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In booths between these houses, the gamblers, standing round a board with numbered holes, were watching the ball as it slowly spun round, hit the edge, seemed to hesitate, and at last fell into one of the cups. Four-anna pieces, ten-rupee notes¡ªanything will serve as a stake for the Hindoo ruffian in a starched shirt-front, low waistcoat and white tie, above the dhouti that hangs over his bare legs; or for the half-tipsy soldier and sailor,[Pg 28] the cautious Parsee who rarely puts down a stake, or the ragged coolie who has come to tempt fortune with his last silver bit.

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Under an enormous banyan tree, far from any dwelling, two fine statues of an elephant and a horse seemed to guard an image of Siva, rigidly seated, and on his knees an image of Parvati, quite small, and standing as though about to dance.A causeway of white stone, with a fragile [Pg 234]balustrade and columns bearing lanterns of gold, leads from the shore to the temple.
Slider 1 ONE:The Rajah being absent we were allowed to see everything. On the upper floor is the Ranee's dressing-room. All round the large room were glass wardrobes, in which could be seen bodices in the latest Paris fashion, and ugly enough; and then a perfect rainbow of tender opaline hues: light silks as fine as cobwebs, shawls of every dye in Cashmere wool with woven patterns, and[Pg 53] gauze of that delicate rose-colour and of the yellow that looks like gold with the light shining through, which are only to be seen in India¡ªroyal fabrics, dream-colours, carefully laid up in sandal-wood and stored behind glass and thick curtains, which were dropped over them as soon as we had looked. And crowding every table and bracket were the most childish things¡ªscreens, cups and boxes in imitation bronze, set with false stones¡ªthe playthings of a little barbarian. A coloured photograph stood on the toilet-table between brushes and pomatum-pots; it represented the mistress of this abode, a slender doll without brains, her eyes fixed on vacancy.

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Slider 2 ONE:In the further room were four sufferers past all hope: one in the anguish of delirium that made him cry out the same words again and again, in a hoarse voice that was growing fainter. He was held by two attendants. Another lay with chattering teeth; a third was struggling violently, hidden under his coverlet; the fourth seemed unconscious, apathetic.Broad streets crossing each other at right angles; houses, palaces, archways flanked by towers, and colonnades, all alike covered with pink-washed plaster decorated with white. And all the buildings have the hasty, temporary appearance of a town run up for an exhibition to last only a few months.

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Slider 3 ONE:In the depths of little recesses the lamps twinkled feebly before images crowned with flowers. At the entrances to shrines little glass lamps, like a mysterious fairy illumination, followed the lines[Pg 116] of the arabesques, sparkling like glowworms, without lighting up the passages which remained dark, and in which, in fact, we finally lost ourselves.

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THREE:Very gradually the measure quickened, the pitch grew shriller, and with faster and freer movements the bayad¨¨res were almost leaping in a sort of delirium produced by the increasing noise, and the constantly growing number of lights.

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THREE:Among the officers was a young lady on horseback, her black habit covered with dust. Instead of the pith helmet that the English ladies disfigure themselves by wearing, she had a straw hat with a long cambric scarf as a pugaree. She was pretty and sat well, and at the last turning she pulled up and watched the men, the ammunition and the baggage all march past, saluted them with her switch, and cantered off to the town of "cottages." I saw her again in the afternoon, taking tea in her garden as she sat on a packing-case among eviscerated bales, and giving orders to a mob of slow, clumsy coolies, who were arranging the house.

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TWO:Soldiers, bristling with daggers and pistols in their belts, are on guard at the gate. Pikes and long muskets stand piled in the background; over this arsenal, flowering jasmine and convolvulus with enormous bell flowers hang their graceful shade.

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THREE:The sun cast broad satin lights on its bay coat, already dry; the light hoofs, the pretty head with dilated nostrils gave the creature dignity¡ªit looked like a thoroughbred, really noble in its last rest; while the vultures and kites hovered round, waiting for us to be gone.

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THREE:AT SEAWhen I went away home to the fort, where I was living with my friend Lieutenant F¡ª¡ª, the sentinel's challenge, the tall grey walls casting sharp shadows on the courtyard silvered with moonlight, and another sentry's cry; and still, in contrast with the cheerful evening, I could remember nothing but the tonga post-horse¡ªa thing so frequent in this land of fanatics, so common that no one gives it more than a passing thought.

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THREE:JEYPOORWe met a strange caravan; a small party of men surrounding more than a hundred women wrapped in dark robes, and bearing on their veiled heads heavy bales sewn up in matting, and large copper pots. A little blind boy led the way, singing a monotonous chant of three high notes. He came up to my tonga, and to thank me for the small coin I gave him he said, "Salaam, Sahib," and then repeated the same words again and again to his[Pg 37] tune, dancing a little step of his own invention till the whole caravan was hidden from me in a cloud of dust.

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TWO:From the roof, consisting of terraces between cupolas, there is a view of many temples glorified in the golden sunset, and nearer at hand stand ten[Pg 123] imposing columns, very tall¡ªthe last remaining vestiges of the rajah's elephant-house.

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TWO:Above the road lie dark cliffs; a rose-coloured waterfall of melted snow tumbled mixing with the clay¡ªpink with lilac depths, and the foam iridescent in the sunbeams. The ruins of a large temple of green stone carved with myriads of fine lines stood in solitude at the edge of a wood, and the background was the mountain-range, the Himalayas, lost in the sky and bathed in blue light. Only a portico remains standing¡ªa massive, enduring frame for the infinite distance of snow-capped giants. The stones have lost their hue; they are darkly streaked by the rains and a growth of grey and purple mosses, and russet or white lichens have eaten into the surface.Bakaoli bewails her lover's departure, for which no one, not even her mother, can comfort her.

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TWO:Another temple¡ªcarved and pierced, and loaded and overloaded with ornament. In the crypt was a bas-relief representing the ceremony of marriage: the procession, the couple in front of the altar, the relations sitting round, all alike in the same crouching attitude, like toys set out by a little child. Then the model of a very famous temple elsewhere in India: columns, gateways, statues of the gods, all reproduced with microscopic exactitude down to the minutest details; and surrounding this tiny model a bas-relief of the most bewildering perspective¡ªa plan of Satrunji with its fifty-two principal temples, its trees and sacred tanks; and as a pendant to this representation, a circular carving giving a bird's-eye view of the crowd, the same little doll-like figures[Pg 79] repeated again and again, coming to worship with arms and legs spread out, grovelling, as if they were swimming.

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We set out from Srinagar in an ekka, drawn at a trot by our only horse. The driver, perched on the shaft almost by his steed's side, dressed in green with an enormous pink pugaree, flogged and shouted incessantly. The monotonous landscape went on and on between the poplars that border the road, extending as far as the blue circle of distant Himalayas. The valley was green with the first growth of spring; as yet there were no flowers. And till evening fell, the same horizon shut us in with mountains that seemed to recede from us.Within the gateway, carved all over with foliage and rosettes, a footway, paved with bright mosaic, leads to the interior of the temple. All along a corridor, enormous prancing horses, mounted by men-at-arms, support the roof which is deeply carved all over, and at the foot of these giants a sacred tank reflects the sky. In front of us were gaps of black shadow, and far, far away, lamps, shrouded in incense, were twinkling behind the gratings.DELHI.And for an hour as we drove along towards Amber, the old town deserted in favour of modern Jeypoor, the same succession of temples wheeled past. The crenated walls enclose three hills, one of them crowned by a fortress, to defend erewhile the white palace mirrored in the waters of an artificial lake.At Jhansi, by the station, were parties of famishing emigrants, all with the same dreadful white grimace and glazed eyes, and in the town more starving creatures dragging their suffering frames past the shops¡ªalmost all closed¡ªor begging at the doors of the temples and mosques; and the few passers-by hurried on as if they, too, wanted to escape, overpowered by this scene of dread and horror.
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