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FORE:"I have paid for nothing for years," she said. "L'audace, l'audace et toujours l'audace! But for circumstances over which I had no control I might have gone on to my death. But proceed. I am interested."CHAPTER III

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FORE:Apart, however, from abstract speculation, the ideal156 method seems to have exercised an immediate and powerful influence on Art, an influence which was anticipated by Socrates himself. In two conversations reported by Xenophon,102 he impresses on Parrhasius, the painter, and Cleito, the sculptor, the importance of so animating the faces and figures which they represented as to make them express human feelings, energies, and dispositions, particularly those of the most interesting and elevated type. And such, in fact, was the direction followed by imitative art after Pheidias, though not without degenerating into a sensationalism which Socrates would have severely condemned. Another and still more remarkable proof of the influence exercised on plastic representation by ideal philosophy was, perhaps, not foreseen by its founder. We allude to the substitution of abstract and generic for historical subjects by Greek sculpture in its later stages, and not by sculpture only, but by dramatic poetry as well. For early art, whether it addressed itself to the eye or to the imagination, and whether its subjects were taken from history or from fiction, had always been historical in this sense, that it exhibited the performance of particular actions by particular persons in a given place and at a given time; the mode of presentment most natural to those whose ideas are mainly determined by contiguous association. The schools which came after Socrates let fall the limitations of concrete reality, and found the unifying principle of their works in association by resemblance, making their figures the personification of a single attribute or group of attributes, and bringing together forms distinguished by the community of their characteristics or the convergence of their functions. Thus Aphrodit�� no longer figured as the lover of Ar��s or Anchis��s, but as the personification of female beauty; while her statues were grouped together with images of the still more transparent abstractions, Love, Longing, and Desire. Similarly Apollo became a personification of musical enthusiasm, and Dionysus157 of Bacchic inspiration. So also dramatic art, once completely historical, even with Aristophanes, now chose for its subjects such constantly-recurring types as the ardent lover, the stern father, the artful slave, the boastful soldier, and the fawning parasite.103These she handed up to Ren��, who returned to the dining-room with them. His mood had changed for the moment, but Leona was by no means out of danger yet. He might have been trying her all the time, he might be gloating over his vengeance. If she could only get rid of him, only scare him away.

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FORE:

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FORE: If happiness consists in the appropriate exercise of our vital functions, then the highest happiness must result from the highest activity, whether we choose to call that reason or anything else which is the ruling and guiding principle within us, and through which we form our conceptions of what is noble and divine; and whether this be intrinsically divine, or only the divinest thing in us, its appropriate activity must be perfect happiness. Now this, which we call the theoretic activity, must be the mightiest; for reason is supreme in our souls and supreme over the objects which it cognises; and it is also the most continuous, for of all activities theorising is that which can be most uninterruptedly carried on. Again, we think that some pleasure ought to be mingled with happiness; if so, of all our proper activities philosophy is confessedly the most pleasurable, the enjoyments afforded by it being wonderfully pure and steady; for the existence of those who are in possession of knowledge is naturally more delightful than the existence of those who merely seek it. Of all virtues this is the most self-sufficing; for while in common with every other virtue it presupposes the indispensable conditions of life, wisdom does not, like justice and temperance and courage, need human objects for its exercise; theorising may go on in perfect solitude; for the co-operation of other men, though helpful, is not absolutely necessary to its activity. All other pursuits are exercised for some end lying outside themselves; war entirely for the sake of310 peace, and statesmanship in great part for the sake of honour and power; but theorising yields no extraneous profit great or small, and is loved for itself alone. If, then, the energising of pure reason rises above such noble careers as war and statesmanship by its independence, by its inherent delightfulness, and, so far as human frailty will permit, by its untiring vigour, this must constitute perfect human happiness; or rather such a life is more than human, and man can only partake of it through the divine principle within him; wherefore let us not listen to those who tell us that we should have no interests except what are human and mortal like ourselves; but so far as may be put on immortality, and bend all our efforts towards living up to that element of our nature which, though small in compass, is in power and preciousness supreme.192

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