ONE:But it was not merely in the writings of professed philosophers that the new aspect of Platonism found expression. All great art embodies in one form or another the leading conceptions of its age; and the latter half of the seventeenth century found such a manifestation in the comedies of Molire. If these works stand at the head of French literature, they owe their position not more to their authors brilliant wit than to his profound philosophy of life; or rather, we should say that with him wit and philosophy are one. The comic power of Shakespeare was shown by resolving the outward appearances of this world into a series of dissolving illusions. Like Spinoza and Malebranche, Molire turns the illusion in, showing what perverted opinions men form of themselves and others, through misconceptions and passions either of spontaneous growth or sedulously fostered by designing hands. Society, with him, seems almost entirely made up of pretenders and their dupes, both characters being not unfrequently combined in the same person, who is made a victim through his desire to pass for what he is not and cannot be. And this is what essentially distinguishes the art of Molire from the New Comedy of Athens, which he, like other moderns, had at first felt inclined to imitate until the success of the Prcieuses Ridicules showed him where his true opportunities lay. For the New Comedy was Aristotelian where it was not simply humanist; that is415 to say, it was an exhibition of types like those sketched by Aristotles disciple, Theophrastus, and already prefigured in the masters own Ethics. These were the perennial forms in a world of infinite and perishing individual existences, not concealed behind phenomena, but incorporated in them and constituting their essential truth. The Old Comedy is something different again; it is pre-philosophic, and may be characterised as an attempt to describe great political interests and tendencies through the medium of myths and fables and familiar domesticities, just as the old theories of Nature, the old lessons of practical wisdom, and the first great national chronicles had been thrown into the same homely form.572
TWO:Another term occupying a very large place in Aristotles philosophy was well adapted to mediate between and eventually to unite the two speculative extremes. This was Substance; in logic the subject of predication, in metaphysics the substratum of qualities, the ο?σ?α or Being of the Ten Categories. Now First Matter might fairly claim the position of a universal subject or substance, since it was invested with every sensible quality in turn, and even, as the common element of all Forms, with every thinkable quality as well. Aristotle himself had finally pronounced for the individual compound of Form and Matter as the true substance. Yet he also speaks as if the essential definition of a thing constituted the thing itself; in which case Form alone could be the true subject; and a similar claim might be put forward on behalf of the Plotinian One.561
ONE:
TWO:As might be expected, the circle of admirers which surrounded Plotinus included several women, beginning with his hostess Gemina and her daughter. He also stood high in the favour of the Emperor Galienus and his consort Salonina; so much so, indeed, that they were nearly persuaded to let him try the experiment of restoring a ruined city in Campania, and governing it according to Platos laws.411 Porphyry attributes the failure of this project to the envy of the courtiers;276 Hegel, with probably quite as much reason, to the sound judgment of the imperial ministers.412I thought I sawbut its gone! Larry retorted, lowering his voice also.
