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FORE:She sprang to her feet so suddenly that her arm struck him a blow in the face, and stood close in front of him, digging her nails into her palms and breathing hard. "If you��if you dare to say that again, I will kill you. I can do it. You know that I can, and I will. I mean what I say, I will kill you." And she did mean what she said, for the moment, at any rate. There was just as surely murder in her soul as though those long, strong hands had been closed on his throat. Her teeth were bared and her whole face was distorted with fury and the effort of controlling it. She drew up a chair, after a moment, and sat in it. It was she who was leaning forward now, and he had shrunk back, a little cowed. "I know what you are trying to do," she told him, more quietly, her lips quivering into a sneer, "you are trying to frighten me into marrying you. But you can't do it. I never meant to, and now I would die first."Whilst this progress in operatic and sacred music was being made, the Church Service had received some admirable additions. Jeremiah Clarke, the Rev. Henry Aldrich, D.D., dean of Christ Church, John Weldon, organist to Queen Anne, and Georges I. and II., and the Rev. Dr. Robert Creighton, canon of Salisbury, composed many admirable pieces. William Croft, Mus. Doc., is the author of thirty-one splendid anthems, and Maurice Greene, Mus. Doc., of forty, which are still heard with solemn delight in old choirs. William Boyce, Mus. Doc., organist to Georges II. and III., added to these numerous anthems and services the oratorio of "Solomon," and many other compositions of a superb character��one of them the grand anthem performed annually at the Feast of the Sons of the Clergy. Boyce also composed a variety of secular pieces of rare merit.

FORE:The great philosopher of this period was John Locke (b. 1632; d. 1704). Locke had much to do with the governments of his time, and especially with that extraordinary agitator and speculator, Ashley, Lord Shaftesbury, whom he attended in his banishment, and did not return till the Revolution. Yet, though so much connected with government, office, and the political schemers, Locke remained wonderfully unworldly in his nature. His philosophical bias, no doubt, preserved him from the corrupt influences around him. He was a staunch advocate of toleration, and wrote three letters on Toleration, and left another unfinished at his death. In these he defended both religious and civil liberty against Jonas Proast and Sir Robert Filmer, advocates of the divine right of kings. His "Thoughts on Education" and his "Treatises on Government" served as the foundations of Rousseau's "Emile" and his "Contrat Social." Besides these he wrote numerous works of a theological kind, as "The Vindication of the Reasonableness of Christianity;" and in his last years, "A Discourse upon Miracles," "Paraphrases of St. Paul," and "An Essay for the Understanding of St. Paul's Epistles;" a work "On the Conduct of the Understanding," and "An Examination of Father Malebranche's Opinion of Seeing all Things in God." But his great work is his "Essay concerning the Human Understanding." This may be considered the first pure and systematic treatise on metaphysics in the English language; and though the pursuit of the science since his time has led to the rejection of many of his opinions, the work will always remain as an able and clearly-reasoned attempt to follow the method of Bacon in tracing the nature and operations of the understanding.