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At Roza, the plateau above the Hindoo sanctuaries, above a dozen of Moslem mausoleums are to be seen under the spreading banyans that shelter them beneath their shade, and sometimes hide them completely; the white objects are in a whimsical style of architecture, hewn into strange shapes, which in the doubtful starlight might be taken for ruins.At a goldsmith's I stood to watch a native making a silver box. He had no pattern, no design drawn on the surface, but he chased it with incredible confidence, and all his tools were shapeless iron pegs that looked like nails: first a circle round the box, and then letters and flowers outlined with a firm touch that bit into the metal. He had no bench, no shopnothing. He sat at work on the threshold of his stall, would pause to chat or to look at something, and then, still talking, went on with his business, finishing it quite simply at once without any retouching.
  • TWO:In another place two elephants of bright indigo, and some musicians all green, with red parrots on their wrists, are painted on the walls of a hall where the prayer-bell is incessantly tolled. Here many worshippers were prostrate. An idol, flanked by two statues on guard in stiff hieratic attitudes, was almost hidden under gold chains and a crown of inordinate splendour, while a priest, wearing only a loin-cloth, stood calmly sluicing the white plaster and putting the god through his toilet, sometimes splashing the congregation.The view spread to the horizon of mauve-pink sky, very faintly streaked with green. We could see the white mass of Secunderabad, a town of English barracks, at the foot of chaotic red-brown rocks, looking like the heaped-up ruins of some city of the Titans; and among trees shrouded in blue smoke, Hyderabad, conspicuous for its two mosquesthe tomb of the Empress and the Jumna Musjid, the mausoleum of the Nizams.

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THREE:One after another I made my salaam to Siva, seated on a peacock; to Ganesa, looking calm and knowing; to Parvati, riding a bull; to Siva again, this time pinning a dragon to the ground with a fork, a writhing reptile with gaping jaws and outspread wings; the same god again, with a child in[Pg 121] his arms; and again, holding his leg like a musket up against his shoulder with one of his four hands, the other three lifting a bull, a sceptre, and a trophy of weapons above his head.
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THREE:Towards evening Ellora came in sight, the sacred hill crowned with temples, in a blaze of glory at first from the crimson sunset, and then vaguely blue, wiped out, vanishing in the opalescent mist.
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THREE:In the third-class carriages, where the compartments are divided by wooden lattice, among the bundles, the copper jars, and the trunks painted in the gaudiest colours, sit women in showy saree and decked in all their jewels; children in little silk[Pg 59] coats braided with tinsel, and open over their little bare bodies; men with no garment whatever but a loin-cloth or dhouti. There is endless chatter, a perpetual bickering for places, the bewilderment of those who lose themselves, shouts from one end of the station to the other, and in the foreground of the hubbub the incessant cries of the water and sweetmeat sellers.
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FORE:All the men carry fighting quails in little cages made of a net stretched over a wooden tray and cone-shaped at top. Towards evening, in the shade of the houses, at the street corners, in the courtyardseverywhere, there is a group betting on the chances of a fight. The birds taken out of the cages at first turn slowly round each other, their beaks close together. Then a spring, a flutter of wings and flying feathers; the quails strike and peck, aiming at the head, and then suddenly they seem quite indifferent and turn round and round again, picking up grain from the ground. When a[Pg 284] bird is killed at the end of a battle, its eyes blinded and its breast torn open, it is considered a fine, a noble spectacle, and amateurs will talk of it for a long time. As a rule, after a few rounds one of the birds tries to get away. Then its owner pricks its neck with a knife, and the gasping creature dies slowly in the dust, the blood oozing drop by drop.In the town is the tomb of the Ranee Sipri: walls of lace, balconies of brocade carved in stone. Opposite this mausoleum are an open mosque and two minarets as slim as sapling pines, wrought with arabesques as fine as carved ivory. There are lamps carved in relief on the walls, each hung by chains under-cut in stone with Chinese elaboration; and this lamp is everywhere repeatedon the mosque, on the tomb, and on the base of the minarets. The building, which has the faintly russet tone of old parchment, when seen in the glow of sunset takes a hue of ruby gold that is almost diaphanous, as filmy as embroidered gauze. 8.00 - 10.00 | JUN 09,2014

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FORE:One of the police in charge had a whip, and when he was leading away the old man, holding his chain he "played horses" with him, to the great amusement of the bystanders, and even of the old fellow himself.Little beggar-girls with a depraved look, artful little hussies, pursued us coaxingly: "Give something, sahib, to pretty Cingalee girl, who wants to go over sea to where the gentlemens live." 9.00 - 10.00 | FEB 15,2014

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FORE:A very solid structure, with walls like a fortress, contains the treasury of the sacred mount. Five guards in turn came to open as many padlocks, and at last the ponderous door turned slowly on its hinges. A car, an elephant, and a vehicle to which are harnessed two prancing horses, are all brought out to convey the idols when they go forth in a[Pg 81] procession. The animals are chased with almost artistic skill. The harness, starry with precious stones, all takes to pieces.Some more small boys, a little way off, were doing embroidery, mingling gold thread and coloured silks in patterns on shawls. They were extremely fair, with long-shaped black eyes under their bright-hued pointed caps, and their dresses were gay and pretty, mingling with the glistening shades of silks and gold. And they were all chattering, laughing, and twittering as they worked, hardly needing the master's supervision. 11.00 - 10.00 | JUN 10,2014

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Every year pilgrims set up the tallest tree from the neighbouring jungle in front of the sanctuary, and twist round it an enormous red flag. The[Pg 291] mast now standing was at least a hundred feet high, and held in place by guys attached to banyan trees and houses standing near. Close to the ground ties of coloured worsted, the offerings of the faithful, held the crimson hanging to the pole.The game had begun. The prince's cousins, dressed in light white muslin, seemed to fly as they ran after the ball in the fluttering of the diaphanous stuff.PALITANA

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