The weeks following were terrible for Lisette, the anxiety and agitation she was in being increased by the non-appearance of M. de Rivire, who had told her to expect him at Turin. At last, a fortnight later than the day fixed, he arrived, so dreadfully changed that she hardly recognised him. As he crossed the bridge of Beauvoisin he had seen the priests being massacred, and that and all the other atrocities he had witnessed had thrown him into a fever, which had detained him for some time at Chambry.
Fragonard, the Proven?al, had more depth and dramatic feeling, the passion of the south and the love of nature in his work gave a stronger, truer, more impressive tone to his pictures; but Boucher, the favourite painter of Louis XV., the Marquise de Pompadour, and the court would seem from his pictures to have looked upon everything in life as if it were a scene in a carnival or fte. His goddesses and saints, even the holy Virgin herself, were painted from models from the theatre, and looked as if they were; his gardens, roses, silks, satins, nymphs, fountains, and garlands were the supreme fashion; every one wanted him to paint their portrait; he had more commissions than he could execute, and his head was turned by the flattery lavished upon him.
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At last they heard that the Princesse de Conti was living near Fribourg, and it was arranged that she should take charge of her niece. She wrote an affectionate letter, and sent the Comtesse de Saint-Maurice-de-Pont to Bremgarten to fetch her.Directly the Duc de Chartres heard of the project he came to ask to be of the party, and as he was not as yet the open enemy of the royal family, his request was granted.
