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THREE:Her love for Tallien was beginning to wane. It had never been more than a mad passion, aroused by excitement, romance, and the strange circumstances which threw them into each other��s way; and kept alive by vanity, interest, gratitude, and perhaps above all by success. She wanted Tallien to be a great power, a great man; and she was beginning to see that he was nothing of the sort. If, when Robespierre fell, instead of helping to set up a government composed of other men, he had seized the reins himself, she would have supported him heart and soul, shared his power, ambition, [339] and danger, and probably her admiration and pride might have preserved her love for him. But Tallien had not the power to play such a part; he had neither brains nor character to sway the minds of men and hold their wills in bondage to his own. And now he was in a position which in any line of life surely bars the way to success: he was neither one thing or the other.

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THREE:Capital letter I

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THREE:The last time Marie Antoinette ever sat to her was at Trianon, when she painted her head for the great picture in which the Queen is represented with her children, the first Dauphin, [20] Madame Royale, [21] and the Duc de Normandie, [22] which was [48] hung in the Salon of 1788, and excited universal admiration. It was afterwards taken to Versailles and hung in one of the salons through which the Queen always passed on her way to mass.

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