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Je joue du violon.However, the King soon began to yield.
TWO:The Duke was at his wits end, there were [423] scenes and interviews and negotiations without end, but he and Mme. de Genlis were forced to give way.Like all other nations, the English were horror-stricken at the crimes and cruelties going on in France, and exasperated against their perpetrators, more especially against the Duke of Orlans, who was regarded with universal hatred and contempt.

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THREE:For nine years Mme. de Genlis lived at the Arsenal, and then moved to another apartment, but was always surrounded with friends and consideration. Except amongst her immediate relations and adopted children, she was not so deeply loved as Mme. Le Brun, or even the eccentric Mme. de Stael, but her acquaintance and friendship was sought by numbers of persons, French [469] and others, who were attracted by her books, conversation, musical, and other talents.
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THREE:Mme. de Custine, whom she consulted, was absolutely opposed to it, and after urging the strongest reasons against it, added that it was evidently her duty to stay and take care of Mme. de Puisieux as long as she lived.
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THREE:They were all, during their early youth, rather afraid of their father, of whom they saw so little that he was a stranger to them in comparison with the mother they all adored, who, exalted as were her religious principles, austere and saintly her rule of life, yet knew how to gain her childrens confidence [185] and affection, and understood thoroughly their different characters and tendencies. People wondered at the goodness of Mme. dAyens children, and it was remarked that the Duchess had brought up a company of angels.IN after life Mme. Le Brun used to say that her girlhood had not been like that of other young girls. And indeed it was not. By the time she was fifteen she was already not only a celebrated portrait painter, but very much sought after in society. A portrait of her mother, which she painted when she was not yet fifteen, excited so much admiration that the Duchesse de Chartres, who had often looked at her with interest from the gardens of the Palais Royal, opposite which she lived, sent for her to paint her portrait, and was so delighted with the pretty, gentle girl whose talents were so extraordinary that she spoke of her to all her friends.

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THREE:These children, of whom she was the elder by a year, were the only ones who survived of the four born to their parents, and were devotedly fond of each other; the remembrance of their happy childhood together in the rambling old chateau and the great garden with its terrace over the Loire always remained vividly impressed upon the mind of Flicit.

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Mme. Le Brun returned home and told the good news to her daughters governess. But while they were rejoicing over it they, in the evening, heard one of their servants singing below, a sullen, gloomy fellow who never used to sing, and whom they knew to be a revolutionist. Looking at each other in terror they exclaimedOn one side of the boulevard were rows of chairs on which sat many old ladies of fashion, highly rouged, according to the privilege of their class. For only women of a certain rank were allowed to wear it. There was also a garden with seats raised one above the other, from which people could see the fireworks in the evenings.For some years Mme. de Genlis had been dame pour accompagner la Duchesse de Chartres, though it was suggested that it was more the Duke than the Duchess whom she accompanied; but she now exchanged this designation for that of governess to the Princesses of Orlans. The Duchess, who had always longed for a daughter, was delighted with these two and Mme. de Genlis, who wished to have charge of them from the first.[319]Every day after dinner, they had their coffee in the splendid pavilion of Louis XV. It was decorated and furnished with the greatest luxury and magnificence, the chimney-piece, doors, and locks were precious works of art.
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