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With these and all the different relations of her husband, Mme. dAyen lived in the greatest harmony, [176] especially with his sister, the Duchesse de Lesparre, a calm, holy, angelic woman after her own heart.[119]
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THREE:Again the King let slip a golden opportunity, for he could have left that night in perfect safety with a strong escort, and placed himself and the royal [215] family in safety, if only he had taken advantage of the favourable disposition of the troops, but the chance was lost, the demonstration infuriated and alarmed the Revolutionists, who succeeded in corrupting part of the regiment de Flandre, made La Fayette head of the National Guards, and carried the King and royal family to Paris.They did not know her at first, for besides her altered looks she was dressed as an ouvrire, having just exhibited in the Salon her portrait which she had painted with her child in her arms, and fearing she might be recognised.
THREE:The King regarded them with nearly, if not quite, as great affection as his legitimate children, and even tried, though in vain, to alter the laws of succession in their favour, and allow them to inherit the crown failing his lawful issue.
ONE:As time went on and affairs became more and more menacing, Mme. Le Brun began to consider the advisability of leaving the country, and placing herself and her child out of the reach of the dangers and calamities evidently not far distant.
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BY: ADMIN | 05.01.2013

TWO:I will never give it you! If you want to get it, kill me! And she swallowed it.

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BY: ADMIN | 05.01.2013

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BY: ADMIN | 05.01.2013

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THREE:Mme. Le Brun generally spent the evening alone with Mme. Du Barry by the fireside. The latter would sometimes talk of Louis XV. and his court, always with respect and caution. But she avoided many details and did not seem to wish to talk about that phase of her life. Mme. Le Brun painted three portraits of her in 1786, 1787, and in September, 1789. The first was three-quarters length, in a peignoir with a straw hat; in the second, painted for the Duc de Brissac, she was represented in a white satin dress, leaning one arm on a pedestal and holding a crown in the other hand. This picture was afterwards bought by an old general, and when Mme. Le Brun saw it many years later, the head had been so injured and re-painted that she did not recognise it, though the rest of the picture was intact.

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THREE:Pauline never cared much for society, and her tastes were not sufficiently intellectual to enable her to take much part in the brilliant conversation or to enter with enthusiasm into the political ideas and principles discussed at the various houses to which she went with Mme. de Bouzolz, who did not trouble herself about philosophy or ideas; and M. de Beaune, who was a strong Conservative, and held revolutionary notions in abhorrence.

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THREE:

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THREE: Marat

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THE theatre was a passion with Mme. Le Brun, and all the more interesting to her from her friendships with some of the chief actors and actresses, and her acquaintance with most of them, from the great geniuses such as Talma, Mlle. Mars, and Mlle. Clairon to the dbutantes like Mlle. Rancourt, whose career she watched with sympathetic interest. For Mme. Dugazon, sister of Mme. Vestris and aunt of the famous dancer Vestris, she had an unmixed admiration; she was a gifted artist and a Royalist heart and soul. One evening when Mme. Dugazon was playing a soubrette, in which part came a duet with a valet, who sang:Many of these disbelievers in Christianity were terribly afraid of ghosts. Je ny crois pas, mais je les redoute, as somebody once remarked.In the Memoirs of Louis XVIII, he remarks, after the dismissal of Necker: A report was spread that the Queen and the Comte dArtois had given orders for a general massacre, to include the Duke of Orlans, M. Necker, and most of the members of the National Assembly. Sillery, Latouche, Laclos, Voidel, Ducrest, [123] Camille Desmoulin, and all those who came from the Duc dOrlans, were the first to spread these lies. [124]For more than twenty years M. le Comte de Charolois has detained in captivity, against her will, Mme. de Conchamp, wife of a Ma?tre-des-Requtes, whom he carried off, and who would have been [7] much happier in her own house. Fifteen out of twenty men at the court do not live with their wives but have mistresses, and even amongst private people at Paris, nothing is more frequent; therefore it is ridiculous to expect the King, who is absolutely the master, to be in a worse position than his subjects and all the kings his predecessors.I am ready, Madame, he said, beginning at once to prepare his palette and brushes. In what costume do you wish to be painted?
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