TWO:On Alexanders departure for the East, Aristotle returned to Athens, where he now placed himself at the head of a new philosophical school. The ensuing period of thirteen years288 was fully occupied by the delivery of public lectures, and by the composition of those encyclopaedic writings which will preserve his memory for ever, along, perhaps, with many others which have not survived. Like Anaxagoras, he was not allowed to end his days in the city of his adoption. His youthful attacks on Isocrates had probably made him many enemies among that rhetors pupils. It is supposed by Grote, but warmly disputed by Zeller, that his trenchant criticisms on Plato had excited a similar animosity among the sectaries of the Academy.178 Anyhow, circumstances had unavoidably associated him with the detested Macedonian party, although his position, as a metic, or resident alien, debarred him from taking any active part in politics. With Alexanders death the storm broke loose. A charge was trumped up against Aristotle, on the strength of his unlucky poem in honour of Hermeias, which was described as an insult to religion. That such an accusation should be chosen is characteristic of Athenian bigotry, even should there be no truth in the story that certain philosophical opinions of his were likewise singled out for prosecution. Before the case came on for trial, Aristotle availed himself of the usual privilege allowed on such occasions, and withdrew to Chalcis, in order, as he said, that the Athenians need not sin a second time against philosophy. But his constitution, naturally a feeble one, was nearly worn out. A year afterwards he succumbed to a stomach complaint, aggravated, if not produced, by incessant mental application. His contemporary, Demosthenes, perished about the same time, and at the same age, sixty-two. Within little more than a twelvemonth the world had lost its three greatest men; and after three centuries of uninterrupted glory, Hellas was left unrepresented by a single individual of commanding genius.The De Rerum Natura is the greatest of Roman poems, because it is just the one work where the abstract genius of Rome met with a subject combining an abstract form with the interest and inspiration of concrete reality; where negation works with a greater power than assertion; where the satire is directed against follies more wide-spread and enduring than any others; where the teaching in some most essential points can never be superseded; and where dependence on a Greek model left the poet free to contribute from his own imagination those elements to which the poetic value of his work is entirely due. By a curious coincidence, the great poet of mediaeval Italy attained success by the employment of a somewhat similar method. Dante represented, it is true, in their victorious combination, three influences against which Lucretius waged an unrelenting warfarereligion, the idealising love of woman, and the spiritualistic philosophy of Greece. Nevertheless, they resemble each other in this important particular, that both have taken an114 abstract theory of the world as the mould into which the burning metal of their imaginative conceptions is poured. Dante, however, had a power of individual presentation which Lucretius either lacked or had no opportunity of exercising; and therefore he approaches nearer to that supreme creativeness which only two races, the Greek and the English, have hitherto displayed on a very extended scale.
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