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ONE:One morning, shortly before dinner call, she sat under the ramada, the deer at her feet, asleep, the little Apache squatted beside her, amusing himself with a collection of gorgeous pictorial labels, soaked from commissary fruit and vegetable cans. The camp was absolutely silent, even the drowsy scraping of the brooms of the police party having stopped some time before. Landor was asleep in his tent, and presently she herself began to doze. She was awakened by the sound of footsteps on the gravel in front of the[Pg 65] ramada, and in another moment a tall figure stood in the opening, dark against the glare. Instantly she knew it was the man with whom she had come face to face long before on the parade ground at Grant, though from then until now she had not thought of him once, nor remembered his existence. TWO:Some of the writers of the last period were still existing in this. Dryden was living, and wrote some of his most perfect works, as his "Fables," and his "Alexander's Feast," as well as translated Virgil after the Revolution. He was still hampered by his miserable but far more successful dramatic rivals, Shadwell and Elkanah Settle. Nathaniel Lee produced in William's time his tragedies, "The Princess of Cleves," and his "Massacre of Paris." Etherege was yet alive; Wycherley still poured out his licentious poems; and Southern wrote the greater part of his plays. His "Oronooko" and his "Fatal Marriage" were produced now, and he received such prices as astonished Dryden. Whilst "Glorious John" never obtained more than a hundred pounds for a play, Southern obtained his six or seven hundred.Sandy, dashing toward the hangar, correctly supposing Dick had called from its smaller doorway, did not see Jeff emerge from the old house and start on a run in the same direction.

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