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Presently three beggar-women came up to sing from door to door. In their arms, like babies at the breast, they carried shapeless idols painted red, bedizened with spangles and gilt paper. They wailed out a ditty repeated again and again, knocked perseveringly at the doors, insisting on alms; and[Pg 96] then, when they had received it, they touched the threshold with their blood-coloured puppets and departed.The jugglers being gone, a boy, to gain alms, opened a round basket he was carrying, and up rose a serpent, its hood raised in anger, and hissing with its tongue out.
  • THREE:One of these halls, almost at the top of the mount, accommodated a school. The elder pupils sat on stools by the master's side; the little ones and the girls, in groups of five or six, squatted on mats in the corners; and all the little people were very quiet in the atmosphere of sandal-wood and flowers brought as offerings, read gravely out of big religious books, and listened to the Brahmin as, in a deep, resonant voice, he chanted a sort of strongly-marked melody. There was scarcely an ornament on the light-coloured walls, pierced with deep windows showing foliage without; and among the dead whiteness of the mats and the schoolchildren's draperies there was but one bright light,[Pg 109] the bell over the pulpit, surmounted by the sacred bull in bronze, of precious workmanship.Whenever there was a pause in the dance the performers, to amuse themselves, sang a scale, always the same, beginning on a very high note, or sometimes taken up from the lowest bass pitch, and marking time with their stamping feet. ONE:Near the statues, which are placed in a row close to the wall, other statues, finer, slenderer, and more graceful, stood before the pedestals, anointing the stone with some oil which in time soaks in and blackens it, or else hanging lanterns up over the divinities. These were the temple servants, wearing nothing but the langouti tied round their loins; they either shuffle about barefoot, or remain motionless in rapt ecstasy before the little niches where the idols grin or scowl among branches of roses and amaryllis. GET AWESOME FEATURE LIST
  • THREE:Above the road lie dark cliffs; a rose-coloured waterfall of melted snow tumbled mixing with the claypink with lilac depths, and the foam iridescent in the sunbeams. The ruins of a large temple of green stone carved with myriads of fine lines stood in solitude at the edge of a wood, and the background was the mountain-range, the Himalayas, lost in the sky and bathed in blue light. Only a portico remains standinga massive, enduring frame for the infinite distance of snow-capped giants. The stones have lost their hue; they are darkly streaked by the rains and a growth of grey and purple mosses, and russet or white lichens have eaten into the surface. ONE:We left Rawal Pindi in a tonga. The night was black, the carriage had no lamps; but now and again, at the sound of the driver's horn, dark massesbaggage camels, scarcely distinguishable in the gloommade way for us to go past at a gallop. GET AWESOME FEATURE LIST
  • THREE:Another mausoleum is of lace-like carving in marble, the roof painted with Persian ornament; and the whole thing is uninjured, as fresh as if it had been wrought yesterday, under the broad shade of theobromas and cedars that have grown up among the ruins. ONE:Near the statues, which are placed in a row close to the wall, other statues, finer, slenderer, and more graceful, stood before the pedestals, anointing the stone with some oil which in time soaks in and blackens it, or else hanging lanterns up over the divinities. These were the temple servants, wearing nothing but the langouti tied round their loins; they either shuffle about barefoot, or remain motionless in rapt ecstasy before the little niches where the idols grin or scowl among branches of roses and amaryllis. GET AWESOME FEATURE LIST
TWO:
ONE:Steaming over the transparent and intensely blue sea, we presently perceived an opaquer streak of sandy matter, getting denser, and becoming at last liquid, extremely liquid, yellow mudthe waters of the Ganges, long before land was in sight. Between the low banks, with their inconspicuous vegetation, a desolate shore, we could have fancied we were still at sea when we had already reached the mouth of the sacred stream. Some Hindoos on board drew up the water in pails to wash their hands and face, fixing their eyes in adoration on the thick sandy fluid. Enormous steamships crossed our bows, and in the distance, like a flock of Ibis, skimmed a whole flotilla of boats with broad red sails, through which the low sun was shining. The banks closed in, the landscape grew more definitetall palm trees, plots of garden ground, factory chimneys, a high tower. On the water was an inextricable confusion of canoes and row-boats flitting among the steamships and sailing barks moored all along the town that stretched away out of sight."Export business!" says Abibulla.

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THREE:After the giant a whole chain of lavender and rose-coloured peaks turning to blue came into sight in the marvellously clear atmosphere; then the sun rose below us, in the throbbing tide of heat the mountains seemed to come closer to us, but immediately the mist gathered about Gaurisankar. "The Apsaras wearing impenetrable veils, that mortals may not gaze too long on the throne of the gods,"[Pg 152] said my sa?s, who had fallen on his face since the first appearance of the snow-crowned colossus, with hands upraised towards the paradise of Indra.One of them was standing against a curtain of black satin embroidered with gold; muslin that might have been a spider's web hardly cast a mist over her sheenless skin, pale, almost white against the glistening satin and gold, all brightly lighted up. With a large hibiscus flower in her hand she stood in a simple attitude, like an Egyptian painting, then moved a little, raising or lowering an arm, apparently not seeing the passers-by who gazed at herlost in a dream that brought a strange green gleam to her dark eyes.

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THREE:From the parapet of one of the bastions the Ganges may be seen in the distance, of a sickly turquoise-blue, shrouded in the haze of dust which hangs over everything and cuts off the horizon almost close in front of us, and the tributary Jumna, translucent and green. At the confluence of the rivers stands a native village of straw and bamboo huts, swept away every season by the rains. This is Triveni, containing 50,000 souls, which enjoys a great reputation for sanctity, and attracts almost as many pilgrims from every part of India as does Benares. The people come to wash away their sins in the Saravasti, the mystical river that comes down from heaven and mingles its waters at this spot with those of the sacred Ganges and the Jumna. The faithful who bathe at Triveni observe an additional ceremony and cut their hair; each hair, as it floats down stream in the sacred waters, effaces a sin, and obtains its forgiveness. In front of the barracks, a relic of past magnificence, there stands alone on a porphyry pedestal, in the middle of a broad plot[Pg 184] trampled by soldiers on parade, an Asoka column carved with inscriptions to the top, and decorated half-way up with a sort of capital.

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THREE:We were off by break of day. Among hanging creepers, shrubs, and trees, temples, gilded by the rising sun, gleamed dimly through the rosy mist, and faded gradually behind a veil of white dust raised by the flocks coming down from Roza, or melted into the dazzling blaze of light over the distance.

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ONE:Round the railway station crowds the village of Chandernagore, the huts close together, with no land to spare, and at length we were in the city of houses, with broad terraces in front in a classic style, with colonnades and decorations in relief, and broad eaves overhanging for shade. And beautiful gardens, bougainvilleas, and almond trees, white-blossomed faintly touched with pink, hedge in streets with foreign-sounding names. The air was full of the fresh scent of water and greenery and of the blessed peace of silenceso rare in India.

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THREE:Then the dancing began again, interrupted for a minute by the call of the night-watchman as he went past carrying a long bamboo. He paused for a moment to watch the performance, and then was lost in the darkness.He interrupted me:
FORE:The poorhouse is about two miles from the city; it consists of a courtyard enclosed by walls, from which awnings are stretched supported on poles. And here from twelve to fifteen hundred wretched skeletons had found shelter, spectres with shoulder-blades almost cutting through the skin, arms shrunk to the bone, with the elbow-joint like a knot in the middle, and at the end hands which looked enormous and flat and limp, as if every knuckle were dislocated. Their gnarled knees projected from the fearful leanness of their legs, and the tightened skin between the starting ribs showed the hollow pit of the stomach. Men and women[Pg 192] alike were for the most part naked, but for a ragged cotton loin-cloth. And all had the same scared look in their eyes, the same grin of bare teeth between those hollow cheeks. Almost all had bleeding wounds where the bones had come through the skin.[Pg 295]

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THREE:
FORE:Close to a field that had just been reaped four oxen yoked abreast were threshing out the grain, tramping round and round on a large sheet spread on the ground. The driver chanted a shrill, slow tune; further away women in red were gleaning, and a patriarch contemplated his estate, enthroned on a cart in a halo of sunset gold.All round the sanctuary, in niches under a square cloister, are three hundred and fifty alabaster Buddhas, all alike, with the same jewel in their forehead, and on their shoulders and round their bodies[Pg 61] gold bands set with imitation gems and cut glass. An old woman, who had come thither at daybreak, had prayed to each of these Buddhas; to each she had offered up the same brief petition, she had struck the three bells on her way, and she was now in the sanctuary, calling out a prayer while beating a gong that hangs from the arch. Meanwhile other worshippers were murmuring their invocations prostrate before the jewelled Buddha.

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THREE:In one vast hall were ancient weapons, swords and pistols, enriched with precious stones; suits of armour damascened with gold, guns with silver stocks set with pearls, and a whole battery of field-pieces to be carried on camels' backs and spit out[Pg 237] tiny ballsenormously, absurdly long, still perched on their saddle-shaped carriages. And in a window bay two toy cannon made of gold and silver, with which Dhuleep Singh used to play as a child before he lost his realm.
FORE:[Pg 232]

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ONE:

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FORE:A tonga arrived just as we drove up, bringing an English official, travelling in his own carriage; gaiters, shooting jacket, a switch in his hand. He seated himself outside the bungalow in a cane chair, close by mine. Out of a case that was brought before him a hatchet and a pistol were unpacked, documentary evidence of the crime into which he was to inquire.

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FORE:More and yet more palaces; remains of marble porticoes and columns, walls covered with tiles glittering in the blazing sunshine like topaz and emerald; and over all the peace of dust and death, the only moving thing those vultures, in shades of dull grey almost indistinguishable from the colour of the stones.

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ONE:The attendants threw water on the pauper's pyre, and then with their long bamboos pushed the mass of burnt wood and flesh into the Ganges, where it looked like some enormous black frog with a white patch for the head.Tazulmulook on his way meets a blind man, whom he restores to sight by the help of the magical flower; the man relates the story of the cure to the four brothers, who quickly follow up Tazulmulook and presently overtake him. After a short conflict they rob him of the talisman and fly. The young prince is in despair, but as he wrings his hands he rubs Bakaoli's ring and the dragon instantly appears. Tazulmulook commands him forthwith to build a palace in front of that of King Zainulmulook.

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TWO:
FORE:Round a village well, enclosed by walls with heavy doors that are always shut at night, a perfect flower-bed of young women had gathered, slender figures wrapped in robes of bright, light colours, drawing water in copper jars. The sunbeams, dropping between the leaves of a baobab tree that spread its immense expanse of boughs over the well, sparkled on their trinkets and the copper pots, dappling the gaudy hues of their raiment with flickering gold.When we left he was in a coppersmith's shop, singing with wide open, staring eyes; his face had a strangely sad expression while he sang a gay, jigging tune to foolish words that made the people laugh. FORE:All round Domel there were fields of lilac lilies among the silky young grass, and the cliffs were[Pg 271] hung with a yellow eglantine exhaling a penetrating scent of almonds.At the very top of the incline, the enclosing wall, black with age but bright with yellow velvet moss, rises precipitously above the plain, and three light balconies, with columns as slight as flower-stems,[Pg 77] crowned with pointed roofs recurved at the angles, overhang the abyss. FORE:Really the prison this time! in the midst of a large enclosure with high walls; a building on a star-shaped plan, with large windows to admit air and daylight. The prisoners, in a white uniform, with chains on their feet, were manufacturing various articles in basket-work, and in a shed with a cotton awning a hundred or so of convicts were weaving carpets. The brilliancy of colour was indescribable; the vividness of the medley of worsted piled by the side of the gorgeous looms, the light hues of the dresses, the faded turbans touched with light, the glitter of the steel chains, the bronze skins, glorified to gold in the quivering sunshine, which, scarcely subdued by the awning, bathed the[Pg 87] scene in a glow so intense that it seemed to proceed from the objects themselves. Behind each loom sat a warder, with the pattern of the carpet on his knees, dictating the colours to the weavers, chanting out his weariful litany of numbers and shades in a monotonous voice.As we stood up there the caravan for Cabul came in sight on the road below, and slowly disappeared wrapped in dust, with mechanical steadiness and[Pg 250] without a sound. After that came the other train of travellers from Peshawur, singing to the accompaniment of mule-bells, every sound swelled by the echo. Children's laughter came up to our ears, the scream of an elephant angry at being stoppedeven at a distance we could still hear them a littleand then silence fell again under the flight of the eagles soaring in circles further and further away as they followed the caravan.

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TWO:
Under each plate, a large square cut out of a banana leaf serves as a finger-napkin. Innumerable are the dishes of sweetmeats made with ghee (clarified butter), the scented ices, the highly-coloured[Pg 18] bonbons; while the young couple walk round the rooms, and hang garlands of flowers about the necks of the feasters.[Pg 60]At the top of the street a caravan of moollahs were performing their devotions at the tomb of a Mohammedan saint, whose sarcophagus was enclosed within a balustrade of marble and a border of lilies, alternately yellow and green, with large full-blown flowers in blue, fragile relics that have[Pg 223] survived for centuries amid ruins that are comparatively recent.In the evening calm, the silence, broken only by the yelling of the jackals, weighed heavy on the spirit; and in spite of the twinkling lights and the village at our feet, an oppressive sense of loneliness, of aloofness and death, clutched me like a nightmare.Near the statues, which are placed in a row close to the wall, other statues, finer, slenderer, and more graceful, stood before the pedestals, anointing the stone with some oil which in time soaks in and blackens it, or else hanging lanterns up over the divinities. These were the temple servants, wearing nothing but the langouti tied round their loins; they either shuffle about barefoot, or remain motionless in rapt ecstasy before the little niches where the idols grin or scowl among branches of roses and amaryllis.As we returned to Lahore the palace rose before us among trees, a strip of wall, uninjured, covered with sapphire and emerald tiles; a fragile minaret crowning a tower bowered in flowering shrubsand then the vision was past. The carriage drove on for[Pg 238] a long way by ruins and vestiges of beauty, and re-entered the town, where lanterns were being lighted over the throng that pushed and hustled about the fair.
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