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Louis, however, was more selfish and indifferent than cruel. He was by no means like Frederic William of Prussia, a savage to his family and his subjects, or like three out of the four Georges of England, who were not only outrageously immoral themselves, but brutal tyrants to their wives [5] and bitter enemies of their parents and children.

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The evenings were spent in brilliant conversation and music, supper was at half-past ten, ten or twelve guests being the usual number at the table.But her aunt, Mme. de Montesson, was most [384] anxious that she should enter the service of the Duc de Chartres, who was the eldest son of the Duc dOrlans, and very much opposed to Mme. de Montessons designs upon him.
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THREE:In a very short time, however, she was summoned out of the prison and conducted by the gaolers into the presence of Tallien.In Mme. de Genlis we have a fourth and more complex type, a character in which good and evil were so mingled that it was often hard to say which predominated. With less beauty than the other three but singularly attractive, with extraordinary gifts and talents, with noble blood and scarcely any fortune, she spent a childhood of comparative poverty at her fathers chateau, where she was only half educated, and at seventeen married the young Comte de Genlis, who had no money but was related to most of the great families of the kingdom. FORE:

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FORE:In those days, as Mme. Le Brun remarks in one of her letters, people had both time and inclination to amuse themselves, and the love of music was just then so strong and so general that the disputes between the rival schools of Glück and Piccini sometimes even amounted to quarrels. She herself was a Glückist, but the Queen and many others preferred the Italian music to the German.
FORE:At the beginning of August, Pauline, after making up the accounts, told her father-in-law that she had enough money left only to carry on the household for three months longer, but that if they returned to Brussels it would last twice as long, for they could live there much better at half the cost.
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Nothing but reforms were talked of when Louis XVI. and Marie Antoinette came to the throne; but of course everything proposed excited the opposition and ridicule of one party or the other.M. le Brun, though neither disagreeable nor ill-tempered, was impossible on account of the dissipated life he led. Always running after other women, always gambling and in debt, spending not only his own money but all his wifes earnings, another woman would have left him or led a miserable life. Not so Lisette. She lived in his house on friendly terms with him, though their marriage had long been one only in name.The journeys of the court to the different country [394] palaces, Versailles, Compigne, Fontainebleau, Marly, &c., were affairs of enormous expense, and ceremony so preposterous, that, for instance, there was one sort of court dress for Versailles, and another, equally magnificent and uncomfortable, for Marly. On the 1st of January Louis XV. always arranged with care and consideration the journeys for the year to the different palaces, of which there were a great number. Mme. Campan [117] in her Mmoires, says that Marly, even more than Versailles, transported one vividly to the reign of Louis XIV.; its palaces and gardens were like a magnificent scene in an opera; fountains, pavilions, statues, marble basins, ponds and canals, thickets of shrubs, groups of tall trees, trellised walks and arbours, amongst which the ladies and gentlemen of the royal households and court walked about in full dress; plumes, paniers, jewels, and trains making any enjoyment of the country out of the question, but impressing with awe and admiration the crowds who were admitted to the gardens, and to the suppers and gambling at night. Every trace of this palace and gardens disappeared in the Revolution.Lisette frequented chiefly the society of the Spanish Ambassadress, with whom she went to the Opera at the far-famed Fenice, and finally left Venice and went by Padova, Vicenza, and Verona to Turin, where she had letters of introduction from Mesdames to the Queen, whose portrait they wished her to paint for them.
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