ONE:��By all means. Your Mr Silverdale is stuffing Alice��s head with ridiculous notions. He��s doing the same to that other girl. Of course she��s no business of yours or mine, but Alice is. She��ll soon be fancying herself in love with him, if she doesn��t already.��

TWO:Now Major Harper's brother passes a word to the man at the boat's bow, whereupon this man springs up and a Confederate officer's braids flash on his sleeve as he waves to the western shore to cease firing. I still watch the boat, but I listen behind me. I hear voices of command, the Federal sergeants hurrying the troop out of the jungle and back to their horses. Then there comes a single voice, the commander's evidently; but before it can cease it is swallowed up in a low thunder of hoofs and then in a burst of cries and cheers which themselves the next moment are drowned in a rattle of carbine and pistol shots--Ferry is down on them out of hiding. Thick and silent above the din rises the dust of the turmoil, and out of all the hubbub under it I can single out the voice of the Federal captain yelling curses and orders at his panic-stricken men. And now the m��l��e rolls southward, the crackle of shots grows less and then more again, and then all at once comes the crash of Quinn's platoon out of ambush, their cheer, their charge, the crackle of pistols again, and then another cheer and charge--what is that! Ferry re-formed and down on them afresh? No, it was the hard-used but gallant foe cutting their way out and getting off after all.

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ONE:

ONE:Through this active scene of refreshment and recreation, our party strolled along, and at length came to the gateway of the temple, an enormous structure of wood like a house with triple eaves, and raised on pillars resembling the piers of a bridge. This is similar to the gateway that is found in front of nearly every Japanese temple, and is an imposing ornament. On either hand, as we pass through, we find two statues of demons, who guard the entrance, and are gotten up in the superlative degree of hideousness. When the Japanese give their attention to the preparation of an image of surpassing ugliness, they generally succeed, and the same is the case when they search after the beautiful. Nothing can be more ugly[Pg 127] in feature than the giants at Asakusa, and what is there more gracefully beautiful than the Japanese bronzes that were shown in the great exhibitions at Philadelphia and Paris? Les extr��mes se touchent.

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