The Comtesses de Flahault and de Marigny, two sisters, both young, thoughtless, and eager for adventures, were anxious to see and consult a certain wizard, then very much the fashion, about whom their curiosity was greatly aroused by the stories told of him.
At last, however, it was finished, and she stood in the presence of Louis XV. He was no longer young, but she thought him handsome and imposing. He had intensely blue eyes, a short but not brusque manner of speaking, and something royal and majestic about his whole bearing which distinguished him from other men. He talked a great deal to Mme. de Puisieux, and made complimentary remarks about Flicit, after which they were presented to the Queen, who was lying in a reclining chair, already suffering from the languor of the fatal illness caused by the recent death of her son, the Dauphin. Then came the presentation to Mesdames, and to the Children of France, and in the evening they went to the jeu de Mesdames.Lise, or Lisette, as she was generally called, was a delicate child, and her parents, who were devotedly fond of her and very anxious about her, frequently came and took her home for a few days, greatly to her delight. With them and her brother Louis, their only child besides herself, she was perfectly happy. Louis was three years younger, and did not possess her genius for painting, but the brother and sister were always deeply attached to one another.
ONE:Philippe-galit had wearied Robespierre with his petitions to be released, and that worthy remarked to Fouquier-TinvilleThose whose ideas of France in the eighteenth century are derived only from such books as Dickens Tale of Two Cities, or even from a casual acquaintance with a few of the histories and chronicles of the time, are apt vaguely to picture to themselves a nation composed partly of oppressed, starving peasants, and partly of their oppressors, a race of well-bred ruffians and frivolous, heartless women; all splendidly dressed, graceful, polite, and charming in their manners amongst themselves; but arrogant, cruel, and pitiless to those beneath them.
TWO:The last time Marie Antoinette ever sat to her was at Trianon, when she painted her head for the great picture in which the Queen is represented with her children, the first Dauphin, [20] Madame Royale, [21] and the Duc de Normandie, [22] which was [48] hung in the Salon of 1788, and excited universal admiration. It was afterwards taken to Versailles and hung in one of the salons through which the Queen always passed on her way to mass.On arriving at Paris she found to her great sorrow that her eldest sister was away. Rosalie de Grammont was there but was ill and suffering, expecting her confinement. Pauline wanted to stay with her till it was over, but Rosalie said that emigration was becoming more difficult and dangerous every day, that those who were going had no time to lose, and that she would not hear of Paulines running any additional risk by delaying her journey for a single day.
TWO:But that she should have been and still be accused, especially with regard to the Duke of Orlans, she had no right to complain. After all, those who wish to play the worlds game must play by the worlds rules. Certain ways of acting always cause certain conclusions to be drawn, and what else was likely between a man like Philippe-galit and a fascinating woman he admired, and with whom he was thrown into constant and intimate association, but the liaison every one might expect, and which it is impossible not to believe in.CHAPTER VIII
[25]I heard you were intending to emigrate with the ci-devant Marquis de Fontenay.As the lads grew older, however, their talents developed in exactly opposite directions, so that their father found himself obliged to consent to a change of plans with regard to their education. Louis, in fact, became ultimately first violinist to the Emperor Alexander of Russia, while Jean-Baptiste, casting aside his noisy musical instruments, studied painting with enthusiasm, went to Paris in 1786, and with much difficulty succeeded in getting into the studio of David, from which he was shortly afterwards on the point of being expelled, because he made a picture of David as a wild boar, surrounded by his pupils in the form of little pigs; all excellent likenesses.It was then she made her well-known answer to Bailly, Jai tout vu, tout su, et tout oubli.Seeing at once what was the question, she answered: You are mistaken, citoyens, those who embarked were not contre-revolutionnaires.