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FORE:"About sixteen. Our two horses will be Yankees again to-morrow."The Japanese lacquer of the present time is not so highly prized as that of the last or the previous century. It is not so well made, partly for the reason that the workmen have lost their skill in the art, and partly because labor is much more expensive now than formerly. The prices obtained for some of the specimens of this kind of work have been very high, but they are not enough to meet the advance that has been made in wages in the past few years. The manufacturers are anxious to turn their money as rapidly as possible, and consequently they do not allow their productions to dry thoroughly. To be properly prepared, a piece of lacquer should dry very slowly; and it used to be said that the best lacquer was dried under water, so that the process should not be too rapid. The article, whatever it may be, is first shaped from wood or papier-mach��, and then covered with successive coatings of varnish or lacquer; this is made from the gum of a tree, or, rather, from the juice, and it is said to have the peculiar property of turning black from exposure to the air, though it is of a milky whiteness when it exudes from the tree. It can be made to assume various colors by the addition of pigments; and while it is in a fresh condition coatings of gold-leaf are laid on in such a way as to form the figures that the artist has designed. Every coating must be dried before the next is laid on; and the more elaborate and costly the work, the more numerous are the coatings. Sometimes[Pg 251] there may be a dozen or more of them, and pieces are in existence that are said to have received no less than fifty applications of lacquer. A box may thus require several years for its completion, as the drying process should never be hastened, lest the lacquer crack and peel when exposed to the air, and especially to heat. Good lacquer can be put into hot water without the least injury; but this is not the case with the ordinary article.

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FORE:"Yes, here we are," Frank replied; "let's give three cheers for Japan."In 1874 a steamer was lost on the coast of Japan. She had as a part of her cargo the Japanese goods from the Vienna Exhibition, and none of them were recovered for nearly a year. There they lay under the[Pg 252] salt-water, and it was supposed that nearly everything would be ruined. But it was found that the lacquered ware had suffered very little, and some of these very articles were shown at Philadelphia in 1876. A few of the pieces required to be freshly polished, but there were many of them that did not need even this slight attention.

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FORE:The dissertation on Japanese money came to an end with the meal they were eating, and soon after the party proceeded to take a stroll through the streets. The afternoon was spent in this way and in letter-writing, and on the following morning the trio started for Kioto, by way of Kara. The ride was a pleasant one��in jin-riki-shas��partly along the banks of the river, where they saw a goodly number of[Pg 284] boats, some descending the stream with the aid of the current, and others making a laborious ascent. The difference of up-stream and down-stream travel was never better illustrated than in the present instance. The Japs who floated with the current were taking things easily and smoking their pipes, as though all the world were their debtor; while the men on the towpath were bending to their toil, evidently giving their whole minds to it, and their bodies as well. Some of the towmen had on their grass coats, while others were without them. Every head was carefully protected from the heat of the sun by the broad hats already described.We went on in silence. Startled and distressed, I pondered. What was her new purpose, that she should ask, or even accept, such a favor as this from Ned Ferry; a favor which, within an hour, the whole command would know he had granted? Was this a trifle, which only the Gholson-like smallness of my soul made spectral? The first time I had ever seen Ferry with any of his followers about him, was he not on Charlotte's gray, now, unluckily, beyond reach, at Wiggins? Ah, yes; but Beauty lending a horse to speed Valor was one thing; Valor unhorsing himself to speed Beauty--oh, how different! What was the all-subordinating need?

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