THREE:At a State ball she first saw again the Empress, Marie Th��r��se, daughter of the Queen of Naples, whom she found much changed in appearance. She had painted her portrait in 1792.

THREE:She met her daughters in a mountain village near Clermont, and the deep, fervent joy of their restoration to each other out of the shadow of death was increased by finding that the priest had just ventured to reopen the village church, where on the next day, Sunday, they again attended mass in that secluded place, and where Virginie, the younger girl, made her first Communion. And she had seen Rosalie, for Mme. de Grammont heard of her sister��s release, and resolved to join her. Having very little money, and travelling by public conveyances being still unsafe, taking her diamonds she rode a mule with her three children in paniers, and her husband walking by her side. Thus they journeyed by steep mountain paths, or country lanes, but always by the most secluded ways possible. When they reached Paris, Adrienne was gone, but they resumed their primitive travelling, followed her to Auvergne, and came up with her at the little town of Brionde.Although not a great painter he was absolutely devoted to his art, in which he would become so absorbed as to forget everything else. On one occasion he was going out to dinner and had already left the house, when he remembered something he wanted to do to a picture upon which he was working. He therefore went back, took off the wig he was wearing, put on a night-cap, and began to retouch the picture. Presently he got up, went out again, forgetting all about the night-cap which [14] he still had on, and which formed a singular contrast to his coat trimmed with gold braid, and the sword at his side; and would certainly have presented himself at the party to which he was going in this costume had he not fortunately met a neighbour, who stopped him and pointed out the strangeness of his appearance.

THREE:Besides her delight in wandering through these galleries where she would stand before her favourite pictures, never tired of studying them, absorbed in their beauty, she copied heads from Rubens, Rembrandt, Vandyke, Greuze, and others, and although she was only fourteen years old, the portraits she painted were not only becoming known, but were the principal support of the family, besides paying for the school expenses, books, and clothes of her brother.

THREE: