The patience of the Duchess of Orlans, which had for many years been so extraordinary, and her blindness, which had been the wonder of everybody, had for more than a year been worn out, and now had come to a decided conclusion.
And what could be more contradictory to the jargon about Nature, whose guidance, impulses, feelings, &c., were to be so implicitly obeyed, than the spectacle of a woman in the height of her youth and beauty, loving her husband, and yet amusing herself by writing in her pocket-book in this cold-blooded manner, a long list of his infidelities and ending by expressing her satisfaction?
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The order was given for every one to wear powder, but as Mme. Le Brun did not like it in portraits, and was painting that of Prince Bariatinski, she begged him to come without it. One day he arrived in her studio pale and trembling.Balls were not then the crushes they afterwards became. The company was not nearly so numerous; there was plenty of room for those who were not [54] dancing to see and hear what was going on. Mme. Le Brun, however, never cared for dancing, but preferred the houses where music, acting, or conversation were the amusements. One of her favourite salons was that of the charg daffaires of Saxony, M. de Rivire, whose daughter had married her brother Louis Vige. He and her sister-in-law were constantly at her house. Mme. Vige acted very well, was a good musician, and extremely pretty. Louis Vige was also a good amateur actor; no bad or indifferent acting would have been tolerated in the charades and private theatricals in which Talma, Larive, and Le Kain also took part.The Conciergerie was crowded, but one of the prisoners, Mme. Laret, gave up her bed to the old Marchale; Mme. dAyen laid herself upon a pallet on the floor, and the Vicomtesse, saying, What is the use of resting on the eve of eternity? sat all night reading, by the light of a candle, a New Testament she had borrowed, and saying prayers.
