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In a suburb of little houses beyond a great open square stands a gatewaya monumental portico of pink sandstone inlaid with white marble, on which the texts from the Koran, in black marble, look green in the intense light.

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Under the blinding sunshine reflected from the whitewashed houses, an incredibly mixed crowd, squeezed against the railings of the custom-house wharf, stands staring at the new arrivals. Natives, naked but for a narrow loin-cloth rolled about their hips; Parsees in long white tunics, tight white trousers, and on their heads hideous low square caps of dark wax-cloth, pursuing the stranger with offers of money-changing; Hindoos, clad in thin bright silk, and rolls of light-hued muslin on their head; English soldiers, in white helmets, two of whom stare at me fixedly, and exclaim that, "By Jo', Eddy has missed this steamer!"
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ONE:Entering by one of the fourteen gates in the ramparts of stone blocks scarcely hewn into shape, the city of palaces and mosques is found in ruins, matching the fortifications, without any decoration,[Pg 225] and all of the same cold grey hue, like a city of prisons. TWO:


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THREE:

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THREE:We visited a temple where the natives treasure the couch of the Guru Ram-Roy, a very holy and much venerated fakir.

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THREE:At the very top of the incline, the enclosing wall, black with age but bright with yellow velvet moss, rises precipitously above the plain, and three light balconies, with columns as slight as flower-stems,[Pg 77] crowned with pointed roofs recurved at the angles, overhang the abyss.AMRITSUR
THREE:Down in the streets the houses looked ghostly blue in the moonlight, the cross roads, lighted with the warmer glow of a few lamps in red paper shades, alternating with the black darkness, in which it was just possible to discern cows and goats lying on the ground.
THREE:BHAWNAGAR
THREE:Off next morning to the Khyber Pass. The road lay across the vast monotonous plain, richly productive all the way from Peshawur to the foot of the hills. At one end of a field some men had spread a net and were beating the field towards the corners with a heavy rope that broke down the tall oats; before long the birds were seen struggling under the meshes, but they were soon caught and carried away in cages.[Pg 224]
THREE:The four sons of the king presently come to a town. They ring at the door of a house inhabited by a woman who, as the little English translation tells us, carries on a foul trade, and Dilbar the dancing-girl appears.
THREE:It was melancholy to return under the gloomy, spreading banyans, through the dimly-lighted suburbs, where the people were still at work and selling their wares; and the dungeon, the dead stones, the guns now for ever silenced and pointed at vacancy, were lost in blue darkness.

ONE:Higher on the hills, amid the rich bright verdure of the tea-plantations, we find magnolias, pines, and the Campeachy medlar, all wreathed with climbing plants and invaded by the young growth of palms, by rattans which have succeeded in piercing the awning of parasites that hangs, starred with flowers, from tree to treeflowers like lamps shining among the ripe coco-nuts, mango fruit, and papaws.

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TWO:Round the railway station crowds the village of Chandernagore, the huts close together, with no land to spare, and at length we were in the city of houses, with broad terraces in front in a classic style, with colonnades and decorations in relief, and broad eaves overhanging for shade. And beautiful gardens, bougainvilleas, and almond trees, white-blossomed faintly touched with pink, hedge in streets with foreign-sounding names. The air was full of the fresh scent of water and greenery and of the blessed peace of silenceso rare in India.Outside the palace is a large garden, devoid of shade, with pools of water bowered in flowers and shrubs that shelter myriads of singing birds. At the end of the park is a tank full of crocodiles. A keeper called the brutes, and they came up facing us in a row, their jaws open to catch the food which the Rajah amuses himself by throwing to them.

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Another sanctuary holds an idol made of seven metals mingled to a pale golden hue. The statue is loaded with jewellery of silver and precious stones. On its head is a fan-shaped diadem starred with rubies. The walls and columns, of a dull purple, are decorated with gaudy mosaic of scraps of looking-glass set in brass along the lines of the mouldings.At Srinagar you live under the impression that the scene before you is a panorama, painted to cheat the eye. In the foreground is the river; beyond it spreads the plain, shut in by the giant mountains, just so far away as to harmonize as a whole, while over their summits, in the perpetually pure air, hues fleet like kisses of colour, the faintest shades reflected on the snow in tints going from lilac through every shade of blue and pale rose down to dead white.Amid hanging swathes of creepers, in a fold of the hill stands another temple, of red stone, very gloomy; and, in its depths, a rigid white Buddha, with purple shadows over his eyes of glittering crystal. And so on to temples innumerable, so much alike that, seeing each for the first time, I fancied that I was retracing my steps; and endless little shrine-like recesses, sheltering each its Buddha, make blots[Pg 43] of shadow on the bright ochre-coloured stone of the cliffs. For centuries, in the rainy season, thousands of pilgrims have come, year after year, to take up their abode in these cells, spending the cold weather in prayer and then going off to beg their living and coming back for the next wet season.
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