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Its a Long Distance book, tooand its open at the Es! Dick glanced swiftly down the pages, EvedallEverEverdail! he looked up with a surprised face."Has the trip been hard?" he asked."Well," said Cairness, twisting at the small mustache, and levelling his eyes straight as the barrels of a shot-gunand they gave the journalist a little of the same sensation"I think, Mr. Stone, that you can get out of the country within the next three days."
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    • ONE:"To take them over to my quarters and keep them safe."

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    • ONE:It sounds the same, but if I spell it youll see.

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    • ONE:"I don't know," Cairness answered, with a lightness that was anything but cheering.[Pg 86]

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    TWO:Bending forward Dick began to rummage in a compartment built in his section of the seating space.A raiding party of hostiles had passed near the fort, and had killed, with particular atrocity, a family of settlers. The man and his wife had been tortured to death, the baby had had its brains beaten out against the trunk of a tree, a very young child had been hung by the wrist tendons to two meat hooks on the walls of the ranch-house, and left there to die. One big boy had had his eyelids and lips and nose cut off, and had been staked down to the ground with his remains of a face lying over a red-ant hole. Only two had [Pg 196]managed to escape,a child of ten, who had carried his tiny sister in his arms, twenty miles of ca?ons and hills, to the post.

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    THREE:He was too busy routing air lines and working out cost, maintenance and operation plans for his big Western lines, explained Jeff. But they took all the care in the world of those emeralds. Even on the night of the reception, the imitation string was taken to the hotel Mrs. Everdail stayed at. That-there real necklace was brought to the hotel, in person, by the captain.

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    THREE:So at five o'clock Cairness, coming again into that part of the cabin which his hostess persistently named the drawing-room, found the three Englishmen taking their tea, and a little man in clerical garb observing the rite with considerable uncertainty. He would have no tea himself, and his tone expressed a deep distrust[Pg 37] of the beverage. By the side of his chair stood a tall silk hat. It was in all probability the only one in the territories, or west of the Missouri, for that matter, and it caught Cairness's eye at once, the more especially as it was pierced by two round holes. As he stirred his tea and ate the thin slices of buttered bread, his glance wandered frequently to the hat.
  • FORE:The general was neither convinced nor won over. He had Geronimo told that it was a very pretty story, but that there was no reason why forty men should have left the reservation for fear of three. "And if you were afraid of three, what had that to do with the[Pg 299] way you sneaked all over the country, killing innocent people? You promised me in the Sierra Madre that that peace should last. But you lied. When a man has lied to me once, I want better proof than his word to believe him again."
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  • FORE:In the department of novel writing, no age had yet produced such a constellation as Fielding, Richardson, Sterne, and Smollett. Their works[147] are still read with admiration by all who have a relish for vivid and masterly delineations of life; their only drawback being, that they are all more or less stained with the grossness and licentiousness of the age. From these faults Samuel Richardson (b. 1689; d. 1761) is most free, and in his "Sir Charles Grandison" he hasshown himself ahead of his age in the wisdom and liberality of his ideas. He discountenanced duelling, and taught the soundest principles of honour and morality. The photographic minuteness of his style prevents the general reading of his works in the present day of abundant new literature. The principal novels of Henry Fielding (b. 1707; d. 1754), "Joseph Andrews," "Tom Jones," and "Amelia," abound in wit, vigour, and knowledge of human nature. He wrote also some plays, and edited several periodicals. His sister, Sarah, also wrote "David Simple," a novel, and translated Xenophon's "Memoirs of Socrates." Tobias Smollett (b. 1721; d. 1771) paints life in strong, bold, but somewhat coarse lines, full of vigour, but with even more grossness than Fielding uses. "Peregrine Pickle," "Count Fathom," "Roderick Random," "Humphrey Clinker," and "Sir Launcelot Greaves," if not now generally read, have been carefully studied and made use of by some of our modern novelists. Smollett, besides, wrote plays, satires, poems, and edited "The Briton," a weekly newspaper. Laurence Sterne (b. 1713; d. 1768) struck out a style of writing peculiar to himself, and which still defies all successful imitation. Notwithstanding attempts to represent his pathos as grimace, and his humour as tinsel, the felicity of touch in "Tristram Shandy," and the flashes of wit and feeling in his "Sentimental Journey," will, in spite of detractors, and of the occasional indecency of the author, always send readers to Sterne.
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    "What!" ejaculated the general. He was moved altogether from his imperturbable calm.[Pg 20]Did you walk under a ladder, today, sir? asked Sandy seriously.Sandy! Sandy! Dick cried as loudly as he could. Theyve done a sharp turntheyre going back home I think!Sandy had only to take one look when he located the object of their flight, to know that his deductions had all been sound.
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