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Like many other persons, Mme. de Genlis, though she chose to act in a way that she must have known to be suspicious, even if there had been no real harm in it, made a great outcry when the remarks were made, and conclusions drawn that might have naturally been expected.

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What of that? Cannot you depend upon me? I desire you to make immediate preparations for your sisters marriage to-morrow. I cannot say yet to whom, but she shall be married, and well married.In the streets people recognised their own carriages turned into hackney coaches; the shops were full of their things; books with their arms, china, furniture, portraits of their relations, who had perhaps perished on the scaffold. Walking along the boulevard one day soon after her return to Paris she stopped at a shop, and on leaving her address, the lad who was serving her exclaimed

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THREE:I know nothing about painting, but you make me like it.
FORE:Horrified at the h?tel of Tallien being in the place de lchafaud, she exclaimed
TWO:Où les aurait-il prises?
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THREE:In fact she had given her whole heart to her work. She thought and dreamed of nothing but painting, her career as an artist was her life, and her affection for her mother, her brother, and her friends sufficed for her domestic happiness; she wanted neither love intrigues nor even marriage to disturb the state of things she found so entirely satisfactory.

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THREE:

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FORE:All sorts of preposterous stories were circulated about it and about them. Some said M. de Calonne had given Mme. Le Brun a number of bonbons, called papillottes, wrapped up in bank-notes; others that she had received in a pasty a sum of money large enough to ruin the treasury: the truth being that he had sent her, as the price of his portrait, four thousand francs in notes in a box worth about twenty louis, and this was considered by no means a high price for the picture. M. de Beaujon had given her eight thousand francs for a portrait of the same size a short time before, without anybody finding the least fault. The character of Calonne was such that no woman who cared about her reputation would wish her name to be connected with his.
THREE:

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THREE:They started at ten in the morning in two carriages, the first with six horses, the second, which contained the servants, with four. They had only two men, one French servant of their own, the other hired for the occasion, as they had sent four back to Paris. Their servant, Darnal, observed after a time that they were not going along the Dover road, by which he had been before, and pointed this out to Mme. de Genlis, who spoke to the postillions. They made some excuse, assuring her that they would get back on to the road, but they did nothing of the kind but went on at a rapid pace, saying they would soon be at a village called Dartford, which for a time reassured Mme. de Genlis. However, they did not arrive at Dartford, and presently two well-dressed men passed on foot and called out in distinct FrenchIN 1779 Mme. Le Brun painted for the first time the portrait of the Queen, then in the splendour of her youth and beauty.

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THREE:

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THREE:The young princes and princesses, however, in spite of the disputes, jealousies, and quarrels that occurred amongst them, agreed in amusing themselves very well together. They gave balls, theatricals and ftes of all kinds; the Queen was very fond of cards, and gambling went on to an extent which, with the money spent on ftes and in other still more reprehensible ways, especially by the Comte dArtois, though it could have passed as a matter of course under former reigns, now increased the irritation and discontent which every year grew stronger and more dangerous. For the distress amongst the lower orders was terrible; for years marriages and the birthrate had been decreasing in an alarming manner; the peasants declaring that it was no use bringing into the world children to be as miserable as themselves.

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THREE:THE time had now come when the friendly farm at Wittmold, which had sheltered them in adversity, must be given up. The emigrs were returning; Mme. de la Fayette and Mme. de Grammont urged their sister to do the same, and Mme. de Tess was longing to see Paris again.

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  • FORE:Et Lisette les coutait.

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  • FORE:To her joy she met her old friend Doyen, the painter. He had emigrated two years after her, and arrived at St. Petersburg with no money. The Empress came to his assistance and offered him the directorship of the Academy of Arts. He settled in the Russian capital, where he got plenty of employment, painting both pictures and ceilings for the Empress, who liked him, and for the Russian nobles. The Empress gave him a place near her own box at the theatre, and used often to talk to him.

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  • FORE:The Comit de salut public was composed of Barre, Carnot, Couthon, Billaud-Varennes, Collot-dHerbois, Robert Lindet, Prieur, Jean-Bon Saint-Andr, Saint-Just, and Maximilian Robespierre; as bloodthirsty a gang of miscreants as ever held an unfortunate country in their grip.

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  • FORE:With the fall of the Empire departed her pension and all assistance from the Government.

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  • FORE:

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  • FORE:It was a thousand pities that they did not emigrate like the rest, but as they were not actually proscribed, they did not like to leave the old Duke and Duchess de Noailles, who were feeble and dependent on their care.

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THREE:How I regret that the death of this young prince deprived me of the happiness of opening the gates of France to him and rewarding his noble sentiments. [127]

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If ever we get the upper hand!In those days, as Mme. Le Brun remarks in one of her letters, people had both time and inclination to amuse themselves, and the love of music was just then so strong and so general that the disputes between the rival schools of Glück and Piccini sometimes even amounted to quarrels. She herself was a Glückist, but the Queen and many others preferred the Italian music to the German.The Abbess might receive in her apartment and at dinner whatever guests she chose, men or women, but no men might go to the cloisters or any other part of the abbey. She had a carriage, horses, and servants of her own, and might go out when and where she pleased, taking with her any nuns she chose. She often drove to see different farms, &c., belonging to the abbey, and to visit sick people.The young Comtesse de Genlis was very happy at Origny, and amused herself like a child amongst the nuns. She ran about the corridors at night [374] dressed like the devil, with horns; she put rouge and patches on the nuns while they were asleep, and they got up and went down to the services in the church in the night without seeing themselves thus decorated; she gave suppers and dances amongst the nuns and pupils to which no men were, of course, admitted; she played many tricks, and wrote constantly to her husband and mother, the latter of whom came to spend six weeks with her. When her husband came back they went to Genlis, where her brother, who had just gone into the Engineers, paid them a long visit, to her great joy.The taste of the day was expressed in the pictures of the favourite artists, Watteau and Greuze, who painted the graceful groups and landscapes every one admired: charming women sitting in beautiful gardens dressed in costumes suitable for a ball or court festivity, or anything on earth but being out of doors in the country.
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