ONE:Alice Keeling was sitting close to the window of her mothers room making the most of the fading light of a gray afternoon at the end of October, and busily fashioning leaves of gold thread to be the sumptuous foliage of no less sumptuous purple pomegranates, among which sat curious ecclesiastical fowls, resembling parrots. The gold thread had to be tacked into its place with stitches of gold silk, and this strip of gorgeous embroidery would form when completed part of the decoration of an altar-cloth for the church which till but a few weeks ago, had not even had an altar at all, but only a table. Many other changes had occurred in that hitherto uncompromising edifice. The tables of commandments had vanished utterly; a faint smell of incense hung permanently about the church, copiously renewed every Sunday, candles blazed, vestments flashed, and a confessional, undoubtedly Roman in origin, blocked up a considerable part of the vestry. But chief of all the changes was that of the personality of the vicar, and second to that the state of mind of the parish in general to which, taking it collectively, the word Christian could not properly be applied. But taking the parish in sections, it{98} would not be in the least improper to apply the word ecstatic to that section of it to which Alice Keeling belonged, and the embroidery on which she, like many other young ladies, was employed was not less a work of love than a work of piety. As the blear autumnal light faded, and her mother dozed quietly in her chair, having let her book fall from her lap for the third time, Alice, short-sightedly peering at the almost completed leaf, would have suffered her eyes to drop out of her head rather than relinquish her work. She was sewing little fibres and shreds of her heart into that pomegranate leaf, and it gave her the most exquisite satisfaction to do so.
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