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At sunset, when the glow fired the stones to a semblance of transparent, burning light, at the top of one of the flights of steps rising from the river to the town, and in front of a gate with large brass nails, glittering like sparks, the figure appeared of a holy beggar in yellow rags, with a copper jar blazing with reflected light; he was set in a halo of gold, and looked like the vision of some pagan god. He stood motionless for a[Pg 172] long time, and then, as the last sunbeam went out, he vanished beyond the fire-studded gate, while all the scene faded into rosy lilac, rapidly dying into blue night.In the English quarter of Bombay the houses are European: Government House, the post office, the municipal buildings��perfect palaces surrounded by gardens; and close by, straw sheds sheltering buffaloes, or tents squatted down on common land; and beyond the paved walks are beaten earth and huge heaps of filth, over which hover the birds of prey and the crows.

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ONE:The four sons of the king presently come to a town. They ring at the door of a house inhabited by a woman who, as the little English translation tells us, carries on a foul trade, and Dilbar the dancing-girl appears.

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ONE:At another station, a man, standing on the carriage step, held out a broad sheet to a servant, the two ends falling to the ground. Then a lady stepped out, hid herself under the stuff, which wrapped her from head to foot, and walked along the platform with a woman-servant. She was the wife of some superior clerk, not rich enough to have a palankin, but of too high caste to uncover her face��a white bundle tottering along the platform. One of her antelope-skin slippers came off; for a second a tiny foot was put out with silver anklets. The woman put her mistress's shoe on again, and then both went to the waiting-room reserved for ladies.Towards evening the sky turned to a dull, dark green, and in the sudden gloom down came the rain in floods, tremendous, solid, for about five minutes; then as suddenly it was as hot as ever again, dry and overpowering.

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FORE:On entering this portal, lo, a miraculous vision! At the end of an avenue of dark cypress trees stands the tomb of Mumtaj-Mahal, a dream in marble, its whiteness, crowned by five cupolas that might be pearls, mirrored in a pool edged with pink stone and borders of flowers.

Pellentesque habitant morbi tristique senectus et netus et malesuada fames ac turpis egestas. Vestibulum tortor quam, feugiat vitae.

FORE:Towards evening came a storm of hail and snow, from which we took refuge in a government bungalow, where none but officials have a right to rest��but we stayed there all the same. The wind was quite a tornado, sweeping the flowers before it, and the pink and yellow blossoms were mingled with the snowflakes and the tender green leaves, scarcely[Pg 272] unfolded. Birds were carried past, helpless and screaming with terror. We could hear the beasts in a stable close by bellowing and struggling; and then, while the thunder never ceased, repeated by innumerable echoes, darkness fell, opaque and terrific, slashed by the constant flare of lightning, and the earth shook under the blast.

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FORE:Then, from a bridge across the Ganges, for a moment we had a last glimpse of the sacred city��the gold-coloured umbrellas, the throng of bathers on the steps to the river��and then Abibulla gravely remarked, "If only India had three cities like Benares it would be impossible ever to leave it."At a short distance from Toglackabad, on a solitary rock, stands a square building of massive architecture, sober in outline, and crowned by a stone dome. It dwells alone, surrounded by walls; the mausoleum of Toglack, containing his tomb with that of his wife and his son, Mohammed the Cruel.

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FORE:Cymbals and kettle-drums formed the orchestra, reinforced by the shrill cries and strident laughter of the spectators.

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FORE:At Jhansi, by the station, were parties of famishing emigrants, all with the same dreadful white grimace and glazed eyes, and in the town more starving creatures dragging their suffering frames past the shops��almost all closed��or begging at the doors of the temples and mosques; and the few passers-by hurried on as if they, too, wanted to escape, overpowered by this scene of dread and horror.

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FORE:The walls are covered with bas-reliefs carved in the rock, the roof adorned with architraves of stone in infinite repetition of the same designs. The stone is grey, varied here and there with broad, black stains, and in other spots yellowish, with pale gold lights. Some of the sculpture remains still intact. The marriage of Siva and Parvati; the bride very timid, very fragile, leaning on the arm of the gigantic god, whose great height is crowned with a monumental tiara. Trimurti, a divinity with three faces, calm, smiling, and fierce��the symbol of Siva, the creator, the god of mercy, and of wrath. In a shadowed corner an elephant's head stands out��Ganesa, the god of wisdom, in the midst of a circle of graceful, slender, life-like figures of women. Quite at the end of the hall, two caryatides, tall and elegant, suggest lilies turned to women. In the inner sanctuary, a small edifice, with thick stone walls pierced with tiny windows that admit but a dim light, stands the lingam, a cylinder of stone crowned with scarlet flowers that look like flames in the doubtful light; and in deeper darkness,[Pg 22] under a stone canopy, another such idol, hardly visible. The Brahman priests are constantly engaged in daubing all the statues of these divinities with fresh crimson paint, and the votaries of Siva have a spot of the same colour in the middle of the forehead. Two lions, rigid in a hieratic attitude, keep guard over the entrance to a second temple, a good deal smaller and open to the air, beyond a courtyard, and screened with an awning of creepers.

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TWO:At the end of the court, over which enormous bread-fruit trees cast a cool shade, above some steps and a marble terrace where some musicians were performing, stands the holy spot which we dared not go near. In the dim light we could see a square object, red embroidered in gold��the couch of Ram-Roy��and hanging to the wall a silver curtain. All this, though perhaps it is but tinsel, looked at a distance and in the shadow like brocade and magnificent jewels. Round the main building there are four kiosks dedicated to the Guru's four wives.

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TWO:The ancient palace of the kings of Lahore. Amid the ruins there is a mosque of red stone flowered[Pg 236] with white marble, the cupola of a material so milky that it might be jade; and the structure is mirrored in a pool of clear water, dappled with sun-sparks over the rose-coloured stones at the bottom.

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TWO:A dome of smoke hangs like a vault over the fires, motionless, veiling the sun. The relations of the dead, sitting on their heels, gaze at the flames with an expression almost of indifference; no one weeps, and they converse calmly in no subdued tones.

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THREE:

THREE:

THREE:

THREE:Further yet lay the artificial lake of Meer Alam, reflecting the palace of Baradari and the russet plain, infinite as far as the eye could reach towards the north, where other superb mausoleums were visible in their whiteness.A native judge is sitting cross-legged on a little mat in his house. A petitioner appears of the lowest caste, a Sudra. The judge, quite motionless, watches the man unfasten his sandals, rush up to him, and with a profound bow touch his feet in sign of submission. For a man of higher caste, a Vaysiya, the ceremonial is the same, only instead of running forward the visitor walks up to the judge and merely pretends to touch his slippers. Then comes a kshatriya advancing very slowly; the judge rises to meet him half-way, and they both bow.

THREE:On quitting Hyderabad, to the right and left of the iron road, the landscape was for a long way the same; rocks, that looked as if they had been piled up and then rolled over, lay in russet heaps among peaceful little blue lakes without number, breaking the monotony of the wide, scorched fields, a sheet of pure gold. At one of the stations a beggar was rattling his castanets furiously, and singing something very lively and joyous. At the end of each verse he shouted an unexpected "Oh��!" just like the cry of a Paris ragamuffin.To-day a religious festival; from the earliest hour everybody had donned new clothes, and in the [Pg 262]afternoon in the bazaar there was a masquerade of the lowest class��embroidered dhotis, white robes, light-coloured turbans displaying large discs of green, red or blue. The men, even old men, ran after each other with bottles of coloured water, which they sprinkled far and near. One indeed had neither more nor less than a phial of violet ink, which, on the face and hands of a little black boy, shone with metallic lustre. One boy, in a clean garment, fled from a man who was a constant beggar from me, and who was pursuing him with some yellow fluid; and the fugitive was quite seriously blamed for disregarding the will of the gods and goddesses, whose festival it was.

THREE:Then from afar came the sound of tom-toms and bagpipes, nearer and nearer, and the musicians became visible at the top of one of the stair-like alleys. First came the men, then the women. One of these, robed in pale green with a violet and silver saree, carried a child in her arms wrapped in a red dress embroidered with gold. He was this day six[Pg 160] months old; he had eaten rice, and was brought to see the sacred Ganges for the first time. The family, friends, and neighbours had assembled in honour of the great ceremony, which consisted in holding the infant face downwards over the water, which he scarcely saw with half-shut eyes; and then the procession went back again to the sound of the music, and was gone.Inside, after going through a long array of rooms filled with sham European furniture��handsome chairs and sofas covered with plush, Brussels carpets with red and yellow flowers on a green ground��we came to the throne-room, an enormous, preposterous hall, which, with its rows of cane chairs and its machine-made Gothic woodwork, was very like the waiting-room or dining-room of an American hotel.

ONE:[Pg 136]

Pellentesque habitant morbi tristique senectus et netus et malesuada fames ac turpis egestas.

ONE:As we approached the Afghan frontier, camp followed camp, clustering round the railway stations that lie closer together on the line. In the morning and towards evening there was a constant hum round the train, of bagpipes, bugles, and drums, and the red or grey ranks were to be seen of soldiers at drill.

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ONE:And on the man's replying that he would try, the sultan, who chose that the monument should have no rival, caused the architect to be thrown into the Jumna on the spot, where he was dashed to pieces at the foot of his masterpiece, which remains unique.Then, from a bridge across the Ganges, for a moment we had a last glimpse of the sacred city��the gold-coloured umbrellas, the throng of bathers on the steps to the river��and then Abibulla gravely remarked, "If only India had three cities like Benares it would be impossible ever to leave it."

Round a temple, with iron roofs ending in copper balls at the top, a crowd was watching, some seated on steps cut in the soil and some squatting on the hillside, here almost perpendicular. By the temple long white streamers, fluttering from bamboo poles, were covered with painted prayers. A Lama was enthroned in an armchair under an arbour of pine-branches; he wore a yellow robe, and above a face like a cat's he had a sort of brass hat surmounted by a coral knob; his little beard was quite white, and he turned his praying machine with a steady, dull movement, perfectly stolid. Two women stood by his side fanning him, dressed in close-fitting aprons of dark cloth bordered with a brighter shade, and opening over pale pink satin petticoats, on their heads crowns of flowers of every hue.In one vast hall were ancient weapons, swords and pistols, enriched with precious stones; suits of armour damascened with gold, guns with silver stocks set with pearls, and a whole battery of field-pieces to be carried on camels' backs and spit out[Pg 237] tiny balls��enormously, absurdly long, still perched on their saddle-shaped carriages. And in a window bay two toy cannon made of gold and silver, with which Dhuleep Singh used to play as a child before he lost his realm.Tazulmulook, again an outcast in the jungle, rescues a lady related to Bakaoli from the embrace of a demon, and she in gratitude takes the prince to Bakaoli's court. So at last the lovers are united and married.

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