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We have now to see how, granting Epicurus his conception of painlessness as the supreme good, he proceeds to evolve from it a whole ethical, theological, and physical system. For reasons already mentioned, the ethical development must be studied first. We shall therefore begin with an analysis of the particular virtues. Temperance, as the great self-regarding duty, obviously takes precedence of the others. In dealing with this branch of his subject, there was nothing to prevent Epicurus from profiting by the labours of his predecessors, and more especially of the naturalistic school from Prodicus down. So far as moderation is concerned, there need be little difference between a theory of conduct based exclusively on the interests of the individual, and a theory which regards him chiefly as a portion of some larger whole. Accordingly, we find that our philosopher, in his praises of frugality, closely approximated to the Cynic and Stoic standardsso much so, indeed, that his expressions on the subject are repeatedly quoted by Seneca as the best that could be found. Perhaps the Roman moralist valued them less for their own sake than as being, to some extent, the admissions of an opponent. But, in truth, he was only reclaiming what the principles of his own sect had originally inspired. To be content with the barest necessaries was a part of that Nature-worship against which Greek humanism, with its hedonistic and idealistic offshoots, had begun by vigorously protesting. Hence many passages in Lucretius express exactly the same sentiments as those which are most characteristic of Latin literature at a time when it is completely dominated by Stoic influences.

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It was from mathematical science that the light of certainty first broke. Socrates had not encouraged the study of mathematics, either pure or applied; nor, if we may judge from some disparaging allusions to Hippias and his lectures in the Protagoras, did Plato at first regard it with any particular favour. He may have acquired some notions of arithmetic and geometry at school; but the intimate acquaintance with, and deep interest in them, manifested throughout his later works, probably dates from his visits to Italy, Sicily, Cyrn, and Egypt. In each of these places the exact sciences were cultivated with more assiduity than at Athens; in southern Italy they had been brought into close connexion with philosophy by a system of mystical interpretation. The glory of discovering their true speculative significance was reserved for Plato. Just as he had detected a profound analogy between the Socratic scepticism and the Heracleitean flux, so also, by another vivid intuition, he saw in the definitions and demonstrations of geometry a type of true reasoning, a particular application of the Socratic logic. Thus the two studies were brought into fruitful reaction, the one gaining a wider applicability, and the other an exacter method of proof. The mathematical spirit ultimately proved211 too strong for Plato, and petrified his philosophy into a lifeless formalism; but no extraneous influence helped so much to bring about the complete maturity of his constructive powers, in no direction has he more profoundly influenced the thought of later ages.A few years ago, or even at the present time, many school-books in use which treat of mechanics in connection with natural philosophy are so arranged as to hinder a learner from grasping a true conception of force, power, and motion; these elements were confounded with various agents of transmission, such as wheels, wedges, levers, screws, and so on. A learner was taught to call these things "mechanical powers," whatever that may mean, and to compute their power as mechanical elements. In this manner was fixed in the mind, as many can bear witness, an erroneous conception of the relations between power and the means for its transmission; the two things were confounded together, so that years, and often a lifetime, has not served to get rid of the idea of power and mechanism being the same. To such teaching can be traced nearly all the crude ideas of mechanics so often met with among those well informed in other matters. In the great change from empirical rules to proved constants, from special and experimental knowledge to the application of science [4] in the mechanic arts, we may, however, go too far. The incentives to substitute general for special knowledge are so many, that it may lead us to forget or underrate that part which cannot come within general rules.I put all my hope on a car that loomed up in the distance. It was assisting in the reprovisioning of Brussels, and only for that reason had the carman got permission to use it. I signalled to him, and he stoppeda big lout of a man who evidently had had a drop too much; he would not allow me to ride on with him, because he preferred to remain alone on his car than to help a spy. "I am a Belgian, a Belgian, and not a traitor, not a traitor of my country," he assured me, with a lot of beery tears. In any case the man meant well, and probably he had tried to drown his troubles in drink.
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Apart, however, from abstract speculation, the ideal156 method seems to have exercised an immediate and powerful influence on Art, an influence which was anticipated by Socrates himself. In two conversations reported by Xenophon,102 he impresses on Parrhasius, the painter, and Cleito, the sculptor, the importance of so animating the faces and figures which they represented as to make them express human feelings, energies, and dispositions, particularly those of the most interesting and elevated type. And such, in fact, was the direction followed by imitative art after Pheidias, though not without degenerating into a sensationalism which Socrates would have severely condemned. Another and still more remarkable proof of the influence exercised on plastic representation by ideal philosophy was, perhaps, not foreseen by its founder. We allude to the substitution of abstract and generic for historical subjects by Greek sculpture in its later stages, and not by sculpture only, but by dramatic poetry as well. For early art, whether it addressed itself to the eye or to the imagination, and whether its subjects were taken from history or from fiction, had always been historical in this sense, that it exhibited the performance of particular actions by particular persons in a given place and at a given time; the mode of presentment most natural to those whose ideas are mainly determined by contiguous association. The schools which came after Socrates let fall the limitations of concrete reality, and found the unifying principle of their works in association by resemblance, making their figures the personification of a single attribute or group of attributes, and bringing together forms distinguished by the community of their characteristics or the convergence of their functions. Thus Aphrodit no longer figured as the lover of Ars or Anchiss, but as the personification of female beauty; while her statues were grouped together with images of the still more transparent abstractions, Love, Longing, and Desire. Similarly Apollo became a personification of musical enthusiasm, and Dionysus157 of Bacchic inspiration. So also dramatic art, once completely historical, even with Aristophanes, now chose for its subjects such constantly-recurring types as the ardent lover, the stern father, the artful slave, the boastful soldier, and the fawning parasite.103Time passed and he grew impatient. He coughed as he looked into the bedroom. Then he said something strong under his breath. Nobody was there. The opposite door was locked, but the bird had flown.In his criticism on the ideal theory, Aristotle argues that it is unproved; that the consequences to which it leads would be rejected by the idealists themselves; that it involves a needless addition to the sum of existence; that it neither explains the origin of things nor helps us to understand them, while taking away from them their substantial reality; that the Ideas are merely sensible objects hypostasised, like the anthropomorphic divinities of primitive men; that, to speak of them as patterns, in whose likeness the world was created, is a mere idle metaphor; that, even assuming the existence of such patterns, each individual must be made in the likeness, not of one, but of many ideasa human being, for instance, must be modelled after the ideal biped and the ideal animal, as well as after the ideal man; while many of the ideas themselves, although all are supposed to exist absolutely, must be dependent on other and simpler types; finally, that, assuming an idea for every abstract relation, there must be ideas to represent the relation between every sensible object and its prototype, others for the new relations thus introduced, and so on to infinity.Abiding, doth abide most firmly fixed,If the Roman conquest did not altogether put an end to these sentiments, it considerably mitigated their intensity. The imperial city was too strong to feel endangered by the introduction of alien deities within its precincts. The subject states were relieved from anxiety with regard to a political independence which they had irrecoverably lost. Moreover, since the conquests of Alexander, vast aggregations of human beings had come into existence, to which the ancient exclusiveness was unknown, because they never had been cities at all in the ancient sense of the word. Such were Alexandria and Antioch, and these speedily became centres of religious syncretism. Rome herself, in becoming the capital of an immense empire, acquired the same cosmopolitan character. Her population consisted for the most part of emancipated slaves, and of adventurers from all parts of the world, many of whom had brought their national faiths with them, while all were ready to embrace any new faith which had superior attractions to offer. Another important agent in the diffusion and propagation of new religions was the army. The legions constituted a sort of migratory city, recruited from all parts of the empire, and moving over its whole extent. The dangers of a military life combined with its authoritative ideas are highly favourable to devotion; and the soldiers could readily adopt new modes for the expression of this feeling both from each other and from the inhabitants of the countries where they were stationed, and would in turn204 become missionaries for their dissemination over the most distant regions. That such was actually the case is proved by numerous religious inscriptions found in the neighbourhood of Roman camps.313
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