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TRICHINOPOLYTo light the way, coolies carried long iron tridents tipped with balls of tow soaked in oil. The mass moved slowly forward through the people, suddenly soothed to silence. The procession paused at the wayside altars, and then, in the middle of a circle formed by the torch-bearers and coloured lights, the sacred bayadres appearedthree girls with bare heads, dressed in stiff new sarongs heavy with tinkling trinkets, and an old woman crowned with a sort of very tall cylindrical tiara of red velvet embroidered with gold. Very sweet-toned bagpipes and some darboukhas played a slow tune, and the dancers began to move; they spun slowly round, their arms held out, their bodies kept rigid, [Pg 137]excepting when they bowed to the shrine. The crude light of the red fire or the sulphurous flare of the torches fell on their glittering ornaments, alternately festive and mysterious, shedding over the performance an atmosphere at once dreamy and magically gorgeous.The ripe rice, in golden ears, is cut with sickles; a row of women in red gather it into sheaves, which men carry on their back, at once, to the next village, and there it is threshed out forthwith on floors but just swept.
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THREE:The road goes on. Trees cast their shade on the flagstone pavement, but between the houses and through open windows the sandy plain may be seen, the endless whiteness lost in a horizon of dust.In the side streets the natives lay sleeping on the bare earth in the coolness of night. On every house were the spots of red paint that told how many of the inhabitants had died of the plague;[Pg 304] and the smaller the house the closer were the dabs of paint, almost framing the door with a chain of red spots.

Lorem Ipsum is not simply random text. It has roots in a piece of classical Latin literature from 45 BC, making it over 2000 years old. Richard McClintock

THREE:Here, a white marble mosque with three flights of open arcades, with white domes to roof it, is paved with rectangular flags, each bordered with a fillet of black marble ending in an arch-like point, immovable prayer-carpets turned towards Mecca. Behind the marble lattices that form one wall of this mosque, the women of the zenana come to hear the moollah recite prayer.

Lorem Ipsum is not simply random text. It has roots in a piece of classical Latin literature from 45 BC, making it over 2000 years old. Richard McClintock

THREE:We sailed past the holy city in a heavy, massive junk, the prow formed of a snake with its head erect and jaws yawning, down the Ganges, all rippled with rose and blue. Palaces, and more palaces, with thick walls and towers, that look like bastions, stand in perspective as far as the eye can see. Windows and balconies are cut in the ponderous masonry at the level of the third floor, and high above these rajahs' dwellings rise the domes of the temples, pointing skywards among tall trees that spread their shade on the russet stonework. At the foot of the palaces, steps lead down to the river, divided by little stages covered with wicker umbrellas that shine in the sun like discs of gold; under these, Brahmins, after bathing, were telling their beads. Now and again they dipped their fingers in the sacred waters and moistened their eyes, forehead, and lips.

Lorem Ipsum is not simply random text. It has roots in a piece of classical Latin literature from 45 BC, making it over 2000 years old. Richard McClintock

THREE:At the back of the shops, which lie lower than the street, we could see men trampling in vats all[Pg 261] day long; they were stamping and treading on old woollen shawls, fulling them to take off the shiny traces of wear, to sell them again as new goods.In a consecrated hall we came to a plaster image of a camel modelled over stone. To prove that you are without sin you must be able to pass under the beast, or at least between the front legs and the girth of the belly without touching any part; and so very narrow is this little gateway of Ja?n virtue that, to preserve my character in the presence of my escort, I did not attempt it.

Lorem Ipsum is not simply random text. It has roots in a piece of classical Latin literature from 45 BC, making it over 2000 years old. Richard McClintock, a Latin professor at Hampden-Sydney College.It has roots in a piece of classical Latin literature from 45 BC.It has roots in a piece of classical Latin literature,It has roots in a piece of classical Latin literatureIt has roots in a piece of classical Latin literature.Lorem Ipsum is not simply random text

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TWO:A man by the roadside was mixing mud with[Pg 265] chopped straw; then when his mortar was of the right consistency he began to build the walls of his house between the four corner posts, with no tools but his hands. A woman and child helped him, patting the concrete with their hands until it began to look almost smooth.
TWO:
TWO:Mystery broods over this ruined past; grandeur seemed to rise up in the sunset glow. We went[Pg 101] down the hill, while behind us a saffron haze veiled the Royal Hill, effaced every detail of architecture, and shed over all an amethystine halo.KOHAT
TWO:And in the evening at messa dinner given in honour of a regiment marching throughnews was brought in that close to Bunnoo, in the Kurrum valley, two travellers had been murdered in the night.
FORE:
THREE:Here are carvers of painted wooden toysred[Pg 10] and green dolls, wooden balls, nests of little boxes in varied and vivid colours.

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Lorem Ipsum is not simply random text. It has roots in a piece of classical Latin literature from 45 BC, making it over 2000 years old. Richard McClintock, a Latin professor at Hampden-Sydney College.It has roots in a piece of classical Latin literature from 45 BC.Lorem Ipsum is not simply random text.

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Lorem Ipsum is not simply random text. It has roots in a piece of classical Latin literature from 45 BC, making it over 2000 years old. Richard McClintock, a Latin professor at Hampden-Sydney College.It has roots in a piece of classical Latin literature from 45 BC.Lorem Ipsum is not simply random text.

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Lorem Ipsum is not simply random text. It has roots in a piece of classical Latin literature from 45 BC, making it over 2000 years old. Richard McClintock, a Latin professor at Hampden-Sydney College.It has roots in a piece of classical Latin literature from 45 BC.Lorem Ipsum is not simply random text.

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THREE:At the polo-match in the evening the band played, and three ladies were present; in sign of the spring having come, a basket was hung to the branch of a tree, full of straw kept constantly wet by the coolies, and containing sundry bottles of soda-water.[Pg 224]

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Lorem Ipsum is not simply random text. It has roots in a piece of classical Latin literature from 45 BC, making it over 2000 years old. Richard McClintock, a Latin professor at Hampden-Sydney College.all this mistaken idea

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Lorem Ipsum is not simply random text. It has roots in a piece of classical Latin literature from 45 BC, making it over 2000 years old. Richard McClintock, a Latin professor at Hampden-Sydney College.all this mistaken idea

FORE:A delightful surprise was a museum of Indian art, the first I had seen, a fine collection and admirably arranged;[A] but the natives who resorted hither to enjoy the cool shelter of the galleries talked to each other from a distance, as is their universal custom, at the top of their voices, which rang doubly loud under the echoing vaults.

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FORE:In a coach-house, through which we passed on our way to see the prince's favourite horses with the state carriagesquite commonplace and comfortable, and made at Palitanawas a chigram,[Pg 68] off which its silk cover was lifted; it was painted bright red and spangled with twinkling copper nails. This carriage, which is hermetically closed when the Ranee goes out in it, was lined with cloth-of-gold patterned with Gohel Sheri's initials within a horseshoe: a little hand-glass on one of the cushions, two boxes of chased silver, the curtains and hangings redolent of otto of roses.Presently three beggar-women came up to sing from door to door. In their arms, like babies at the breast, they carried shapeless idols painted red, bedizened with spangles and gilt paper. They wailed out a ditty repeated again and again, knocked perseveringly at the doors, insisting on alms; and[Pg 96] then, when they had received it, they touched the threshold with their blood-coloured puppets and departed.

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FORE:Near the statues, which are placed in a row close to the wall, other statues, finer, slenderer, and more graceful, stood before the pedestals, anointing the stone with some oil which in time soaks in and blackens it, or else hanging lanterns up over the divinities. These were the temple servants, wearing nothing but the langouti tied round their loins; they either shuffle about barefoot, or remain motionless in rapt ecstasy before the little niches where the idols grin or scowl among branches of roses and amaryllis.

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"And no medicine?"[Pg 40]The south-western side of the great rock of Gwalior is hewn into temples sheltering gigantic statues of Tirthankar; there are the usual bas-reliefs all over the walls, idols squatting under canopies and pagodas, slender columns supporting arches, standing out in contrast with the ochre-coloured stone. Other temples, vast halls as at Elloraa vale of pagodas, "the happy valley"have all disappeared under the picks of engineers, to make a dusty road to the new town of bungalows all adobe and straw thatch.We left the caravan far behind. In the gorge with its rosy-pink soil the silence was exquisite, the air had the freshness of a mountain height, and quite inexplicably amid these barren rocks, where there was not a sign of vegetation, there was a scent of honey and almonds.As we went further south Moslem tombs became more and more rare; the lingam was to be seen here and there among the rice-fields: a gross idol made of stone and looking like a landmark, set up under a tree or sheltered by a little kiosk. Soon temples of Vishnu were seen, raising their[Pg 104] pyramidal piles of ten stories to the sky. Amid the cool shade of palms and bamboos, close to each temple, was a fine tank with steps all round it; and surrounded by this magnificence of architecture and vegetation Hindoos might all day be seen bathing, dwellers in hovels of plaster or matting, sometimes in mere sheds supported on sticks, within the shadow of the splendid building full of treasure, in which the god is enshrined.
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