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TWO:It gave cause for reflection; but an officer was obviously at liberty to talk to whomsoever he might choose around his own premises, at any hour of the day or night. So the officer of the day went on, treading quietly. But he had something to think about now that kept off drowsiness for the rest of the rounds. Brewster's fondness for the society of dubious civilians was certainly unfortunate. And the conjunction of the aspiring beef contractor and the commissary officer was also unfortunate, not to say curious. Because of this. The beef contract was about to expire, and the commandant had advertised for bids. A number of ranchers had already turned their papers in. Furnishing the government's soldiers with meat is never an empty honor.He felt altogether reckless. In just such a mood, he reflected, his grandmother had probably poisoned her first husband. He could almost have poisoned Landor, the big duty-narrowed, conventional, military machine. Why could he not have married some one of his own mental circumspection?��Mrs. Campbell, for instance. He had watched that affair during his enlistment. More the pity it had come to nothing. Landor could have understood Mrs. Campbell. Then he thought of Felipa, as he had seen her first, looking full into the glare of the sunset, and afterward at him, with magnificent impersonality.

TWO:In sculpture at this period we stood much lower than in painting. Here we had no Hogarth, nor even a Thornhill. All that was of any value in this art proceeded from the chisels of foreigners, and even in that what an immense distance from the grand simplicity of the ancients! The sculpture of Italy and France was in the ascendant, but Bernini and Roubiliac had little in common with Phidias and Praxiteles, and our own sculptors presented a melancholy contrast to the work of artists of the worst age of Greece or Rome; there is scarcely a name that is worth mentioning. The best of the native sculptors was John[164] Bushnell, who was employed by Wren to execute the statues of the kings at Temple Bar; and Francis Bird, who was also employed later by Wren to execute "The Conversion of St. Paul," in the pediment of the new cathedral, the bas-reliefs under the portico, and the group in front, all of a very ordinary character. His best work is the monument of Dr. Busby in the transept of Westminster Abbey. Besides this he executed the monument of Sir Cloudesley Shovel, also at Westminster, and the bronze statue of Henry VI., in the quadrangle of Eton College, both very indifferent. Gibbs and Bird executed the ponderous and tasteless monument of Holles, Duke of Newcastle, at Westminster, and the fine old minster is disgraced by a crowd of still more contemptible productions of this period. These can only be equalled in wretchedness by the works of a trading school, who supplied copies in lead of ancient gods, goddesses, shepherds, shepherdesses, etc., for the gardens of the nobility, which soon swarmed in legions in all the gardens and areas in and around the metropolis. Amongst the chief dealers in this traffic were Cheere and Charpentier, who employed foreign artists, even, for such images, and it was the fortune of Roubiliac to commence his English career with the former of these traders. The three chief foreigners of this period were Rysbraeck, Scheemakers, and Roubiliac, who were copyists of the French sculptors Coysevox, Bouchardon, and Le Moyne, as these had been of Bernini.[325]