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As we approached the Afghan frontier, camp followed camp, clustering round the railway stations that lie closer together on the line. In the morning and towards evening there was a constant hum round the train, of bagpipes, bugles, and drums, and the red or grey ranks were to be seen of soldiers at drill.

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On the threshold I was desired to take off my shoes, because I was going into the presence of a holy man. As I crossed the forecourt fresh and ferocious shouts rang out; a curtain was lifted, and in a room scarcely lighted by a tiny window, the air thick with smoke, I could just make out a number of men, all standing, very excited, gesticulating wildly, and once more they shouted their savage cry.After bathing, during their long prayers to the gods of the river, almost as sacred here as it is at Benares, the pilgrims threw grain to the half-tame fish. Steering vigorously with their tails, the creatures turned and rolled, making eddies of light in the water, and hurrying up to the falling grain occasionally upset the equilibrium of some old woman still taking her bath. At the top of the bank, in the blazing sunshine, two fakirs, squatting in the dusty road, remained unmoved by all this turmoil, seeing nothing, hearing nothing, absorbed in a fixed thought which concentrated their gaze[Pg 297] on an invisible point. The fall of an old woman into the Ganges, with all the shouting that such an incident entails in India, left them quite indifferent; they did not stir, did not even glance at the river as the woman was taken out unconscious.
ONE:

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TWO:

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  • FORE:In the silence of a moonless night nine o'clock struck from the great tower of the Law Courtsa pretty set of chimes, reminding me of Bruges or Antwerp; and when the peal had died away a bugle in the sepoys' quarters took up the strain of the chimes, only infinitely softer, saddened to a minor key and to a slower measure; while in the distance[Pg 32] an English trumpet, loud and clear, sounded the recall in counterpart.When the last stone was placed, Shah Jehan sent for the architect and went with him to the top of the mausoleum.

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  • FORE:The large town lies along the bank of the Jellum; the houses are of wood, grey and satiny with old age, and almost all tottering to their end on the strand unprotected by an embankment. The windows are latticed with bent wood in fanciful designs. Large houses built of brick have thrown out covered balconies and verandahs, supported on tall piles in the water, and on brackets carved to represent monsters or flowering creepers.In the chief temple, whose walls were painted all over, a huge Buddha of gold and silver was hidden under wreaths of flowers round his neck, and a diadem of flowers on his brow, where blazed a luminous diamond; and flowers were arranged in a canopy over his head, and were strewn like a carpet on the steps of the shrine.

    Donec sit amet ligula enim. Duis vel condimentum massa. Maecenas eget congue dui.

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  • FORE:At every street-corner there were blocks of salt,[Pg 298] which the cows and goats licked as they went past.

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  • FORE:In the twilight of the great galleries the gods are assembled in groups, standing or sitting, rigid or contorted into epileptic attitudes, and thin bodies of human aspect end in legs or arms resembling serpents or huge fins, rather than natural limbs: Kali, the eight-armed goddess, leaping in the midst of daggers, performing a straddling dance while she holds up a tiny corpse on the point of the short sword she brandishes; impassible Sivas wearing a tall mitre; Krishna playing the flute to the thousand virgins who are in love with him, and who fade into perspective on the panel. And every divinity has eyes of jade, or of white plaster, hideously visible against the pale grey stone softly polished by time.A stone parapet runs along the river road, and below it the grassy bank slopes gently to the clear and limpid stream of the Ganges. On the shores[Pg 141] of the sacred river fine trees overshadow many idols, and fresh flowers are constantly laid at their feet.

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  • FORE:

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  • FORE:

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THREE:In the third-class carriages, where the compartments are divided by wooden lattice, among the bundles, the copper jars, and the trunks painted in the gaudiest colours, sit women in showy saree and decked in all their jewels; children in little silk[Pg 59] coats braided with tinsel, and open over their little bare bodies; men with no garment whatever but a loin-cloth or dhouti. There is endless chatter, a perpetual bickering for places, the bewilderment of those who lose themselves, shouts from one end of the station to the other, and in the foreground of the hubbub the incessant cries of the water and sweetmeat sellers.From the roof, consisting of terraces between cupolas, there is a view of many temples glorified in the golden sunset, and nearer at hand stand ten[Pg 123] imposing columns, very tallthe last remaining vestiges of the rajah's elephant-house.

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THREE:"We give rice to the sick, who all have dysentery, instead of the daily cake."

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THREE:And so on, in an endless file, come the bodies of the faithful dead, some from long distances, so that their souls may rise at once to paradise from their ashes burnt on the Manumenka.

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ONE:The ground here and there is stained with large pink patches of a disinfectant, smelling of chlorine,[Pg 9] strewn in front of the house where anyone lies dead. And this of itself is enough to recall to mind the spectre of the plague that is decimating Bombay; in this excitement, this turmoil of colour and noise, we had forgotten it.
FORE:"Yes, I know. How much?"At mess there were two newly-arrived officers, come from Tochi; they had been attacked on the road in the night by sixteen men. The driver and the horse were killed; they themselves had not a scratch, and they told the story very much at their ease, relating the comic features of the incidenthow a bullet had lodged itself in a pot hanging to a mule's pack, and the frightened creature had kicked "like mad."

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TWO:Behind this mosque, by narrow alleys hung with airy green silk that had just been dyed and spread to dry in the sun, we made our way to the mausoleum of Badorgi Shah: a cloister, an arcade of octagonal columns carved with flowers, and in the court, the tombs of white stone, covered with [Pg 64]inscriptions, that look like arabesques. There are some children's tombs, too, quite small, in finer and even whiter stone, and two tiny stones under which lie Badorgi's parrot and cat.

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99 
TWO:
THREE:In the evening calm, the silence, broken only by the yelling of the jackals, weighed heavy on the spirit; and in spite of the twinkling lights and the village at our feet, an oppressive sense of loneliness, of aloofness and death, clutched me like a nightmare. THREE:The road lay among flowers, all-pervading; in the fields, on the rocks, on the road itself, pink flowers or lavender or white; bright moss, shrubs and trees in full bloom, and hovering over them birds of changing hue and golden butterflies. THREE:Tazulmulook finds Bakaoli asleep in her garden, and after plucking the miraculous flower he exchanges the ring for that of the princess and departs. Bakaoli awakes, and discovering the theft of the flower and of her ring is much disturbed, and gives orders that the thief is to be caught.A day in the tonga. Early in the morning through snow, and past forests where huge pines were felled by yesterday's storm; then, after descending a hill in a thaw that melted the clay soil into red mud, we came to a felted carpet of flowers as close as they could lie, without leaves; violets, and red and white tulips swaying on slender stems. And here again were the song of birds, and fragrance in the soft, clear air.
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The road lay among flowers, all-pervading; in the fields, on the rocks, on the road itself, pink flowers or lavender or white; bright moss, shrubs and trees in full bloom, and hovering over them birds of changing hue and golden butterflies.This cell is as dark as a cellar, barbarously squalid. But to all our questions the moollah who was our guide only replied:The artist sat at work in a corner of the window, copying minutely, for the thousandth time perhaps, a Taj or a Moti Musjid. Quite unmoved while his[Pg 226] shopman displayed his wares, he worked on with brushes as fine as needles; but when, on leaving, I asked him where I could procure some colours I needed, "Then the sahib paints?" said he; and he rose at once, insisted on my taking a seat, pressed me to accept a little sandal-wood frame, as a fellow-artist, and then would positively paint my portrait.
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