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The fort of Allahabad, the fort of the mutiny of 1857, is a complete citadel where, in the thickness of the walls, behind screens of acacia trees, lurk doors into palaces. Among the gardens there are clearings full of guns and ambulance waggons, and enormous barracks and huts for native soldiers. Then on the ponderous stonework of the ramparts rise little kiosks in the light Hindoo-Mussulman style, elaborate and slender, built by Akbar the [Pg 183]conqueror, who took Prayag and razed it, to build on the site a city dedicated to Allah. And now modern architecture is slowly invading it, adding to the flat walls which hide under their monotony the gems of stonework with their elegant decoration.

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"She is the mother of Christ, you say? You are a stranger, and you cannot know all the mischief they do us in the name of her Son."The horizon is the Himalaya range; the slopes are covered with the ribbed velvet of the tea plantations, and on one hill stand the scattered bungalows of Mussoree, looking no bigger than pebbles.
ONE:The song of birds in the mitigated atmosphere of the dying day came in from outside, for a moment almost drowning the pleader's weariful tones as he poured forth his statement, emphasized by sweeping gestures.Here again the cars of the gods were neglected in the open air, and one of them, older than the rest, was fast being transfigured into a pyramid of shrubs and flowers.
  • 远方 有一个地方 那里种有我们的梦想
  • 某天 也许会相遇 相遇在这个好地方
  • 不要太担心 只因为我相信 终会走过这条遥远的道路
  • OH PARA PARADISE 是否那么重要 你是否那么地遥远
TWO:In another building is the hall where the dastours say the last prayers over the dead in the presence of the relations; the body is then stripped in a consecrated chamber and abandoned to the mysteries of the tower.
  • THREE:In the middle of the station groups of women and children squatted on the flagstones, their little bundles about them of red and white rags, and copper pots looking like gold; a huddled heap of misery, in this enormous hall of palatial proportions, handsomely decorated with sculptured marble.
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By the side of the Manumenka stand two stel?, on which two carved figures, represented as surrounded by flames, preserve the memory of the time when the funeral pyre consumed the living wife with the dead husband.The children of the bazaar watched them pass, holding out in their fingers scraps of foodthe remains of cakes, green fruit, or handfuls of rice, and the famishing creatures quarrelled for the morsels, frightening the little ones, who fled. Then they disappeared silently under the awnings, filling the air with a smell of dust and pepper, scaring the pigeons away from the pool for ablutions, and the birds fluttered up in dismay in the rosy sunset glow, seeking some other refuge for the night.Colaba is the port; the docks, with tall houses between the enormous warehouses. The silence is appalling; windows, doorsall are closed. Only a few coolies hurry by in the white sunshine, with[Pg 13] handkerchiefs over their mouths to protect them against the infection in these streets, whence came the plague which stole at first through the suburbs, nearer and nearer to the heart of the city, driving the maddened populace before it.And certainly the most comical of all is the representation of a baboo donor, to whom two servants, prostrate before him, are offering a glass of water.
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