cap, a grey silk dress, green apron, high-heeled shoes, and a carton in her hand.In the Souvenirs, written in after years, when her ideas and principles had been totally changed by her experience of the Revolution, the beginning of which had so delighted her, she was evidently ashamed of the line she had taken, and anxious to explain it away as far as possible.

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THREE:Mme. de Polignac shuddered; exclaiming that she would never of her own accord leave her mistress, or if an absence was necessary to her health it should be a short one.

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THREE:Je pars, et des ormeaux qui bordent le chemin,

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THREE:Cherchons bien les chemisesFor the Duc dOrlans was aiming at the crown, and it is impossible to believe Mme. de Genlis was [414] not aware of it. He suggested to the Queen that Madame Royale should be married to his eldest son, which proposal Marie Antoinette decidedly refused, remarking afterwards that to marry her daughter to the Duc de Chartres would be to sign the death warrant of her son. [120]

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FORE:
THREE:This, however, neither the Princes of the blood, the nobles, nor the French nation would stand, and the project had to be relinquished; but the rapacity and outrageous arrogance and pretensions of les batards, as they were called, had aroused such irritation and hatred that Louis XV. took care to go into the opposite extreme. Unlike his predecessor, he cared nothing for the children of his innumerable liaisons, which were of a lower and more degraded type than those of his great-grandfather. He seldom recognised or noticed these children, made only a very moderate provision for them, and allowed them to be of no importance whatever.
FORE:The last time Marie Antoinette ever sat to her was at Trianon, when she painted her head for the great picture in which the Queen is represented with her children, the first Dauphin, [20] Madame Royale, [21] and the Duc de Normandie, [22] which was [48] hung in the Salon of 1788, and excited universal admiration. It was afterwards taken to Versailles and hung in one of the salons through which the Queen always passed on her way to mass.

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THREE:to which she had to answer:The Ambassador gave her his arm, told her to be sure to kiss the hand of the Empress, and they walked across the park to the palace, where, through a window on the ground floor, they saw a girl of about seventeen watering a pot of pinks. Slight and delicate, with an oval face, regular features, [125] pale complexion, and fair hair curling round her forehead and neck, she wore a loose white tunic tied with a sash round her waist, and against the background of marble columns and hangings of pink and silver, looked like a fairy.

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Marat avait dit dans un journal que les chemises de Mesdames lui appartenaient. Les patriotes de province crurent de bonne foi que Mesdames avaient emport les chemises de Marat, et les habitants dArnay-ci-devant-le-duc sachant quelles devaient passer par l, decidrent quil fallait les arrter pour leur, faire rendre les chemises quelles avaient voles.... On les fait descendre de voiture et les officiers municipales avec leurs habits noirs, leur gravit, leurs charpes, leur civism et leurs perruques, disent Mesdames:It was an eccentric existence that she led in her youth, it must be confessed. That wandering, restless life had a character all the more strange because at that time it was so unusual; going perpetually from one chateau to another, roaming about the country disguised as a peasant, playing tricks on everybody, eating raw fish, playing the harp like Apollo, dancing, acting, fencing....In Mme. Le Brun, the most gifted of all, we see a beauty, a genius, and a woman unusually charming and attractive, thrown, before she was sixteen, into the society of the magnificent, licentious court of Louis XV. Married to a dissipated, bourgeois spendthrift, for whom she had never cared; sought after, flattered, and worshipped in all the great courts of Europe; courted by fascinating, unscrupulous men of the highest rank, without the protection of family connections and an assured [viii] position; yet her religious principles, exalted character, and passionate devotion to her art, carried her unscathed and honoured through a life of extraordinary dangers and temptations.

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