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FORE:

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FORE:JAPANESE COURT IN THE OLD STYLE. JAPANESE COURT IN THE OLD STYLE."Good-bye." I could barely hear it.

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FORE:The leaf was all but finished when her mother began to talk with such suddenness that Alice wondered for the moment whether she was but talking in her sleep. But the gist of her remarks was slightly too consecutive to admit of that supposition.

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FORE:��I see you don��t mean me,�� she said quietly.

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FORE:"While we were looking at the audience there came half a dozen raps behind the curtain, as if two pieces of wood had been knocked together; and a moment after the rapping had stopped, the curtain was drawn aside. It was a common sort of curtain, and did not open in the middle like some of ours, or roll up like others; it was pulled aside as if it ran on a wire, and when it was out of sight we saw the stage set to represent a garden with lots of flower-pots and bushes. The stage was very small compared with an American one, and not more than ten or twelve feet deep; but it was set quite well, though not so elaborately as we would arrange it. The orchestra was in a couple of little boxes over the stage, one on each side, and each box contained six persons, three singers and three guitar-players. This is the regulation orchestra and chorus, so they say, in all the Japanese theatres, but it is sometimes differently made up. If a theatre is small and poor, it may have only two performers in each box, and sometimes one box may be empty, but this is not often.A humorous twinkle came into his eye.

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FORE:Mary's list included some carvings in ivory and some lacquered boxes to keep her gloves in. These were not at all difficult to find, as they were everywhere in the shops, and it would have been much harder to avoid them if he had wanted to do so. There were chessmen of ivory, and representations of the divinities of the country; and then there were little statues of the kings and high dignitaries from ancient times down to the present. As it was a matter of some perplexity, Frank sought the advice of Doctor Bronson; the latter told him it would be just as well to restrain himself in the purchase of ivory carvings, as there was better work of the kind in China, and a few samples of the products of Japan would[Pg 248] be sufficient. Frank acted upon this hint, and did not make any extensive investments in Japanese ivory. He found a great variety of what the Japanese call "nitschkis," which are small pieces of ivory carved in various shapes more or less fanciful. They were pretty, and had the merit of not being at all dear; and as they would make nice little souvenirs of Japan, he bought a good many of them. They are intended as ornaments to be worn at a gentleman's girdle, and in the olden times no gentleman considered his dress complete without one or more of these at his waist, just as most of the fashionable youths of America think that a scarf-pin is necessary to make life endurable. A large number of carvers made a living by working in ivory, and they displayed a wonderful amount of patience in completing their designs. One of these little carvings with which Frank was fascinated was a representation of a man mounting a horse with the assistance of a groom, who was holding the animal. The piece was less than two inches in length, and yet the carver had managed to put in this contracted space the figures of two men and a horse, with the dress of the men and the trappings of the horse as carefully shown as in a painting. There[Pg 249] was a hole in the pedestal on which the group stood, and Frank found, on inquiry, that this hole was intended for the passage of a cord to attach the ornament to the waist of the wearer. And then he observed that all the carvings had a similar provision for rendering them useful.

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