TWO:As an attempt at consolation, it failed. Landor fairly sprang into a sitting posture, with a degree of impulsiveness that was most unusual with him. His eyes glistened from the greenish circles around them. "Blow over! Good Lord! do you suppose I'll let it blow over? It's got to be sifted to the bottom. And you know that as well as I do." He lay weakly back again, and Felipa came to the edge of the bed and, sitting upon it, stroked his head with her cool hand.One symptom of this reaction was the fashionable archaism of the Augustan age, the tendency to despise whatever was new in literature, and to exalt whatever was old. It is well known how feelingly Horace complains of a movement which was used to damage his own reputation as a poet;309 but what seems to have escaped observation is, that this protest against the literary archaism of his contemporaries is only one symptom of a much profounder division between his philosophy and theirs. He was just as good a patriot as they were, but his sympathies were with the Hellenising aristocracy to which Lucretius and Cicero had belonged, not with the narrow-minded conservatism of the middle classes and the country people. He was a man of progress and free-thought, who accepted the empire for what it might be worth, a Roman Prosper Merime or Sainte-Beuve, whose preference of order to anarchy did not involve any respect for superstitious beliefs simply because they were supported by authority. And this healthy common sense is so much a part of his character, that he sometimes gives his mistresses the benefit of it, warning Leuconoe against the Babylonian soothsayers, and telling202 Phidyle that the gods should be approached not only with sacrifices but with clean hands.310 Yet so strong was the spirit of the age, that the sceptical poet occasionally feels himself obliged to second or to applaud the work of restoration undertaken by Augustus, and to augur from it, with more or less sincerity, a reformation in private life.311 And even the frivolous Ovid may be supposed to have had the same object in view when composing his Fasti.
