TWO:"Who?"
THREE:It was a halcyon time for the press. It approved and it disapproved, while the troops went serenely on their way. It gave the government two courses,removal of the Apaches, one and all, to the Indian territory (as feasible as driving the oxen of Geryon), or exterminationthe catchword of the non-combatant.
THREE:The truth is that critics seem to have been misled by a superficial analogy between the spiritualistic revival accomplished by Plotinus, and the Romantic revival which marked the beginning of the present century. The two movements have, no doubt, several traits in common; but there is this great difference between them, that the latter was, what the former was not, a reaction against individualism, agnosticism, and religious unbelief. The right analogy will be found not by looking forward but by looking back. It will then be seen that the Neo-Platonists were what their traditional name implies, disciples of Plato, and not only of Plato but of194 Aristotle as well. They stood in the same relation to the systems which they opposed as that in which the two great founders of spiritualism had stood to the naturalistic and humanist schools of their timeof course with whatever modifications of a common standpoint were necessitated by the substitution of a declining for a progressive civilisation. Like Plato also, they were profoundly influenced by the Pythagorean philosophy, with its curious combination of mystical asceticism and mathematics. And, to complete the analogy, they too found themselves in presence of a powerful religious reaction, against the excesses of which, like him, they at first protested, although with less than his authority, and only, like him, to be at last carried away by its resistless torrent. It is to the study of this religious movement that we must now address ourselves, before entering on an examination of the latest form assumed by Greek philosophy among the Greeks themselves.
THREE:During this long period Sir Christopher had been busily employed in raising many other buildings; amongst these, the Royal Observatory, Greenwich; St. Bride's; St. Swithin's; the Gateway Tower, Christ Church, Oxford; St. Antholin's, Watling Street; the palace at Winchester, never completed; Ashmolean Museum, and Queen's College Chapel, Oxford; St. James's, Westminster; St. Clement's, Eastcheap; St. Martin's, Ludgate Hill; St. Andrew's, Holborn; Christ Church, Newgate Street; Hampton Court Palace, an addition; Morden College, Blackheath; Greenwich Hospital; St. Dunstan's-in-the-East, tower and spire; Buckingham House, since pulled down; and Marlborough House.But before the dissolving action of Nominalism had become fully manifest, its ascendency was once more challenged; and this time, also, the philosophical impulse came from Constantinople. Greek scholars, seeking help in the West, brought with them to Florence the complete works of Plato; and these were shortly made accessible to a wider public through the Latin translation of Ficino. Their influence seems at first to have told in favour of mysticism, for this was the contemporary tendency to which they could be most readily affiliated; and, besides, in swinging back from Aristotles philosophy to the rival form of spiritualism, mens minds naturally reverted, in the first instance, to what had once linked them togetherthe system of Plotinus. Thus Platonism was studied through an Alexandrian medium, and as the Alexandrians had looked at it, that is to say, chiefly under its theological and metaphysical aspects. As such, it became the accepted philosophy of the Renaissance;369 and much of what we most admire in the literatureat least the English literatureof that period, is directly traceable to Platonic influence. That the Utopia of Sir Thomas More was inspired by the Republic and the Critias is, of course, obvious; and the great part played by the ideal theory in Spensers Faery Queen, though less evident, is still sufficiently clear. As Mr. Green observes in his History of the English People (II., p. 413), Spenser borrows, in fact, the delicate and refined forms of the Platonic philosophy to express his own moral enthusiasm.... Justice, Temperance, Truth are no mere names to him, but real existences to which his whole nature clings with a rapturous affection. Now it deserves observation, as illustrating a great revolution in European thought, that the relation of Plato to the epic of the English Renaissance is precisely paralleled by the relation of Aristotle to the epic of mediaeval Italy. Dante borrows more than his cosmography from the Stagirite. The successive circles of Hell, the spirals of Purgatory, and the spheres of Paradise, are a framework in which the characters of the poem are exhibited, not as individual actors whom we trace through a lifes history, but as types of a class and representatives of a single mental quality, whether vicious or virtuous. In other words, the historical arrangement of all previous poems is abandoned in favour of a logical arrangement. For the order of contiguity in time is substituted the order of resemblance and difference in idea. How thoroughly Aristotelian, indeed, were the lines within which mediaeval imagination moved is proved by the possibility of tracing them in a work utterly different from Dantesthe Decameron of Boccaccio. The tales constituting this collection are so arranged that each day illustrates some one special class of adventures; only, to make good Aristotles principle that earthly affairs are not subject to invariable rules, a single departure from the prescribed subject is allowed in each decade; while370 during one entire day the story-tellers are left free to choose a subject at their own discretion.
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