ONE:But the enthusiasm for science, however noble in itself, would not alone have sufficed to mould the Epicurean philosophy into a true work of art. The De Rerum Natura is the greatest of all didactic poems, because it is something more than didactic. Far more truly than any of its Latin successors, it may claim comparison with the epic and dramatic masterpieces of Greece and Christian Europe; and that too not by virtue of any detached passages, however splendid, but by virtue of its composition as a whole. The explanation of this extraordinary success is to be sought in the circumstance that the central interest whence Lucretius works out in all directions is vital rather than merely scientific. The true heroine of his epic is not Nature but universal lifehuman life in the first instance, then the life of all the lower animals, and even of plants as well. Not only does he bring before us every stage of mans existence from its first to its last hour106 with a comprehensiveness, a fidelity, and a daring unparalleled in literature; but he exhibits with equal power of portrayal the towered elephants carrying confusion into the ranks of war, or girdling their own native India with a rampart of ivory tusks; the horse with an eagerness for the race that outruns even the impulse of his own swift limbs, or fiercely neighing with distended nostrils on the battlefield; the dog snuffing an imaginary scent, or barking at strange faces in his dreams; the cow sorrowing after her lost heifer; the placid and laborious ox; the flock of pasturing sheep seen far off, like a white spot on some green hill; the tremulous kids and sportive lambs; the new-fledged birds filling all the grove with their fresh songs; the dove with her neck-feathers shifting from ruby-red to sky-blue and emerald-green; the rookery clamouring for wind or rain; the sea birds screaming over the salt waves in search of prey; the snake sloughing its skin; the scaly fishes cleaving their way through the yielding stream; the bee winging its flight from flower to flower; the gnat whose light touch on our faces passes unperceived; the grass refreshed with dew; the trees bursting into sudden life from the young earth, or growing, flourishing, and covering themselves with fruit, dependent, like animals, on heat and moisture for their increase, and glad like them:all these helping to illustrate with unequalled variety, movement, and picturesqueness the central idea which Lucretius carries always in his mind.
TWO:Neither sixteen-year-old Larry Turner nor Dick Summers, a year his junior, had any more fear than had Sandy Maclaren, hardly thirteen and seated just back of the pilot who, in flying the four-place, low-wing airplane, had called back reassuringly.In this relative calm the population felt somewhat relieved, and ventured again into the streets. Outdoors on the "stoeps" of the houses men sat on their haunches smoking their pipe and playing a game of piquet. Most of them were vigorous fellows, miners, who did not mind any amount of work, but now came slowly under the demoralising influence of idleness.
THREE:In constructing patterns where it is optional whether to employ cores or not, and in preparing drawings for castings which may have either a ribbed or a cored section, it is nearly always best to employ cores. The usual estimate of the difference between the cost of moulding rib and cored sections, as well as of skeleton and cored patterns, is wrong. The expense of cores is often balanced by the advantage of having an 'open mould,' that is accessible for repairs or facing, and by the greater durability and convenience of the solid patterns. Taking, for example, a column, or box frame for machinery, that might be made either with a rib or a cored section, it would at first thought seem that patterns for a cored casting would cost much more by reason of the core-boxes; but it must be remembered that in most patterns labour is the principal expense, and what is lost in the extra lumber required for a core-box or in making a solid pattern is in many cases more than represented in the greater amount of labour required to construct a rib pattern.
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