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TWO: TWO:To the left of the Gothic and inner halls, a very large room had been built out to the demolition of a laurel shrubbery. This was Mr Keeling��s study, and when he gave his house over to the taste of his decorators, he made the stipulation that they should not exercise their artistic faculties{17} therein, but leave it entirely to him. In fact, there had been a short and violent scene of ejection when the card-holding crocodile had appeared on a table there owing to the inadvertence of a house-maid, for Mr Keeling had thrown it out of the window on to the carriage sweep, and one of its hind legs had to be repaired. Here for furniture he had a gray drugget on the floor, a couple of easy chairs, half a dozen deal ones, an immense table and a step-ladder, while the wall space was entirely taken up with book shelves. These were but as yet half-filled, and stacks of books, some still in the parcels in which they had arrived from dealers and publishers, stood on the floor. This room with its books was Mr Keeling��s secret romance: all his life, even from the days of the fish-shop, the collection of fine illustrated books had been his hobby, his hortus inclusus, where lay his escape from the eternal pursuit of money-making and from the tedium of domestic life. There he indulged his undeveloped love of the romance of literature, and the untutored joy with which design of line and colour inspired him. As an apostle of thoroughness in business and everything else, his books must be as well equipped as books could be: there must be fine bindings, the best paper and printing, and above all there must be pictures. When that was done you might say you had got a book. For rarity and antiquity he cared nothing at all; a sumptuous edition of a book{18} of nursery rhymes was more desirable in his eyes than any Caxton. Here in his hard, industrious, Puritan life, was Keeling��s secret garden, of which none of his family held the key. Few at all entered the room, and into the spirit of it none except perhaps the young man who was at the head of the book department at Keeling��s stores. He had often been of use to the proprietor in pointing out to him the publication of some new edition he might wish to possess, and now and then, as on this particular Sunday afternoon, he was invited to spend an hour at the house looking over Mr Keeling��s latest purchases. He came, of course, by the back door, and was conducted by the boy in buttons along the servants�� passage, for Mrs Keeling would certainly not like to have the front door opened to him. That would have been far from proper, and he might have put his hat on one of the brass-tipped chamois horns. But there was no real danger of that, for it had never occurred to Charles Propert to approach ��The Cedars�� by any but the tradesman��s entrance. TWO:"Is this the conservatory?" playfully whispered Miss Rothvelt; and if a hot, damp air, motionless, and heavy with the sleeping breath of countless growths could make it so, a conservatory it was. Every slightest turn had to be alertly chosen, and the tangle of branches and vines made going by the stars nearly impossible. The undergrowth crowded us into single file. We scarcely exchanged another word until our horses came abreast in the creek and stopped to drink. Conditions beyond were much the same until near the end of our d��tour, when my horse swerved abruptly and the buzz of a rattlesnake sounded almost under foot. The mare swerved, too, and hurried forward to my horse's side. TWO:"No," said Arthur, and he glanced at the Clockwork man's bald forehead and noticed something peculiar about the construction of the back of his head; there seemed to be[Pg 78] some object there which he could not see because they were facing each other. "I'm sorry," he continued, looking rather hopelessly around him, "perhaps we could find them somewhere."