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ONE:

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ONE:Inside the temple long arcades connect the shrines sunk in the thickness of the walls, gloomy recesses with images of Vishnu and other idols; where the corridors or arcades cross each other there are vast halls with a sculptured roof supported by thousands of columns. In one of these halls there is a chariot full of divinities. The wheels, the horses, the highly-venerated images, are all of marble very delicately wrought, and amazing after the coarse caricatures on the outside. In the courts again, under sheds, there are cars; one of enormous size in black wood carved with innumerable figures and interlacing patterns; pendant ornaments of the same wood sway in the wind. The solid wheels, without spokes, small and having huge axles, seem made not to turn, and the shafts, to which a whole army of the faithful harness themselves on the occasion of a high festival, are long and as thick as masts.[Pg 114] Another car, past service, lay slowly rotting in a corner; almost all its images had vanished, and its canopy had fallen off; it was almost completely hidden under aristolochia in blossom.

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ONE:[Pg 73]

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ONE:We saw the Jasmine tower from a corner of the garden in the glow of sunset. With its gilt cupola blazing in the low beams, its amber-hued walls as transparent as melting wax, and its pierced screen-work, it looked so diaphanous, so fragile, that it might be carried away by the evening breeze. And beyond the pavilion, above the ramparts carved with huge elephants, lies the old Hindoo palace, deserted by Jehangir for his house of pale marbles��an endless palace, a labyrinth of red buildings loaded to the top with an agglomeration of ornament supporting flat roofs. And pagodas that have lost their doors, a work of destruction begun by Aurungzeeb. One court is still intact, overhung by seventy-two balconies, where the zenana could look on at the dancing of bayad��res. Perfect, too, is the queen's private apartment, with two walls between which an army kept guard by day and by night.

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ONE:Then, suddenly, there was a clatter of tom-toms, and rattling of castanets, a Hindoo funeral passing by. The dead lay stretched on a bier, his face painted and horrible, a livid grin between the dreadful scarlet cheeks, covered with wreaths of jasmine and roses. A man walking before the corpse carried a jar of burning charcoal to light the funeral pile. Friends followed the bier, each bringing a log of wood, to add to the pyre as a last homage to the dead.

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ONE:Beyond these ruins, at the end of a long avenue bordered with tamarind trees, beyond an artificial lake, is the tomb of Shah Alam. A wide marble court; to the right a mosque with three ranks of columns; above, a massive roof crowned with a[Pg 56] bulbous dome, flanked by fragile minarets. The fountain for ablutions in the midst of the court is surmounted by a marble slab supported on slender columns. To the left, under the shade of a large tree, is the mausoleum of marble, yellow with age, looking like amber, the panels pierced with patterns of freer design than goldsmith's work.

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THREE:Over the gate and the door of the house light garlands, made of single flowers threaded like beads, swing in the breeze and scent the air.A distant noise of tom-toms��big drums thumping out minims in the bass, small ones rattling out semiquavers in very short, sharp notes; and to this accompaniment came the sharp trill of a metal flute. The music came nearer at a brisk pace, heralded by two tall baggage camels, a rare sight in Benares, where the streets are so narrow and straight, and only foot passengers are to be seen. Then followed saddle-horses, led by hand, and a large number of men on foot, and after an interval there appeared a band, atrociously out of tune, immediately in front of a palankin hung with a shawl embroidered all over in palms of different shades of gold and beads. In this sat a little bridegroom of eight, dressed in pale yellow satin, a wreath of marigolds round his neck, and above his turban a cap made of jasmine, the ends hanging all round his head��a little bridegroom, eight years old, very solemn, sitting cross-legged with a huge bouquet in his hand, and facing him his two little brothers in white silk and necklaces of jasmine.

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THREE:

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THREE:CAWNPORE

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THREE:Then, as it began to grow a little cool, the inquiry was continued indoors, whither the table was removed with the papers and the weapons, and, with great care, the magistrate's "soda." The two culprits were brought in and out, and in and out again, sometimes alone, sometimes to be confronted with the witnesses, who, almost all of them, had the fresh stains of the festival on their garments.Before daybreak, before the r��veill��e, the moollah's prayer roused the Sikhs, of which two regiments were quartered in the fort; and till it was broad daylight, till the sun had chased away shadows and sadness, I still felt the melancholy, the twilight sense of uneasiness left by that slow and plaintive chant.

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ONE:And of all the victims of the disaster those I had just seen were not the most to be pitied. It was on families of high caste, men who might not work and whose wives must be kept in seclusion, that the famine weighed most cruelly. At first they borrowed money (and the rate of interest recognized and tolerated here is seventy-five per cent.), then they sold all they could sell. Bereft of every resource, unable to earn anything in any way, regarding the famine as an inevitable infliction by the incensed gods, they let themselves starve to death in sullen pride, shut up in their houses with their womankind. Thus they were the most difficult to rescue. Their unassailable dignity made them refuse what they would have regarded as charity, even to save the life of those dearest to them, and it needed the angelic craft of the women of the Zenana Mission to induce the kshatriyas to accept the smallest sum to keep themselves alive.The bridegroom sits awaiting his guests, in his garden all decorated with arches and arbours, and[Pg 14] starred with white lanterns. An orchestra is playing, hidden in a shrubbery.

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THREE:In the side streets the natives lay sleeping on the bare earth in the coolness of night. On every house were the spots of red paint that told how many of the inhabitants had died of the plague;[Pg 304] and the smaller the house the closer were the dabs of paint, almost framing the door with a chain of red spots.In the streets the people, all wrapped in long shawls of a neutral brown, were only distinguishable amid the all-pervading greyness by their white head-dress. Men and women alike wear the same costume��a full robe of dirty woollen stuff with[Pg 258] long hanging sleeves, and under this they are perfectly naked. The rich put on several such garments one over another; the poor shiver under a cotton wrapper. And all, even the children, look as if they had the most extraordinary deformed angular stomachs, quite low down��charcoal warmers that they carry next their skin under their robe.

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ONE:The guardian fakirs who watch the sacred flag sat under a tree in front of the temple. One of these, quite young, was beautiful beyond words. He had taken a vow always to stand. Leaning on a long pole he rocked himself without ceasing; for an instant he allowed his rapt eyes to rest on the bystanders, and then looked up again at the plume of white horse-hair that crowns the flagstaff. His legs were rather wide apart and evidently stiff; he walked without bending his knees, and then as soon as he stood still he rested his chin on his long cane, and swayed his body as before.

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THREE:A man went past in heavy, nailed shoes, wrapped in a flowing dhoti; he carried a long cane over his[Pg 267] left shoulder, and as he went he cried, "Soli, soli, a?a soli." All the dogs in the village crowded after him howling; and in the distance I saw that he was walking round and round two carriages without horses, still repeating "Soli, soli."The old king is at once cured; he embraces his sons again and again. After this emotion the first thing he remarks is the new palace that has sprung from the ground exactly opposite his own.