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In another place two elephants of bright indigo, and some musicians all green, with red parrots on their wrists, are painted on the walls of a hall where the prayer-bell is incessantly tolled. Here many worshippers were prostrate. An idol, flanked by two statues on guard in stiff hieratic attitudes, was almost hidden under gold chains and a crown of inordinate splendour, while a priest, wearing only a loin-cloth, stood calmly sluicing the white plaster and putting the god through his toilet, sometimes splashing the congregation.The walls are covered with bas-reliefs carved in the rock, the roof adorned with architraves of stone in infinite repetition of the same designs. The stone is grey, varied here and there with broad, black stains, and in other spots yellowish, with pale gold lights. Some of the sculpture remains still intact. The marriage of Siva and Parvati; the bride very timid, very fragile, leaning on the arm of the gigantic god, whose great height is crowned with a monumental tiara. Trimurti, a divinity with three faces, calm, smiling, and fiercethe symbol of Siva, the creator, the god of mercy, and of wrath. In a shadowed corner an elephant's head stands outGanesa, the god of wisdom, in the midst of a circle of graceful, slender, life-like figures of women. Quite at the end of the hall, two caryatides, tall and elegant, suggest lilies turned to women. In the inner sanctuary, a small edifice, with thick stone walls pierced with tiny windows that admit but a dim light, stands the lingam, a cylinder of stone crowned with scarlet flowers that look like flames in the doubtful light; and in deeper darkness,[Pg 22] under a stone canopy, another such idol, hardly visible. The Brahman priests are constantly engaged in daubing all the statues of these divinities with fresh crimson paint, and the votaries of Siva have a spot of the same colour in the middle of the forehead. Two lions, rigid in a hieratic attitude, keep guard over the entrance to a second temple, a good deal smaller and open to the air, beyond a courtyard, and screened with an awning of creepers.Inside the shops everything was piled together. The same man is at once a banker, a maker of papier-mach boxespapi-machi they call it hereand of carpets, a goldsmith, tailor, upholstererand never lets you go till you have bought something.
 
ONE:A golden mass, an enormous shrine chased all over and starred with tapers, now came forward, borne by a score of naked men. Against the gold background, in a perfect glory of diamonds and pearls, sat Vishnu, decked out with flowers and jewels, his head bare with a huge brilliant in his forehead.

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TWO:[Pg 224]The Ghoorkhas, small men and very active, young too, with Chinese features, were practising gymnastics. And recruits were being drilled, two of them barefoot, though wearing their gaiters.

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TWO:The dinner-table was covered with flowersMarchal Niel and Gloire de Dijon rosesbut enormous, as big as saucers, and of such a texture, such a colour! a tissue of frost and light; and round the table, which was loaded with silver plate, were grey and red uniforms. Strains of music were wafted in through the open windows from the regimental band playing slow waltz-tunes a little way off.
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FORE:

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FORE:From the open loggia at the end of the vast reception-room, lined with white marble and hung with thick carpets, there was an extensive view over the green plain inundated with water and sunshine to the holy city of dazzling domes that looked as if they had just risen from the Ganges. The air was full of heady fragrance; the Rajah described the springtide festivals, barges carrying troupes of dancing bayadres on the Ganges sparkling with a myriad lights.On the very edge of the Jumna, where russet fields break the monotony of its white sandy banks, is the private state-room, the residence of the sovereigns of Delhi, built of translucent milky[Pg 217] marble, warmed by the reflection of gold inlaid on the columns and merged with the stone that is turned to amber.

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FORE:Among the officers was a young lady on horseback, her black habit covered with dust. Instead of the pith helmet that the English ladies disfigure themselves by wearing, she had a straw hat with a long cambric scarf as a pugaree. She was pretty and sat well, and at the last turning she pulled up and watched the men, the ammunition and the baggage all march past, saluted them with her switch, and cantered off to the town of "cottages." I saw her again in the afternoon, taking tea in her garden as she sat on a packing-case among eviscerated bales, and giving orders to a mob of slow, clumsy coolies, who were arranging the house.

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FORE:The artist sat at work in a corner of the window, copying minutely, for the thousandth time perhaps, a Taj or a Moti Musjid. Quite unmoved while his[Pg 226] shopman displayed his wares, he worked on with brushes as fine as needles; but when, on leaving, I asked him where I could procure some colours I needed, "Then the sahib paints?" said he; and he rose at once, insisted on my taking a seat, pressed me to accept a little sandal-wood frame, as a fellow-artist, and then would positively paint my portrait.In one tent there was a display of innumerable gilt images, very suggestive of Jesuit influencemincing, chubby angels, martyrs carrying palm-branches, and ecstatic virgins with clasped hands, all serving to decorate the shrine in which the god was to be carried back to the temple. Coloured fires lighted the workmen, and in the background the temple was darkly visible, with only a few dim lamps shrouded in incense, and burning before Rama, whose festival was being kept.

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FORE:

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FORE:In a copse, women, surrounded by naked children, were breaking stones, which men carried to the road. The women screamed, hitting the hard pebbles with a too small pick, the children fought, the men squabbled and scolded, and amid all this hubbub three Parsees, sitting at a table under the shade of a tamarind tree, were adding up lines of figures on papers fluttering in the wind. There was not a dwelling in sight, no sign of an encampment, nothing but these labouring folk and the bureaucracy out in the open air, under the beating sun.Further on we came to a courtyard surrounded by a cloister, where the market for precious stones was held. The empress, invisible under her wrappers of gauze as thin as air, and surrounded by her women fanning her, would come out on her high balcony to choose the gems that pleased her for a moment by their sparkle, and then disappear into the gardens behind insurmountable walls. In another court, a[Pg 209] pool kept stocked with fish gave Shah Jehangir the pleasure of fancying he was fishing.

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TWO:
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THREE:Here in southern India the women wear hardly any trinkets, and their garb consists of sarongs and sarees, so thin that their shape is visible through the light stuff. In their hair, which is knotted low on the neck, they stick flowers, and occasionally light trailing sprays fall down on the throat. They all have gold studs screwed into the two upper front teeth; hideous are these two red-gold teeth among the others, sound and white under young lips!
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THREE:Close to us on each level spot of the scarped rock was a little fortified look-out where three or four soldiers kept watch, with here and there a larger tower, reached only by a ladder, and in these six or eight men.
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THREE:Even more than the assembly of their relatives and friends, the prisoners at the bar maintained the impassive mien of men who attach no disgrace to a sentence pronounced by a conquering race; they would take the penalty without a murmur, as one of the inevitable incidents of this life, which to them is but a stage, a passage to a higher existence.
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TWO:
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TWO:A port crowded with steamers taking in coal, and very light barks high out of the water, kept in equilibrium by parallel outriggers at the ends of two flexible spars. These crank boats, made of[Pg 124] planks that scarcely overlap, were piled with luggage, and the boatmen jostle and turn and skim close under the fast-steaming transatlantic liners, amid a bewildering babel of shouts and oaths, under a sun hot enough to melt lead.
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TWO:Asses followed, oxen and more camels, loaded beyond their strength with old iron, tin pannikins, a whole cargo of goods in cases from Manchester and Sheffieldso badly packed that things came clattering down as the beasts pushed each other amid oaths and blows.
THREE:To reach this tower in its garden of flowering shrubs the way is under the Alandin gate of pink sandstone; the name evokes a tale of wonder, and the pointed arch, exquisitely noble in its curve, looks like pale vellum, graven all over with ornaments, and inscriptions to the glory of Allah.
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Another templecarved and pierced, and loaded and overloaded with ornament. In the crypt was a bas-relief representing the ceremony of marriage: the procession, the couple in front of the altar, the relations sitting round, all alike in the same crouching attitude, like toys set out by a little child. Then the model of a very famous temple elsewhere in India: columns, gateways, statues of the gods, all reproduced with microscopic exactitude down to the minutest details; and surrounding this tiny model a bas-relief of the most bewildering perspectivea plan of Satrunji with its fifty-two principal temples, its trees and sacred tanks; and as a pendant to this representation, a circular carving giving a bird's-eye view of the crowd, the same little doll-like figures[Pg 79] repeated again and again, coming to worship with arms and legs spread out, grovelling, as if they were swimming.Above Darjeelinga modern and fashionable health-resort, a town of villas, for the most part with corrugated iron roofshangs a dense mist, cutting off the horizon at a distance of a few miles; and through the dull substance of this fleece, at an impossible height, there was a reflectiona mirage, an illusion, a brighter gleam, a bluer shadow, which might be the top of a mountain; but so high up, so far away, and above all so transient, that it failed to fix itself on the memory, blotted out at once by the pallid wall that shut[Pg 147] in the scene. But at sunset one thickness of the haze melted away, unveiling, leagues on leagues away, a chain of giant mountains, not yet the snowy peaks, but bright-hued cliffs on which gold and purple mingled in symphonies before dying into violet, turning to blue in the moonlight; and the mists fell once morea shroud at our feet, an abyss of shadows, in which the tea-planters' lamps twinkled through the darkness.One morning a quantity of dead rats were found lying on the ground; next some pigeons and fowls. Then a man died of a strange maladyan unknown disease, and then others, before it was known that they were even ill. A little fever, a little swelling under the arm, or in the throat, or on the groinand in forty-eight hours the patient was dead. The mysterious disease spread and increased; every day the victims were more and more numerous; an occult and treacherous evil, come none knew whence. At first it was attributed to some dates imported from Syria, to some corn brought from up-country; the dates were destroyed, the corn thrown into the sea, but the scourge went on and increased, heralded by terror and woe.One of the largest buildings once slid into the river during an earthquake, and stands there complete and unbroken, its magnificence surviving under water. Some minarets only rise above the surface like kiosks, and form a landing-stage, invaded by[Pg 159] the bathers, who wash themselves with much gesticulation, flourishing their long sarongs and white loin-cloths, which they spread out to dry on the steps.
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