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TWO:[See larger version]
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TWO:The supplies and the Mutiny Bill were now passed without much difficulty, but Ministers did not venture to introduce an Appropriation Bill. On the 23rd, Lord North, stating that the dissolution of Parliament was confidently asserted out of doors, declared that such a dissolution, without passing an Appropriation Bill, would be an unparalleled insult to the House. He expressed his astonishment that the Minister did not condescend to utter a syllable on the subject of the proposed change. Pitt, now confident of his position, replied that gentlemen might ask as many questions as they pleased; that he had adopted a course which was advantageous to the country, and did not feel bound to enter then into any explanations. All mystery, however, was cleared up the next day, for the king went down to the House of Lords and prorogued Parliament, announcing that he felt it his duty to the Constitution and the country to convoke a new Parliament. Accordingly, on the following day, the 25th of March, he dissolved Parliament by proclamation.
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TWO:Within a few days after the first passing of this Act, that is, in the first week of March, a body of weaverssaid by the Government to amount to ten thousand men, but by a more competent authority, Samuel Bamford, the author of the "Life of a Radical," not to have exceeded four or five thousandmet in St. Peter's Field, at Manchester, and commenced a march southward. The intention was to proceed to London, to present to the Prince Regent, in person, a petition describing their distress. Bamford had been consulted, and had condemned the project as wild, and likely to bring down nothing but trouble on the petitioners. He believed that they were instigated by spies sent out by Government in order to find an opportunity of justifying their arbitrary measures. Suspicious persons had been trying him. But the poor, deluded people assembled, "many of them," says Bamford, "having blankets, rugs, or large coats rolled up, and tied knapsack-like on their backs. Some had papers, supposed to be petitions, rolled up, and some had stout walking-sticks." From their blankets, they afterwards acquired the name of Blanketeers. The magistrates appeared and read the Riot Act, and dispersed the multitude by soldiers and constables; but three or four hundred fled in the direction of their intended route, and continued their march, pursued by a body of yeomanry. By the time that they reached Macclesfield, at nine o'clock at night, they amounted to only one hundred and eighty; yet many of them persisted in proceeding, but they continually melted away, from hunger and from the misery of lying out in the fields on March nights. By the time that they reached Leek they were reduced to twenty, and six only were known to pass over the bridge at Ashbourne.Under Sir Joshua Reynolds a perfect revolution in the art of painting, as practised in England, was effected. He threw aside past traditional fashions, and returned to nature; and his portraits at once excited the consternation of the painters of the day, and placed him in the very first rank of artists. In 1768 was established the Royal Academy, and amongst its foreign members were Benjamin West and Angelica Kauffmann. West produced all his great works in England, and, however much they may now be criticised, they showed an advance on past art in England, and had the merit of introducing modern costume for modern heroes, as in the "Death of General Wolfe," contrary to the advice of even Reynolds himself. Barry made a spasmodic attempt to lead the public back to what he deemed the classical, but in vain; and the successive appearance of Wilson, Gainsborough, and Opie, in different styles, but all genuinely English, established the public in its attachment to the true English school. Wilson, during his lifetime, indeed, was neglected, and died in poverty; but the next generation made the amende to his fame, though too late for his own enjoyment of it. To[202] Paul Sandby we owe the origin of the water-colour school, which afterwards grew so extensive and so rich in production. Amongst eminent painters of this portion of the reign we must mention Wright of Derby, Mortimer, Stubbs and Sawrey, animal painters, and Copley, who, though an American by birth, produced most of his works in England.
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