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Mrs. Ellton returned before long, and Landor went back home.
ONE:I think it came out the way it does in books, Sandy declared. Each set wanted those emeralds, and they tried to outdo one anotherand maybe the hydroplane was the honest one of the lot, with Mr. Everdailsthe real onescaretaker, summoned by the captain.
I never saw double wiresand twisted around each other, at that, he remarked under his breath. NoIm not quite right. The two wires arent twisted around each other. One wire is twined around the other."Yes, sir," he answered; "you can see that I get a mounted man and a horse at reveille to-morrow. I want to hunt for my pony. I lost it when I caught that man."Plutarch, who was twenty-one when Nero declared his country free, was the first leader in the great Hellenist revival, without, at the same time, entirely belonging to it. He cared more for the matter than for the form of antiquity, for the great deeds and greater thoughts of the past than for the words in which they were related and explained. Hence, by the awkwardness and heaviness of his style, he is more akin to the writers of the Alexandrian period than to his immediate successors. On the one side, he opens the era of classical idealism; on the other, he closes that of encyclopaedic erudition. The next generation bore much the same relation to Plutarch that the first Sophists bore to Hecataeus and Herodotus. Addressing themselves to popular audiences, they were obliged to study perspicuity and elegance of expression, at the risk, it is true, of verbosity and platitude. Such men were Dion Chrysostom, Her?des Atticus, Maximus Tyrius, and Aristeides. But the old models were imitated with more success by writers who lived more entirely in the past. Arrian reproduced the graceful simplicity270 of Xenophon in his narrative of the campaigns of Alexander and his reports of the lectures of Epicttus. Lucian composed dialogues ranking with the greatest masterpieces of lighter Attic literature. The felicity of his style and his complete emancipation from superstition may probably be traced to the same sourcea diligent study of the ancient classics. It is certain that neither as a writer nor as a critic does he represent the average educated taste of his own times. So far from giving polytheism its deathblow, as he was formerly imagined to have done, he only protested unavailingly against its restoration.
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