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The young princes and princesses could not understand that the resources of the State were not inexhaustible, or that they might not draw whatever they liked from the Treasury when they had spent all their own allowances.

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And she threw herself upon her knees before him.Potemkin cannot be judged as a commonplace favourite, exalted or destroyed by a caprice; he represented the ambition of Russia in the eighteenth century; after his death Catherine could never replace that splendid and supple intelligence. [47]
THREE:Weak character of Louis XVI.Quarrels at CourtMme. de TessForebodings of Mme. dAyenLa FayetteSaintly lives of Pauline and her sistersApproach of the RevolutionThe States-GeneralFolly of Louis XVI.Scenes at VersaillesFamily political quarrelsRoyalist and RadicalDeath of Paulines youngest child. ONE:
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FORE:Then I salute my Emperor.The great picture of Marie Antoinette and her three children, which under Napoleon had been hidden away in a corner at Versailles, was taken out and exhibited at the Salon, where every one crowded to look at it. Again she painted the portraits of the royal family, contrasting the simple, gracious politeness of the Duchesse de Berri, of whom she did two portraits, with the vulgar, pretentious airs of Caroline Murat.

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FORE:The year after the marriage Louis XV. died, but Louis XVI. would not depart from the attitude his grandfather had assumed, with regard to the morganatic marriage of the Duc dOrlans.

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THREE:They travelled from Milan to Vienna through the magnificent scenery of Tyrol and Styria, and arrived safely at the Austrian capital, where Mme. Le Brun spent two years and a half happily and prosperously. Every one was eager to invite her to their houses, and the numerous portraits she painted made her sojourn in Austria as profitable as it was pleasant.In those days, as Mme. Le Brun remarks in one of her letters, people had both time and inclination to amuse themselves, and the love of music was just then so strong and so general that the disputes between the rival schools of Glück and Piccini sometimes even amounted to quarrels. She herself was a Glückist, but the Queen and many others preferred the Italian music to the German.
THREE:The wanderings and perils of Pauline were now at an end. From henceforth her home was with her husband and four children in the old chateau of Fontenay, which they repaired and put in order. It was a fortress built in the reign of Charles VI., and afterwards inhabited and decorated by the Duc dEpernon. The great tower of the castle still bore his name, and the blue and gold ceiling of his bedroom still remained. It had an immense park and lakes, and a great avenue of chestnut-trees led up to the chateau. The Abb Cartier, cur of Fontenay, was a man after her own heart. He had known her mother, for he came very young to the parish, which he loved with all his heart, and which he had only once left, on the approach of a revolutionary mob. Leaving the presbytre with all his own things at their mercy, he hid the cross and all the [263] properties of the church, and as to the statues of the saints which he could not remove, he painted them all over, turning them into National Guards with swords by their sides. He was only persuaded by his people to escape when already the drums of the approaching ruffians were heard in the village, in which they quickly appeared, and rushed into the church. But they found it empty, except for the statues, with which, in their republican garb, they dared not meddle, so they turned their fury upon the presbytre, and when the good Abb returned he found the church uninjured, but all the contents of his house stolen or destroyed. As far as possible, M. and Mme. de Montagu led the simple patriarchal life they preferred at Fontenay, where they were adored by the people, to whom they devoted their time, money, and attention. Under the trees before the castle stone benches were placed for the peasants who came on Sunday evenings to sit about and dance, and the young people with whom the old chateau was always filled joined eagerly in their festivities.
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THREE:It is a gang of assassins, said he, bringing bodies of victims to bury in the garden. Just then the man who had hired the pavilion came in; the wife followed him and rushed back pale with terror.
THREE:We! friends! Allons donc!
THREE:
THREE:Alexis de Noailles, who had left France during the reign of Napoleon, entered Paris with the Comte dArtois; the King and the Duchesse dAngoulme received with distinguished favour those who had suffered so much in their cause; the Duc de Noailles came from Switzerland and took possession of the h?tel de Noailles, just vacated by the Arch-treasurer of the Empire.

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FORE:Mademoiselle, said the Marquis, what you have won there is myself, your very humble servant, who, if you will allow him, will become your husband. I put myself into my hat, with all my fortune; accept both, for they are yours.

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FORE:She already played the harp so remarkably as to excite general admiration, and amongst those who were anxious to be introduced to and to hear her was the philosopher dAlembert.

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FORE:With reluctance she left Florence, but after all her supreme desire was Rome, and when at length in the distance across the plain over which they were travelling, the dome of St. Peters rose before them, she could hardly believe she was not dreaming, and that Rome lay there. Through the Porta del Popolo, across the piazza, down the Corso, and up to the entrance of the French Academy they drove, and the long journey was finished.

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Sister of Charity, is that it? No, no; you must take a more active part; you must stand in the tribune, and kindle the sacred fire in those who are not already burning with the religion of the Revolution. Already I can feel the fire of your words. And he drew nearer to her.Courage, Monsieur le Marchal!It cannot be Satan, said the wife of the concierge, but it may be conspirators.Under her own room, which looked out towards Marly, Mme. Le Brun discovered a gallery in which were huddled together all sorts of magnificent marbles, busts, vases, columns, and other costly works of art, the relics of former grandeur.Whatever may be said for or against emigration, one thing is apparentthose who emigrated early [251] saved not only their lives, but, if they were commonly prudent, part of their property also. Those who emigrated late saved their lives, but lost all their property; while those who remained, or returned, were most likely to lose their liberty, if not their lives.
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