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There is a very small and simple niche against the wall of a larger building, and in this, without even a railing to protect it, stands the image of a goddess robed in silk embroidered in gold; and in[Pg 78] such another little recess, not far away, is the sister of this divinity, also dressed in magnificent stuffs, renewed by the faithful at each high festival.

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Here again the cars of the gods were neglected in the open air, and one of them, older than the rest, was fast being transfigured into a pyramid of shrubs and flowers.
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THREE:In the further room were four sufferers past all hope: one in the anguish of delirium that made him cry out the same words again and again, in a hoarse voice that was growing fainter. He was held by two attendants. Another lay with chattering teeth; a third was struggling violently, hidden under his coverlet; the fourth seemed unconscious, apathetic. FORE:A tank here is deep below ground, down three flights of galleries. Quite at the bottom is a little stagnant water, into which children leap from the top of the structure, a plunge of twenty metres, ending in a great splash of green mud that smells of water-lilies and grease.The regiment is housed under sheds, the horses picketed to the ground by one fore and one hind foot. They are thoroughbred and magnificent beasts, almost all from the prince's stud, and affectionately cared for by the men, who were delighted to be complimented on their steeds.

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THREE:He interrupted me: FORE:From the broad steps on the shore other narrower flights lead to archways and porticoes, or zigzag up to the lanes that make a gap of distant blackness in the light-hued mass of palaces and embankments.

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THREE:
  • THREE:But this suburb is now no more than a heap of huts and hovels. The tombs, ruined and overthrown, are few and far apart, heaped with sand, and showing as arid hillocks amid the level of withered grass. The plain beyond, laid out in rice-fields of a tender green, furrowed with silver streamlets, spreads unbroken to the foot of a huge wall of the hue of red gold enclosing a hill; and on[Pg 99] entering the precincts, behold, in the bays of the thickness of the wall, a whole village where dwell the families of the soldiers who guard this citadel.

    by Daniel Nyari View on Dribbble

    FORE:A tall wide gate beyond the bridge opens into the ferocious fortress of Hyderabad.

    Nulla facilisi. Aean nec eros.…

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  • THREE:An interpreter translated to the accused the questions put by the judge, who understood the replies, though he was not allowed to speak excepting in English.The gardens are overgrown with exuberant tropical vegetation: orchids, daturas hung with their scented purple bells, gardenias and creepers; and yet what the brother of a London friend, on whom I am calling, shows me with the greatest pride, are a few precious geraniums, two real violets, and a tiny patch of thickly-grown lawn of emerald hue.

    by Daniel Nyari View on Dribbble

    FORE:

    Nulla facilisi. Aenn nec eros.…

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  • THREE:

    by Daniel Nyari View on Dribbble

    FORE:While all this is going forward in the jungle, Bakaoli, disguised as an astrologer, comes to the king, to whom she promises the coming of the miraculous flower, and even while she is speaking the return of the four princes is announced.On the sloping bank to the river stood a large wooden mosque falling into ruins. In front of this building was a plot full of tombstones, some overthrown, some still standing on the declivity.

    Nulla facilisi. Aenn nec eros.…

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THREE:
THU 14 May, 2015
FORE:Inside the shops everything was piled together. The same man is at once a banker, a maker of papier-mach boxespapi-machi they call it hereand of carpets, a goldsmith, tailor, upholstererand never lets you go till you have bought something.

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THU 14 May, 2015
FORE:A humble poet, more venerated than the kings whose superb mausoleums are crumbling to dust in subjugated India, who, though she forgets her past, is still true to her dreams.

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THU 14 May, 2015
FORE:

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THREE:In a little alley of booths was a shop with no front show, and behind it a sort of studio full of carvers and artists working on sandal-wood boxes, ivory fans as fine as gauze, and wooden lattices with elaborate flower patterns, used to screen the zenana windows. And in little recesses workmen dressed in white, with small copper pots about them in which they had brought rice for their meals, were chasing and embossing metal with little taps of their primitive tools, never making a mistake, working as their fancy might suggest, without any pattern, and quite at home in the maze of interlacing ornament.

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