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THREE:When people in Parisian society thought of the country, they thought of lambs with ribbons round their necks, shepherdesses in fanciful costumes with long crooks, or a ��rosi��re�� kneeling before the family and friends of the seigneur to be crowned with flowers and presented with a rose as the reward of virtue, in the presence of an admiring crowd of villagers; of conventional gardens, clipped trees, and artificial ruins; but wild, picturesque mountain scenery was their abhorrence.What made this all the more provoking was that M. de Calonne was not even, like M. de Vaudreuil, [64] a great friend of hers. She did not know him at all intimately, and in fact only once went to a party given by him at the Minist��re des finances, and that was because the soir��e was in honour of Prince Henry of Prussia, who was constantly at her house. The splendid portrait she painted of Calonne was exhibited in the Salon of 1786. Mlle. Arnould remarked on seeing it, ��Mme. Le Brun has cut his legs off to keep him in the same place,�� alluding to the picture being painted to the knees. FORE:She had painted 662 portraits, 15 pictures, 200 landscapes, many of them in Switzerland, and many pastels.

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