TWO:On passing from Seneca to Epicttus, we find that the religious element has received a considerable accession of strength, so considerable, indeed, that the simple progress of time will not altogether account for it. Something is due to the superior devoutness of the Eastern mindEpicttus was a Phrygian,and still more to the difference in station between the two philosophers. As a noble, Seneca belonged to the class which was naturally most inclined to adopt an independent attitude towards the popular beliefs; as a slave, Epicttus belonged to the class which was naturally most amenable to their authority. It was, however, no accident that philosophy should, at a distance of only a generation, be represented by two such widely contrasted individuals; for the whole tendency of Roman civilisation was, as we have seen, to bring the Oriental element and the servile element of society into ever-increasing prominence. Nothing proves the ascendency of religious considerations in the mind of Epicttus more strongly than his aversion from the physical enquiries which were eagerly prosecuted by Seneca. Nature interests him solely as a manifestation of divine wisdom and goodness. As a consequence of this intensified religious feeling, the Stoic theory of natural law is transformed, with Epicttus, into an expression of filial submission to the divine will, while the Stoic teleology becomes an enumeration of the blessings showered by providence on man. In the latter respect, his standpoint approaches very near to that of Socrates, who, although a free-born Athenian citizen, belonged, like him, to the poorer classes, and sympathised deeply with their feeling of dependence on supernatural protection,a remark which also applies to the humble day-labourer244 Cleanthes. Epicttus also shares the idea, characteristic of the Platonic rather than of the Xenophontic Socrates, that the philosopher is entrusted with a mission from God, without which it would be perilous for him to undertake the office of a teacher, and which, in the discharge of that office, he should keep constantly before his eyes. But the dialectical element which with Socrates had furnished so strong a counterpoise to the authoritative and traditional side of his philosophy, is almost entirely wanting in the discourses of his imitator, and the little of it which he admits is valued only as a means of silencing the Sceptics. On the other hand, the weakness and insignificance of human nature, considered on the individual side, are abundantly illustrated, and contemptuous diminutives are habitually used in speaking of its component parts.378 It would seem that the attitude of prostration before an overwhelming external authority prevented Epicttus from looking very favourably on the doctrine of individual immortality; and even if he accepted that doctrine, which seems in the highest degree improbable, it held a much less important place in his thoughts than in those of Cicero and Seneca. It would seem, also, that the Stoic materialism was betraying its fundamental incompatibility with a hope originally borrowed from the idealism of Plato. Nor was this renunciation inconsistent with the ethical dualism which drew a sharp line of distinction between flesh and spirit in the constitution of man, for the superiority of the spirit arose from its identity with the divine substance into which it was destined to be reabsorbed after death.379He first published an engraving of "The Small Masquerade Ticket, or Burlington Gate," in ridicule of Lord Burlington's architecture, and of Pope's eulogiums on Burlington and satire of the Duke of Chandos. He illustrated "Hudibras," and produced a satirical plate, "The Taste of the Times," in 1724; and, some years after, "The Midnight Conversation" and "Southwark Fair." Not content with the fame which this vein, so peculiarly his own, was bringing him, he had the ambition to attempt the historical style, but this was a decided failure. In 1734, however, he came out in his full and peculiar strength in "The Harlot's Progress." The melancholy truth of this startling drama, mingled with touches of genuine humour, seized at once on the minds of all classes. It became at once immensely popular; it was put on the stage, and twelve hundred subscriptions for the engravings produced a rich harvest of profit. In the following year he produced "The Rake's Progress," which, though equally clever, had not the same recommendation of novelty. In 1744 he offered for sale the original paintings of these subjects, as well as "The Four Times of the Day," and "The Strolling Actresses Dressing in a Barn;" but here he felt the effects of the sturdy English expression of his sentiments on art, and his distributing of an engraving of "The Battle of the Pictures," as a ticket of admission, gave great offence to painters and their patrons. The whole sum received was only four hundred and twenty-seven pounds. Undaunted by his self-injuring avowal of his opinions, he offered in 1750 the pictures of "Marriage la Mode" for sale, but put forth an advertisement in such caustic terms, as he reflected on the result of his former auction, that he effectually kept away purchasers, and obtained only a hundred and twenty pounds for what Mr. Angerstein afterwards gave a thousand pounds for. His "March to Finchley" being sent for the royal inspection, so impressed George II. with the idea that it was a caricature of his Guards, that, though the engraving of it was dedicated to him, he ordered the picture out of his sight, with expressions of great indignation. Hogarth quietly substituted the name of the King of Prussia in the dedication, as "an encourager of the arts."
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THREE:By permission of Messrs. S. Hildesheimer & Co., Ltd.
THREE:Get that collapsible boat on the back of the tank, there! urged Jeff, and come back for me.
