THREE:In 1779 Mlle. dEpernon, third daughter of the Duc dAyen, married the Vicomte du Roure. She was a gentle, affectionate girl of less decided character than the others, and less is known of her, for her life was a short one passed in domestic retirement. This marriage was unhappy, as the Vicomte cared very little for his wife. However, he died in two years, and in 1784 she married the Vicomte de Thsan, an ardent Royalist who was devoted to her. [72]
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FORE:[57]She was constantly surrounded by perils and temptations which to many would have been irresistible. Admiring eyes followed her at the theatre, people crowded round her in the gardens and places of entertainment, men of rank who wanted an opportunity of making love to her had their portraits painted by her for that purpose; but she treated them all with indifference, and when she noticed that their looks and glances were too expressive she would coolly remark: I am painting your eyes now, or would insist on the portrait being done with the eyes looking in another direction.
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We Open in Jamalpur Branch in 2010
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We Open in Jamalpur Branch in 2010
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THREE:David, Chardin, the celebrated genre painter, Van Loo, Grard, La Tour, Joseph Vernet, and many others were flourishing. Louis Vige was also an artist. He painted portraits in pastel, of which his daughter says that they were extremely good, many of them worthy of the famous La Tour; also charming scenes after the style of Watteau, in oil.There had been no disunion or quarrel between her and the Comte de Genlis; they had always been attached to one another, and no break occurred between them; she continued to be devotedly loved by Mme. de Puisieux, whose death she now had to lament.
THREE:Flicit seems, however, to have always considered that she made a mistake, or, indeed, as she says, committed a fault, one of the greatest in her life, by doing so; if so, it does not appear to be a surprising one, as the plan certainly would have offered strong attractions and inducements even to a woman less vain and ambitious than she was, but [385] it is certain that it caused many calamities and exercised an evil influence for which no advantages could compensate. She left the h?tel de Puisieux before Madame was up in the morning, as she dreaded the parting, and as her apartment in the Palais Royal was not ready she was lodged in one that had belonged to the Regent, with a door into the rue de Richelieu. She nearly had an accident before she got out of the carriage, and felt low-spirited and unhappy, wishing herself back in her own room at the h?tel de Puisieux as she looked round the luxurious boudoir lined with mirrors, which she did not like at all, and which seemed associated with the orgies of the Regency, of which it had been the scene.Capital letter T
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TWO:In the evening Catherine II. died and Paul arrived. Lisette hardly dared leave the Princess Dolgoroukis, to go home, as every one was saying there would be a revolution against Paul. The streets were filled with people, but there was no [138] disorder. The crowds reassembled next day before the palace of Catherine, calling her their mother, with cries and tears.Though her winters were generally spent in Paris, Pauline only went out quietly amongst her own friends, not entering at all into the society of the imperial court, which was altogether objectionable to her.
TWO:Her farm near the Baltic did not altogether satisfy Mme. de Tess, and before long they again moved, to be in the neighbourhood of a residence she had heard of, and hoped to get after a time.
FORE:Lisette painted the two Princesses and the Prince Royal before returning to Rome, where she had no sooner arrived than she had to go back to Naples to paint the Queen.
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FORE:But Trzia had nearly lost all hope. She had waited and waited, always expecting helpfor Tallien was powerful among the leaders of the government. But when she was taken from the Carmes back to La Force, she knew that her time had come, and now the gaoler had told her that it [332] was not worth while to make her bed, as it was to be given to another.
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