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大香蕉成 人网_大香蕉成 人高清_大香蕉成 人高清影视先锋_大香蕉成 导航

The almost imperceptible hum of a bagpipe came up from below; in a white mosque of open colonnades enclosing a paved court, and in front of the little lamps that burned above the holy of holies sheltering the Koran, figures in light garments were prostrate in prayer; their murmurs came up to us in sighs, mingling with the slow and tender notes of the music.

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A golden mass, an enormous shrine chased all over and starred with tapers, now came forward, borne by a score of naked men. Against the gold background, in a perfect glory of diamonds and pearls, sat Vishnu, decked out with flowers and jewels, his head bare with a huge brilliant in his forehead.We visited a temple where the natives treasure the couch of the Guru Ram-Roy, a very holy and much venerated fakir.This cell is as dark as a cellar, barbarously squalid. But to all our questions the moollah who was our guide only replied:
Slider 1 ONE:Under the blinding sunshine reflected from the whitewashed houses, an incredibly mixed crowd, squeezed against the railings of the custom-house wharf, stands staring at the new arrivals. Natives, naked but for a narrow loin-cloth rolled about their hips; Parsees in long white tunics, tight white trousers, and on their heads hideous low square caps of dark wax-cloth, pursuing the stranger with offers of money-changing; Hindoos, clad in thin bright silk, and rolls of light-hued muslin on their head; English soldiers, in white helmets, two of whom stare at me fixedly, and exclaim that, "By Jo', Eddy has missed this steamer!"

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TWO:In the evening, lamps shining out through latticed windows lighted the faithful in their pious gymnastics. A moollah's chant in the distance rose high overhead, and very shrill, and in the darkness the stars shed pale light on the tombstones mirrored in the black water; a plaintive flute softly carried on the sound of the priests' prayers. Down the dark streets the folk, walking barefoot without a sound, and wrapped in white, looked like ghosts.

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THREE:Then, two and two, carrying on their shoulders heavy trays piled with presents, women mount the steps of the house, the bridegroom standing at the bottom. The bride's mother comes forth to meet them in a dress of pale-coloured China crape covered with a fine white saree. She waves her closed hand three times over the gifts, and then, opening it, throws rice on the ground. This action[Pg 16] she repeats with sugar and sweetmeats, and finally with a coco-nut. And each time she empties her hand a naked boy appears from heaven knows where, gathers up what she flings on the ground, and vanishes again, lost at once in the shadows of the garden.

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THREE:In the plain the sowars were performing an[Pg 280] Indian fantasia. Charging at a gallop, their wide sleeves flying behind them, they swept past like a whirlwind, aiming with their lances at a peg of wood stuck into the ground. Whenever it was speared there were frantic shouts and applause from a crowd of spectators, packed in the best places. In a cloud of dust, growing steadily thicker and hanging motionless over the riders, the performance went on, its centre always this same peg of wood, replaced again and again, exciting the enthusiasm of connoisseurs till the last ray of light died away.At the end of the court, over which enormous bread-fruit trees cast a cool shade, above some steps and a marble terrace where some musicians were performing, stands the holy spot which we dared not go near. In the dim light we could see a square object, red embroidered in goldthe couch of Ram-Royand hanging to the wall a silver curtain. All this, though perhaps it is but tinsel, looked at a distance and in the shadow like brocade and magnificent jewels. Round the main building there are four kiosks dedicated to the Guru's four wives.

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THREE:In a dirty stable, strewn with withered plants, stood some forlorn, sickly-looking beasts, the sacred bulls of Madura.Elephants, freshly painted, go past begging.

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THREE:

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TWO:BARODA

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THREE:To the right of the forecourt is the high priest's room; lustres, glass shades, gilt chairs, coloured photographs, incongruously surrounding an antique silk carpet, soiled and stained.

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THREE:And at this day the high road passes Secundra Bagh in ruins, and on the ground where Nana Sahib's soldiers fell, huge flowers are strewn of "flame of the forest" fading into hues of blood.

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THREE:Near her was another woman, gone mad, dancing, her skeleton limbs contorted in a caricature of[Pg 193] grace; and a child of some few months, like an undeveloped abortion, of the colour of a new penny, with a large head rolling on a neck reduced to the thickness of the vertebr?, and arms and legs no larger than knitting-pins, but, in a sort of mockery, the swollen belly of the fever-stricken. The eyes blinked in the little wrinkled face, seeking something in vacancy; it tried to cry, but the only sound was a feeble croak.

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THREE:[Pg 19]

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THREE:He interrupted me:

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TWO:The south-western side of the great rock of Gwalior is hewn into temples sheltering gigantic statues of Tirthankar; there are the usual bas-reliefs all over the walls, idols squatting under canopies and pagodas, slender columns supporting arches, standing out in contrast with the ochre-coloured stone. Other temples, vast halls as at Elloraa vale of pagodas, "the happy valley"have all disappeared under the picks of engineers, to make a dusty road to the new town of bungalows all adobe and straw thatch.

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TWO:Evening fell, purple and orange tinging the princes' muslins to delicate hues; then very quickly all was dark. Deep melancholy came over us; we all sat without speaking a word, while from afar came the clatter of tom-toms from the temple, sometimes drowning the music, which droned on in a minor key, a maundering strain without a close but constantly repeating itself.

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TWO:In a copse, women, surrounded by naked children, were breaking stones, which men carried to the road. The women screamed, hitting the hard pebbles with a too small pick, the children fought, the men squabbled and scolded, and amid all this hubbub three Parsees, sitting at a table under the shade of a tamarind tree, were adding up lines of figures on papers fluttering in the wind. There was not a dwelling in sight, no sign of an encampment, nothing but these labouring folk and the bureaucracy out in the open air, under the beating sun.

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TWO:In the native town, on a tank in front of a temple, a raft was moving very slowly. Under a dazzlingly gorgeous canopy stood an idol of gold, covered with garlands and jewels. A dense crowd, white and fragrant with jasmine and sandal-wood, stood about the sacred pool and on the steps, and bowed reverently as the divinity floated past.

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TWO:He interrupted me:The Ghoorkhas, small men and very active, young too, with Chinese features, were practising gymnastics. And recruits were being drilled, two of them barefoot, though wearing their gaiters.

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TWO:Off next morning to the Khyber Pass. The road lay across the vast monotonous plain, richly productive all the way from Peshawur to the foot of the hills. At one end of a field some men had spread a net and were beating the field towards the corners with a heavy rope that broke down the tall oats; before long the birds were seen struggling under the meshes, but they were soon caught and carried away in cages.

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When a native comes to ask a favour he brings a few rupees in his hand, and the patron must take them and hold them a few minutes. A retired Sikh trooper had come to see his son, now a soldier in the regiment, and met the colonel, who asked him whether he could do anything for him, to which the other replied:The gardens are overgrown with exuberant tropical vegetation: orchids, daturas hung with their scented purple bells, gardenias and creepers; and yet what the brother of a London friend, on whom I am calling, shows me with the greatest pride, are a few precious geraniums, two real violets, and a tiny patch of thickly-grown lawn of emerald hue.Beyond these ruins, at the end of a long avenue bordered with tamarind trees, beyond an artificial lake, is the tomb of Shah Alam. A wide marble court; to the right a mosque with three ranks of columns; above, a massive roof crowned with a[Pg 56] bulbous dome, flanked by fragile minarets. The fountain for ablutions in the midst of the court is surmounted by a marble slab supported on slender columns. To the left, under the shade of a large tree, is the mausoleum of marble, yellow with age, looking like amber, the panels pierced with patterns of freer design than goldsmith's work.A rosy light flooded the whole scene with fiery radiance, and then suddenly, with no twilight, darkness blotted out the shape of things, drowning all in purple haze; and there, where India had vanished, a white mist rose from the ocean that mirrored the stars.
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