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ONE:

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TWO:Rising from the highest point of the hill the huge tomb of Aurungzeeb the Greatmore huge in the darknessstood out clearly, a black mass, its bulbous dome against the sky. Flocks of goats and sheep came clambering along the ridge to shelter for the night in the recesses of its walls. Then, one by one, the lights died out. Infinite calm brooded over the scene; a very subtle fragrance, as of rose and verbena, seemed to rise from the ground and scent the still air; and over the motionless earth swept enormous black bats in silent flight, with slow, regularly-beating wings.The scenery was preposterous: red and green flowers growing on violet boughs, with forests in the background of pink and yellow trees; perspective views of streets, in which the houses were climbing over each other, and finally a purple cavern under a brilliant yellow sky.

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  • FORE:Within the gateway, carved all over with foliage and rosettes, a footway, paved with bright mosaic, leads to the interior of the temple. All along a corridor, enormous prancing horses, mounted by men-at-arms, support the roof which is deeply carved all over, and at the foot of these giants a sacred tank reflects the sky. In front of us were gaps of black shadow, and far, far away, lamps, shrouded in incense, were twinkling behind the gratings.

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  • FORE:

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  • FORE:Round the railway station crowds the village of Chandernagore, the huts close together, with no land to spare, and at length we were in the city of houses, with broad terraces in front in a classic style, with colonnades and decorations in relief, and broad eaves overhanging for shade. And beautiful gardens, bougainvilleas, and almond trees, white-blossomed faintly touched with pink, hedge in streets with foreign-sounding names. The air was full of the fresh scent of water and greenery and of the blessed peace of silenceso rare in India.

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  • FORE:They were all flying from the plague, which was spreading, and emptying the bazaars and workshops. The Exchange being closed, trade was at a standstill, and the poor creatures who were spared by the pestilence were in danger of dying of hunger.Then some gardens looking like hothouses, concealing bungalows, and a gleaming lake among the greeneryand this was Kandy.

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  • FORE:The moon at night shed an intense light, warm and golden. There was scarcely any shadow, and in the quivering atmosphere the flowers poured out their perfume on the cooler air. Frogs croaked a basso continuo to cries of night birds, and a sort of roar, very loud but very distant, almost drowned the concert in the fort close by.

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  • FORE:A kind of lemon plant, with picotee-like flowers of a texture like crystalline pearl, its petals delicately fringed, exhales a fresh scent like verbena. Then, on an ebony-tree, overgrown with succulent leaves forming an edging to every bough, is a birdas it would seema lilac bird, with open wings, which, as we approach, turns into an orchid.

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THREE:One of these mausoleums served us for a bungalow. The distance was visible from the window openings, which were fringed with cuscus blinds[Pg 39] that would be pulled down at night: the spreading dark plain, broken by gleaming pools, and dotted with the lamps in the temples to Vishnu, of which the cones were visible in silhouette, cutting the clear horizon.

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THREE:

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THREE:In a quiet, darkened corner a girl was lying on a bier, a girl of the Brahmin caste, all in white, veiled by a transparent saree. By her side an old man, a bearded patriarch, seemed to wait for someone. Then another Brahmin came out from a little house, carrying the fire wherewith to light the funeral pile in a little pot hanging from his girdle. The two old men took up their burthenso light that even to them, tottering already towards their end, it seemed to be no weight. They made their way cautiously, so as not to tread on the [Pg 305]sleeping figures strewn about the street, going very slowly in devious zigzags. A dog woke and howled at them; and then, as silence fell, I could hear again the dying sounds of harmoniums and tom-toms, and the clatter of the games.

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ONE:At the further end of the last turning I saw a fire like blazing gold, the soaring flames flying up to an enormous banyan tree, turning its leaves to living fire. All round the pile on which the dead was being burned was a crowd drumming on copper pots and tom-toms.
FORE:One temple to Buddha only, on an elongated plan, ends in a vault forming a bulb-shaped cupola supported on massive columns, quite Byzantine in character and wholly unexpected. The dim light, coming in only through a low door and two small windows filled in with pierced carving, enhances the impression of being in some ancient European fane, and the Buddha on the high altar has a look of suffering and emaciation that suggests a work of the fourteenth century.At the railway station a woman, who would accept no gratuity, strewed flowers on the cushions of my carriage, and put garlands along the grooves of the open windowsbunches of ebony flowers, of Indian cork-flowers, lilies, and China roses on the point of dropping, only hanging to the calyx by the tip of the petals.

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TWO:In the evening I was to dine with the officers of the Artillery mess, and in going I lost my way. Suddenly before me stood the amber palace, with blue shadows, moon-coloured, the carvings like opal in changing hues of precious gems. Half hidden by a growth of jasmine that loaded the air with fragrance, up rose the cupolas of the little mosque, like pearls reflecting the sparkle of the stars.

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99 
TWO:Everything seems fused in a haze under the sun, as it grows hotter and hotter, and in that quivering atmosphere looks like a mass in which red and white predominate, with the persistent harmony of motion of the swaying, barefooted crowd.
THREE:Trees shut in the flat, interminable road, and it was midnight before we reached Srinagar, where I found, as a surprise, a comfortable house-boat with inlaid panels, and a fragrant fire of mango-wood smelling of orris-root.In order that I might be far from the noise of the street the merchant had the objects I wished to see brought to me in a little room over the shop. Everything was spread before me on a white sheet, in the middle of which I sat. Refreshments were[Pg 227] brought, fruits and sweetmeats, while a coolie waved a large fan over my heada huge palm-leaf stitched with bright-hued silks. THREE:The sultan's bath is lined with panels of lapis lazuli framed in gold, and inlaid with [Pg 210]mother-of-pearl, or looking-glass, and the walls have little hollow niches for lamps, over which the water fell in a shower into a bath with a decoration of scroll-work. And in front of Jehangir's room, again a series of basins hollowed in the steps of a broad marble stair, where a stream of water fell from one to another.At the last moment some porters, preceded by two sowars in uniform and holding pikes, bore a large palankin, hermetically closed, to the door of a first-class carriage, and softly set it down. The carriage was opened for a moment: I could see within a party of women-servants, shrouded in white muslin, who were preparing a couch. An old negress handed out to the porters a large sheet, which they held over the palankin, supporting it in such a way as to make a covered passage screening the carriage door. There was a little bustle under the sheetthe end was drawn in, and the sheet fell over the closed door. THREE:We reached the top of the hill, the sacred enclosure of the Ja?n temples. A stoppage again and a fresh dispute. The priests would not admit within the temples our soldiers, who wore shoes,[Pg 72] belts, and gun-straps made of the skins of dead beasts. The sowars wanted to go on, declaring that they would take no orders from "such men, priests with dyed beards, dressed in red flannel, with their turbans undone and heated with rage."
[Pg 211]Another sanctuary holds an idol made of seven metals mingled to a pale golden hue. The statue is loaded with jewellery of silver and precious stones. On its head is a fan-shaped diadem starred with rubies. The walls and columns, of a dull purple, are decorated with gaudy mosaic of scraps of looking-glass set in brass along the lines of the mouldings.There are closed carriages, victorias, vehicles with a red canopy drawn by oxen, the shafts set at an angle. The drivers bawl, shout to the porters, fight for the fare with their whips, while, overhead, kites and hawks wheel incessantly, uttering a plaintive cry.
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