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ONE:A bulbul, flying out of a temple where it had been picking up the offered rice, perched on a pomegranate tree and began to sing, at first a little timid chirp, and then a ripple of song, soon drowned by the shrieks of parrots, which came down on the tree and drove out the little red-breasted chorister.

ONE:Inside the temple long arcades connect the shrines sunk in the thickness of the walls, gloomy recesses with images of Vishnu and other idols; where the corridors or arcades cross each other there are vast halls with a sculptured roof supported by thousands of columns. In one of these halls there is a chariot full of divinities. The wheels, the horses, the highly-venerated images, are all of marble very delicately wrought, and amazing after the coarse caricatures on the outside. In the courts again, under sheds, there are cars; one of enormous size in black wood carved with innumerable figures and interlacing patterns; pendant ornaments of the same wood sway in the wind. The solid wheels, without spokes, small and having huge axles, seem made not to turn, and the shafts, to which a whole army of the faithful harness themselves on the occasion of a high festival, are long and as thick as masts.[Pg 114] Another car, past service, lay slowly rotting in a corner; almost all its images had vanished, and its canopy had fallen off; it was almost completely hidden under aristolochia in blossom.

ONE:

ONE:And side by side with history a pleasing legend tells that King Anang-Pal yearned to atone for his faults and redeem the earth from sin. So by the[Pg 220] counsels of a wise Brahmin he caused this vast iron spike to be forged by giants, to be driven into the earth and pierce the serpent Sechnaga, who upholds the world. The deed was done, but because certain disbelieving men denied that the monster was dead, the king caused the weapon to be pulled up, and at the end of it behold the stain of blood; so the iron beam was driven in again. But the spell was broken��the creature had escaped. The column remained unstable, prefiguring the end of the dynasty of Anang, and the serpent still works his wicked will.

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THREE:All the architectural details are effaced; parasites and creepers have overgrown the old-world carvings.

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ONE:The drill sergeant shouts the word of command in wonderful English��lept, meaning left.In the little white church, all open windows, mass was performed by a priest with a strong Breton accent. During the sermon, to an accompaniment of parrots' screaming and kites' whistling, there was a constant rustle of fans, which were left on each seat till the following Sunday. The church was white and very plain; French was spoken, and little native boys showed us to our places on benches. Old women in sarees were on their knees, waving their arms to make large signs of the cross. A worthy Sister presided at the harmonium, and the little schoolgirls sang in their sweet young voices[Pg 144] airs of the most insipid type; but after the incessant hubbub of bagpipes and tom-toms their music seemed to me quite delicious, raising visions in my mind of masterpieces of harmony and grace.

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THREE:In the island of Srirangam we visited a temple to Vishnu, enclosed within eight walls, of which the three first only contain any dwellings. A crowd of pilgrims swarmed about the steps, where everything was on sale: little gods in bronze, in painted marble, in clay, and in wood; paper for[Pg 111] writing prayers on; sacred books; red and white face-paints, such as the worshippers of Vishnu use to mark their foreheads with a V; little baskets to hold the colours, with three or four divisions, and a mirror at the bottom; coco-nuts containing kohl; stuffs of every dye; religious pictures, artless indeed, and painted with laborious dabs of the brush in the presence of the customer; chromo-lithographs from Europe, sickeningly insipid and mawkishly pretty.

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THREE:A forest in flower: Indian almond trees white, other trees yellow, a kind of magnolia with delicate pink blossoms; and among these hues like perfume, flew a cloud of birds, black, shot with glistening metallic green, and butterflies of polished bronze and dark gold flashed with blue, and others again sprinkled with white on the nacreous, orange-tinted wings.

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THREE:

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THREE:A long train of wailing women, loud in lamentation, came slowly out of a house where one lay dead whom they had just been to look at, on their way now to wash their garments, defiled by contact with the body. But all dressed in red, with gaudy embroidery in yellow, white, and green, and large spangles of looking-glass glittering in the sun, they did not look much like mourners.All round the sanctuary, in niches under a square cloister, are three hundred and fifty alabaster Buddhas, all alike, with the same jewel in their forehead, and on their shoulders and round their bodies[Pg 61] gold bands set with imitation gems and cut glass. An old woman, who had come thither at daybreak, had prayed to each of these Buddhas; to each she had offered up the same brief petition, she had struck the three bells on her way, and she was now in the sanctuary, calling out a prayer while beating a gong that hangs from the arch. Meanwhile other worshippers were murmuring their invocations prostrate before the jewelled Buddha.

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ONE:There, again, they all sit down in the garden. The same little packets of betel, only wrapped in gold leaf, are offered to the company, and bunches of chrysanthemum sprinkled with scent.

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ONE:The servant who came to tell me that dinner was served went barefoot, like all native servants, in spite of his livery��a sash and a shoulder-belt arranged over the Indian costume, and bearing the arms of England, and a monogram placed in his turban.

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THREE:And then we came away from this hospital, where no sister of charity, no woman even, had brought some little consolation or the kindliness of a smile to these dying creatures, whose wandering or frantic black eyes haunted me.