ONE:Far above all other English artists of this period, however, stood William Hogarth (b. 1697). There is no artist of that or any former age who is so thoroughly English. He is a John Bull from head to footsturdy, somewhat headstrong, opinionated, and satirical. He is, indeed, the great satirist of the brush; but his satire, keen as it is, is employed as the instrument of the moralist; the things which he denounces and derides are crimes, follies, and perverted tastes. In his own conduct, as on his canvas, he displayed the same spirit, often knocking down his own interests rather than not express his indignant feeling of what was spurious in art, or unjust towards himself. Hogarth was the first English painter who attracted much notice amongst foreigners, and he still remains one of the most original in genius of the British school. His subjects are not chosen from the loftier regions of life and imagination, but from the very lowest or the most corrupted ones of the life of his country and time. "The Harlot's Progress," "The Rake's Progress," "Marriage la Mode,"[163] "The March to Finchley," "Gín Lane," "Beer Lane," etc., present a series of subjects from which the delicate and sensitive will always revolt, and which have necessarily an air of vulgarity about them, but the purpose consecrates them; for they are not selected to pander to vice and folly, but to expose, to brand, to extirpate them.The retreat was made, and the men found themselves again in the morning on the bleak, black heath of Drummossie, hungry and worn out, yet in expectation of a battle. There was yet time to do the only wise thingretreat into the mountains, and depend upon a guerilla warfare, in which they would have the decided advantage. Lord George Murray now earnestly proposed this, but in vain. Sir Thomas Sheridan and other officers from France grew outrageous at that proposal, contending that they could easily beat the English, as they had done at Prestonpans and Falkirkforgetting that the Highlanders then were full of vigour and spirit. Unfortunately, Charles listened to this foolish reasoning, and the fatal die was cast.
THREE:"Where is the use of the lip's red charm,It was the most cherished compliment he could wish.
THREE:George II. was born in 1683, and was, consequently, in his forty-fourth year when he ascended the throne. In 1705 he married the Princess Caroline Wilhelmina of Anspach, who was born in the year before himself, by whom he had now four childrenFrederick Prince of Wales, born in 1707, William Duke of Cumberland, born in 1721, and two daughters.When we pass from Plutarch to Maximus Tyrius and Apuleius, the darkness grows perceptibly thicker, and is no longer broken by the lucida tela diei with which the Theban thinker had combated at least one class of mistaken beliefs. These writers are so occupied with developing the positive aspects of supernaturalismdaemonology, divination, and thaumaturgythat they can find no place for a protest against its extravagances and perversions; nor is their mysticism balanced by those extensive applications of philosophy to255 real life, whether under the form of biography or of discourses on practical morality, which enabled Plutarchs mind to preserve an attitude of comparative sobriety and calmness. Hence while Maximus is absolutely forgotten, and Apuleius remembered only as an amusing story-teller, Plutarch has been perhaps the most successful interpreter between Greek humanity and modern thought. His popularity is now rapidly declining, but the influence exercised by his writings on characters differing so much from one another and from his own as those of Montaigne, Rousseau, and Wordsworth, suffices to prove, if any proof be needed, how deep and wide were the sympathies which they once evoked.