THREE:One evening he was at the Opera ball, then frequented by people in good society. Masked or not, they were equally known to M. dEspinchal, who as he walked through the rooms saw a man whom he actually did not know, wandering about with distracted looks. He went up to him, asking if he could be of any use, and was told by the perplexed stranger that he had just arrived from Orlans with his wife, who had insisted on coming to the Opera ball, that he had lost her in the crowd, and that she did not know the name of the h?tel or street where they were. Calm yourself, said M. dEspinchal, Madame, your wife is sitting by the second window in the foyer. I will take you to her, which he did. The husband overwhelmed him with thanks and asked how he could possibly have known her.
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TWO:I think I remember meeting you at the house of the Comte de lEstaing with my father, and I hope you will come and see me as often as you can. But let us speak of your father. Where is he in prison? I hope to obtain his release from the citoyen Tallien. I will give him your petition myself, and present you to him.
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TWO:The Marquis de Continges, a dissipated rou of the court of Louis XV., an encyclop?dist and friend of Voltaire, finding in the reign of Louis XVI. that he was getting old, thought he would marry. He [196] was noble, rich, and a good parti; but after making many inquiries he could not hear of any one he especially fancied. One evening he appeared at a great party given by the Princesse de Lamballe, at which every one of importance was present, dressed in black velvet, with lace ruffles, a sword by his side, and in his hand an embroidered hat full of mysterious tickets.
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ONE:In those days, as Mme. Le Brun remarks in one of her letters, people had both time and inclination to amuse themselves, and the love of music was just then so strong and so general that the disputes between the rival schools of Glück and Piccini sometimes even amounted to quarrels. She herself was a Glückist, but the Queen and many others preferred the Italian music to the German.
Jenifer smith
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TWO:The last at which Mme. Le Brun was present was the Mariage de Figaro, played by the actors of the Comdie Fran?aise; but, as she observes in one of her letters, Beaumarchais [26] must have intolerably tormented M. de Vaudreuil to induce him to allow the production of a piece so improper in every respect. Dialogue, couplets, all were directed against the court, many belonging to which were present, besides the Comte dArtois himself. Everybody was uncomfortable and embarrassed except Beaumarchais [27] himself, who had no manners and [63] was beside himself with vanity and conceit, running and fussing to and fro, giving himself absurd airs, and when some one complained of the heat, breaking the windows with his stick instead of opening them.
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